VA-Extrusive_Propagation-(PCMS044)-WEB-2017-BABAS

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-indidjinous__madam_bliss--indidjibliss-46f99f9b.mp3 Indidjinous, Madam Bliss Indidjibliss 320 Unknown
2 02-dr__um--chiari_malformations-8bf8c9ae.mp3 Dr...um Chiari Malformations 320 Unknown
3 03-shins-k--efreeqiya-e537c9ed.mp3 Shins-K Efreeqiya 320 Unknown
4 04-fushara--diagonal-a19e5912.mp3 Fushara Diagonal 320 Unknown
NFO
O . . O o o ! ! | | | | | | /\ /\ _ | . ____!__ /. \ _______ / \\ _|___/ _____\_ )___// _\____\_ )___/ \ ./ /_____ _ ___ _ \ /. / \ \ /. / _\__|____ \ _ ____ _ /// /_____\| __// /______\| __/ \ \ _/ ___//// /_____________/ . \ ______/:/ /_ \________/ |:/_____________\\.:::::/____________\::| |:::::::::::::::::::::::::::::::::::::::| . |:::::::::::::::::::::::::::::::::::::::| ┬┤ |:::::::::::::::::::::::::::::::::::::::| x |:::::::::::::::::::::::::::::::::::::::| . |:::::::::::::::::::::::::::::::::::::::| : _ ___|:::::::::::::::::::::::::::::::::::::::|___ _ x . . . . B A B A S . . . . _ ___._______________________________________.___ _ . . : : . _|_ _| ! : : !. |/ \| .| : : |: _ __./ x Manipulating Crap Shit x \.__ _ :! : : |: // //. .\\ \\ :| : : |: : . x x . : :x : : !: ::. .:: :! : :..:. ..... . ........................................... ... ....: VA-Extrusive_Propagation-(PCMS044)-WEB-2017-BABAS . : x :: ___ ______ ___ ____ ___ _____ ___ ________. ____:: : ::/ /__\ /____/ \\ \_/ \\ \___\ \____\ \ |/ /: __:|__ / /| / _ \_ \ _ \_ \ _ / / / | _//: x _\ / _\________\__/____/ /__/____/ \__ \ \__\ \____ /:::: . //_______/ |\____\::::::\____\ \____/::\____/(___\:::: . :::::| METADATA SUMMARY |\::::::::::::::::::::::::::::::::::::::::: : :... |___________________|\ . ....: \\\\\\\\\\\\\\\\\\\\\ artist > Various Artists title > Extrusive Propagation year > 2017 genre > Drum & Bass mood > Leftfield DnB x Drumfunk x Halftime label > Pinecone Moonshine catno > PCMS044 predate > 2021-06-17 tracks > 4 size > 47.58 mb url > https://pineconemoonshine.bandcamp.com/album/pcms044-extrusive-propagation _________________ | |\ ________ _____| QUALITY CONTROL |\ / _ \/ /.______ __________|\:::::::::::::::::::::::::::::::::::: / / _ /_ \| \\\\\\\\\\\\\:::::::::::::::::::::::::::::::::::: . \______\ \_ __________/::::::::::::::::::::::::::::::::::::::::::::::: :::\____/::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: : . ..: codec > MP3 MPEG 1 layer 3 encoder > Lame quality > 320Kbps/CBR/44.1kHz/2CH/Joint Stereo source > WEB _____________ _____. /| | ._ _______ ____ ______ ___ \_ |______ . ____/__: /| T R A C K S |:|// /_\_ \_/ /_/ /.___/ / _// ./ /_\:: /|_____________|::/ _/. / / _ / \| \_ \ \___|_. \| : ///////////////::/_____/ /___\ \_ \___\\________/__|\___ /| __/: . :::::::::::::::::::::::::\_____\:::::::::::::::::::::/__________\::: : :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: : ...:.. . ...:... time -------- 01. Indidjinous, Madam Bliss - Indidjibliss 5:25 02. Dr...um - Chiari Malformations 3:06 03. Shins-K - Efreeqiya 6:00 04. Fushara - Diagonal 5:47 -------- 00:20:18 : : .....: x _ . . ..:> .::. ______/_______ _____/ ____ ___________. :: :___/\\. // ._ \_/______( / _____ ./ /___ ..| |\:: ..:._/ _ \| /. l/ // /. _// /__|___ \::| N O T E S |\:: :.: \____/ '\ \________\ _//___\______\ // _//:|___________|\:: :.. .::: \_______/::::::/______/:::::::\::/____________/:::::\\\\\\\\\\\\\::.. : .::::::::::::::::::::::::::::::::::::::::::::::/::::::::::::::::::::::::::.: :....::. . ..: Indidjinous and Madam Bliss collaborated on a unique Drum and Bass track with live flute and live didgeridoo. The bassline reinforces a steady half-time rhythm as the flute and didgeridoo alternate. Three minutes in, the half-time rhythm switches to the Amen break and an outbreak of didgeridoo notes. Dr...um quickly introduces his percussion before dropping into the bassline. This is a tough, sounding break with aggressive edits, on the verge of being Breakcore. The slow moving harmony bellows under the drum breaks. Drones and distorted grinding swells make up the background of Shins-KΓÇÖs Efreeqiya, while percussion sets up a sort of melody. Fragmented drum breaks are scattered in the main rhythm and drive moments of tension. The intro, middle, and outro are blurred as the transitions subtly unfold. Fushara returns with a live sounding drum kit and an uplifting harmony. A bassline playing to the harmony, extra percussion, and bongos brings up the intensity before switching to a more ... visit URL to read more . : x .: ::.... \ :: ____________\__ . . . ..:::: ( (.-----. _ ) \ \\____/((_)/ < ( BABAS > sorry for the web x we are ashamed ) > \__\________/::.... ':v::::V:::::::::................................... . ............ last nfo update 2O2O1224

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