█████████████████████████████████████████████████████████████ ██╔════════╦════════════════╦═══════════════════╦═════════╗██ ██║ ║ ║ ║ ║██ ██║ ██████╩██████▓ ████╩███▓ ██████╩██████▓ ║██ ██║ ║██ ██║ █ █▓ █ ████ █▓ █▓ █▓ ║██ ██║ █ ███████ █▓ █ █▓ █ █▓▓▓▓▓ █▓ █████████▓ ║██ ██║ █ █▓▓▓▓▓█ █▓ █ ████ █████▓ █▓ █ ║██ ██║ █ █▓ █ █▓ █ █▓ █▓ █ ║██ ██║ █ █▓ █ █▓ █ ████████ █▓ █▓ █ ║██ ██║ █ █▓ █ █▓ █ █▓▓▓▓▓▓█ █▓ █▓ █ ║██ ██║ █ ███████ █▓ █ █▓ █ █▓ █▓ █████████▓ ║██ ██║ ████████ ║██ ██║ █ █▓ █ █▓ █▓ █▓ ║██ ██║ █████████████▓ ████████████▓ █████████████▓ ║██ ██║ ║██ ███║ █ ║███ █╔═╩════════════════╦══════════════════════╦═══════════════╩═╗█ █╠█▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█╣...OBSCENE PRESENTS...╠█▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒█╣█ █╚══════════════════╩════════╦═══╦═════════╩═════════════════╝█ █████████████████████████████║ ║█████████████████████████████ ███████╔═════════════════════╝ ╚═════════════════════╗███████ █╔═════╣ VA -antologia de musica electronica portugue ╠═════╗█ █║░░░░█╩═══════════════════════════════════════════════╩█░░░░║█ █║░ ░║█ █║░ VA ░║█ █║░ antologia de musica electronica portuguesa ░║█ █║░ Electronic ░║█ █║░ 15 ░║█ █║░ CDDA ░║█ █║░ VBRkbps 44,1kHz / Joint-Stereo ░║█ █║░ ░║█ █║░ ░║█ █║░░░░░░░░░░░░░░░░░░░░░░░░░░░█ █░░░░░░░░░░░░░░░░░░░░░░░░░░░║█ █╚═══════════════════════════╣ ╠═══════════════════════════╝█ █████████████████████████████║ ║█████████████████████████████ ███████████████████████╔══╦══╝ ╚══╔══╗███████████████████████ █╔═════════════════════╬▓▒╣TRACKLIST╠▒▓╬═════════════════════╗█ █║░░░░░░░░░░░░░░░░░░░░█╩══╝═════════╚══╩█░░░░░░░░░░░░░░░░░░░░║█ █║░ ░║█ █║░ ░║█ █║█ █║█ █╠╩═══╦═════════─═══════════════════════════─═════════╦═════╩╣█ █║ │ │ ║█ █║ Num│ TITLE │ TIME ║█ █╠════╬═════════─═══════════════════════════─═════════╬══════╣█ █║ 01 │ nuno canavarro -alsee │ 00:47║█ █║ 02 │ candido lima -oceanos │ 05:43║█ █║ 03 │ nuno rebelo -new amp │ 03:37║█ █║ 04 │ isabel soveral -anamorphoses i │ 05:11║█ █║ 05 │ filipe pires -homo sapiens │ 04:38║█ █║ 06 │ telectuc -performance │ 04:42║█ █║ 07 │ jorge peixinho -elegia a amilcar cabral │ 05:03║█ █║ 08 │ rafael toral -mills session (introducao) │ 02:15║█ █║ 09 │ joao pedro oliveira -silence to light │ 03:29║█ █║ 10 │ anar band -plasticman │ 04:37║█ █║ 11 │ rene bertholo -africa aqui │ 01:44║█ █║ 12 │ carlos zingaro -#444-07 │ 03:23║█ █║ 13 │ emanuel dimas de melo pimenta -lisbon │ 02:59║█ █║ │ revisited │ ║█ █║ 14 │ no noise reduction -rlo ii │ 03:30║█ █║ 15 │ antonio ferreira -o verao nasceu da paixao │ 08:39║█ █║ │ de 1921 │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ │ ║█ █║ │ ToTaL TiME : 60:17 min ║█ █║ │ SiZE : 81,2 MB ║█ █║ │ │ ║█ █╠╦═══╩────────────────────── ────────────────────╩═════╦╣█ █║█░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░█║█ █╚═════════════════════════╦█ █╦═════════════════════════╝█ ███████████████████████████║║NOTES║║███████████████████████████ █╔═════════════════╝█ █╚═════════════════╗█ █║░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░║█ █║░ ░║█ █║░ LABEL : Plancton Music/TOM MUSIC ░║█ █║░ (TOM38) ░║█ █║░ ░║█ █║░ This anthology covers artists and ░║█ █║░ works informed by very different ░║█ █║░ cultural backgrounds, normal as it is ░║█ █║░ to the "inhabitants" of each cultural ░║█ █║░ environment to live in somehow ░║█ █║░ isolated communities. My goal was to ░║█ █║░ weave a historic thread that would ░║█ █║░ freely cross boundaries between the ░║█ █║░ artists' cultural territories and ░║█ █║░ also to document as many approaches ░║█ █║░ to electronic music as possible, on ░║█ █║░ both material and conceptual levels. ░║█ █║░ It's a work that i approached with an ░║█ █║░ artistic and personal perspective. ░║█ █║░ That is to say, the anthology is also ░║█ █║░ to be a work on its own, and ░║█ █║░ relations between the presented ░║█ █║░ pieces were determined by musical ░║█ █║░ criteria, rather than chronological ░║█ █║░ or other. I also intended to provide ░║█ █║░ a view into each artist in a possibly ░║█ █║░ surprising way, always trying to ░║█ █║░ escape each oneÆs typical image, as ░║█ █║░ well as to subtly evoke the playful ░║█ █║░ dimension in creative processes. ░║█ █║░ These excerpts were chosen (by ░║█ █║░ Plancton Music at first and myself ░║█ █║░ later) because of their musical ░║█ █║░ importance and historic relevance ░║█ █║░ (either collective or personal). ░║█ █║░ However, using this approach, the ░║█ █║░ present anthology couldn't and ░║█ █║░ wouldn't pretend to be exhaustive or ░║█ █║░ complete. ░║█ █║░ ░║█ █║░ http://www.rafaeltoral.net/02_records ░║█ █║░ /antologia.html ░║█ █║░ ░║█ █║░ ░║█ █║░ ░║█ █║░ GREETZ : ESC SOUR RNS C4 MOD BPM XXL ░║█ █║░ ░║█ █║░░░░░░░░░░░░░░░░░░░░░█░░░░░░░░░░░░░░░░░░░░░║█ █╚═════════════════╦═══╩═══╦═════════════════╝█ ███████████████████║OBSCENE║███████████████████ █╚═══════╝█ ███████████