VA-Jambu_e_Os_Miticos_Sons_Da_Amazonia_1974-1986-(AACD088)-WEB-PT-2019-SOUNDz

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-pinduca-(introducao)_rosvaldo_ja_chegou-snz.mp3 Pinduca (Introdução) Rosvaldo Ja Chegou? 320 Unknown
2 02-pinduca-vamos_farrear-snz.mp3 Pinduca Vamos Farrear 320 Unknown
3 03-os_muiraquitans-a_misturada-snz.mp3 Os Muiraquitãns A Misturada 320 Unknown
4 04-pinduca-pai_xango-snz.mp3 Pinduca Pai Xangô 320 Unknown
5 05-os_quentes_de_terra_alta-praia_de_algodoal-snz.mp3 Os Quentes De Terra Alta Praia de Algodoal 320 Unknown
6 06-janjao-meu_barquinho-snz.mp3 Janjão Meu Barquinho 320 Unknown
7 07-messias_holanda-o_galo_canta__o_macaco_assovia-snz.mp3 Messias Holanda O Galo Canta, o Macaco Assovia 320 Unknown
8 08-vieira_e_seu_conjunto-lambada_da_baleia-snz.mp3 Vieira e Seu Conjunto Lambada da Baleia 320 Unknown
9 09-verequete_e_o_conjunto_uirapuru-mambo_assanhado-snz.mp3 Verequete E O Conjunto Uirapuru Mambo Assanhado 320 Unknown
10 10-orlando_pereira-carimbo_para_yemanja-snz.mp3 Orlando Pereira Carimbó para Yemanjá 320 Unknown
11 11-pinduca-coco_da_bahia-snz.mp3 Pinduca Coco da Bahia 320 Unknown
12 12-messias_holanda-carimbo_de_pimienta-snz.mp3 Messias Holanda Carimbó de Pimienta 320 Unknown
13 13-verequete_e_o_conjunto_uirapuru-da_garrafa_uma_pinga-snz.mp3 Verequete E O Conjunto Uirapuru Da Garrafa uma Pinga 320 Unknown
14 14-orlando_pereira-maruda-snz.mp3 Orlando Pereira Maruda 320 Unknown
15 15-magalhaes_e_sua_guitarra-xango-snz.mp3 Magalhães e sua Guitarra Xangô 320 Unknown
16 16-vieira_e_seu_conjunto-melo_do_bode-snz.mp3 Vieira e Seu Conjunto Melô do Bode 320 Unknown
17 17-grupo_da_pesada-vao_andorinha-snz.mp3 Grupo Da Pesada Vao Andorinha 320 Unknown
18 18-grupo_da_pesada-lundun_da_yaya-snz.mp3 Grupo Da Pesada Lundun da Yaya 320 Unknown
19 19-mestre_cupijo_e_seu_ritmo-despedida-snz.mp3 Mestre Cupijó e Seu Ritmo Despedida 320 Unknown
NFO
.___________________________________________________________________________. |========================-==-..:.::. SOUNDz .::.:..-==-=====================| | ___________/_ _______ /\ |\/\/| _\___________ | : |_ /_ _( )_ \/ .---. _|____//> __ /\ _\ _| : . | __ / | |____ | |___\_ | /_____\ \ \/ \ __ | . ! | /___/_ | ___ | | | || \ | \/ |_ \ _\___\ | ! . | \ ! \ / | | | || \| \ | \ / | . <>!_______ \ / | | | || \ \ | |\ \ _______!<> ==\-----. \ \ \ | )_( || \ \ \| |_\ \ / .-----/zNr .==/\ /___\ |_ _| || \ \ \ /___\ /\dS! :=/ |'-------'/_________\! |\ \_________/ \= /____/\_________|===================='-\-'=\________|=====|_________/\____\ ___\/_______________________________/_\___________________________\/___ //// // // // // // // // // / \ \ \\ \\ \\ \\ \\ \\ \\ \\\\ /// // // // // // // // // / /\\ \ \\ \\ \\ \\ \\ \\ \\ \\\ /___/___/___/___/___/___/___/___/___/_//\\\_\___\___\___\___\___\___\___\___\ \\ \\ \\ \\ \\ \\ \\ \\ \\ \ \\_// / // // // // // // // // \\\ \\ \\ \\ \\ \\ \\ \\ \\ \ \\/ / // // // // // // // /// \\\___\___\___\___\___\___\___\___\___\ \ /___/___/___/___/___/___/___/___/// . ------------------------------------\ /-------------------------------- . : \ : | / \ | | | | | | R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> | | ----------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< | | | | VA-Jambu_e_Os_Miticos_Sons_Da_Amazonia_1974-1986-(AACD088)-WEB-PT-201 | | --------------------------------------------------------------------- | | | | Artist______________ Various Artists | | Title_______________ Jambu e Os Miticos Sons Da Amazonia 1974-1986 | | Label_______________ Analog Africa / AACD088 | | Genre_______________ World | | Year________________ 2019 | | Release Date________ 2019-06-20 | | Street Date_________ 2019-06-21 | | Source______________ WEB | | Encoder_____________ MP3 / Lavf | | Quality_____________ CBR 320kbps 44.1kHz | | Size________________ 133.4MiB | | Playtime____________ 0:57:27 | | URL_________________ https://play.google.com/store/music/album/ | | ?id=Bgdwougsb2o3g2ijssyi4dwkel4 | | | | | | 01. Pinduca - (Introducao) Rosvaldo Ja Chegou? 00:30 | | 02. Pinduca - Vamos Farrear 03:08 | | 03. Os Muiraquitans - A Misturada 03:03 | | 04. Pinduca - Pai Xango 03:37 | | 05. Os Quentes De Terra Alta - Praia de Algodoal 03:24 | | 06. Janjao - Meu Barquinho 03:15 | | 07. Messias Holanda - O Galo Canta, o Macaco Assovia 03:34 | | 08. Vieira e Seu Conjunto - Lambada da Baleia 02:20 | | 09. Verequete E O Conjunto Uirapuru - Mambo Assanhado 02:54 | | 10. Orlando Pereira - Carimbo para Yemanja 03:26 | | 11. Pinduca - Coco da Bahia 02:32 | | 12. Messias Holanda - Carimbo de Pimienta 03:14 | | 13. Verequete E O Conjunto Uirapuru - Da Garrafa uma Pinga 03:08 | | 14. Orlando Pereira - Maruda 02:01 | | 15. Magalhaes e sua Guitarra - Xango 03:23 | | 16. Vieira e Seu Conjunto - Melo do Bode 03:47 | | 17. Grupo Da Pesada - Vao Andorinha 02:44 | | 18. Grupo Da Pesada - Lundun da Yaya 03:21 | | 19. Mestre Cupijo e Seu Ritmo - Despedida 04:08 | | | | | | R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> | | ------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< | | | | | | The city of Belem, in the Northern state of Para in Brazil, has long | | been a hotbed of culture and musical innovation. Enveloped by the | | mystical wonder of the Amazonian forest and overlooking the vastness | | of the Atlantic Ocean, Belem consists of a diverse culture as vibrant | | and broad as the Amazon itself. Amerindians, Europeans, Africans - | | and the myriad combinations between these people - would mingle, and | | ingeniously pioneer musical genres such as Carimbo, Samba-De-Cacete, | | Siria, Bois-Bumbas and bambia. Although left in the margins of | | history, these exotic and mysteriously different sounds would thrive | | in a parallel universe of their own. | | | | I didn't even know of the existence of that universe until an | | Australian DJ and producer by the name of Carlo Xavier dragged me | | deep into this whole new musical world. Ant it all began in Belem do | | Para. Perched on a peninsula between the Bay of Guajara and the Guama | | river, sculpted by water into ports, small deltas and peripheral | | areas, Belem had connected city dwellers with those deeper within the | | forest providing fertile ground for the development of a popular | | culture mirroring the mighty waters surrounding it. Through the | | continuous flow of culture, language and tradition, various rhythms | | were gathered here and transformed into new musical forms that were | | simultaneously traditional and modern. | | | | Historically marginalized African religions like Umbanda, Candomble | | and the Tambor de Mina, which had reached this side of the Atlantic | | through slaves from West Africa - especially from the Kingdom of | | Dahomey, currently the Republic of Benin - left an indelible stamp on | | the identity of Para's music. They would give birth to Lundun, Bangue | | and Carimbo, styles later modernised by Verequete, Orlando Pereira, | | Mestre Cupijo and Pinduca to great effect. The success of these | | pioneers would create a solid foundation for a myriad of modern bands | | in urban areas. | | | | Known as the "Caribbean Port", Belem had been receiving signal from | | radio stations from Colombia, Surinam, Guyana and the Caribbean | | islands - notably Cuba and the Dominican republic - since the 1940s. | | By the early 1960s, Disc jockeys breathlessly exchanged Caribbean | | records to add these frenetic, island sounds to liven up revelers. | | The competition was fierce as to who would be the first to bring | | unheard hits from these countries. The craze eventually reached local | | bands' repertoires, and Belem's suburbs got overtaken by merengue, | | leading to the creation of modern sounds such as Lambada and | | Guitarrada. | | | | To reach a larger audience, the music needed to be broadcast. Radios | | began targeting the taste of mainstream audiences and played music | | known as "music for masses". As the demand for this music grew, it | | led to the establishment of recording companies. Belem's infant | | recording industry began when Rauland Belem Som Ltd was founded in | | the 1970s. It boosted a radio station, a recording studio, a music | | label and had a deep roster of popular artists across the carimbo, | | siria, bolero and Brega genres. | | | | Another important aspect in understanding how the musical tradition | | spread in Belem, are the aparelhagem sonora: the sound system culture | | of Para. Beginning as simple gramophones connected to loudspeakers | | tied to light posts or trees, these sound systems livened up | | neighbourhood parties and family gatherings. The equipment evolved | | from amateur models into sophisticated versions, perfected over time | | through the wisdom of handymen. Today's aparelhagens draw immense | | crowds, packing clubs with thousands of revelers in Belem's | | peripheral neighbourhoods or inland towns in Para. | | | | The history of "Jambu e Os Miticos Sons Da Amazonia" is the history | | of an entire city in its full glory. With bustling nightclubs | | providing the best sound systems and erotic live shows, gossip about | | the whereabouts of legendary bands, singers turned into movie stars, | | supreme craftiness, and the creativity of a class of musicians that | | didn't hesitate to take a gamble, Jambu is an exhilarating, cinematic | | ride into the beauty and heart of what makes Para's little corner of | | the Amazon tick. The hip swaying, frantic percussion and big band | | brass of the mixture of carimbo with siria, the mystical melodies of | | Amazonian drums, the hypnotizing cadence of the choirs, and the deep, | | musical reverence to Afro-Brazilian religions, provided the | | soundtrack for sweltering nights in the city's club district. | | | | The music and tales found in Jambu are stories of resilience, triumph | | against all odds, and, most importantly, of a city in the borders of | | the Amazon who has always known how to throw a damn good party. | | | | "Jambu is a plant widely used in Amazonian and Paraense cuisine. | | Known for having an appetite-stimulating effect, it is added to | | various dishes and salads but is most famously one of the main | | ingredients in Tucupi and Tacaca, two delicacies that have been | | immortalized in countless Carimbo songs. Chewing the leaves of the | | Jambu plant will leave a strong sensation of tingling on the tongue | | and lips. Indigenous communities have relied upon its anaesthetic | | qualities for centuries as an effective remedy against toothaches and | | as a cure for mouth and throat infections. A decade ago, a distillery | | from Belem discovered the euphoric effects of the Jambu plant when | | combined with distilled sugarcane based spirit - known as cachaca - | | and created the now legendary "Cachaca de Jambu". | | | | Compiled by Samy Ben Redjeb & Carlo Xavier. | | | | | | YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! | | | | | | . . | | |\/\/| | | |____| | |------------------------------=---=-======-=---=-------------------------| |===/\===============================SOUNDz==========================/\===| '--/__\--------------------------=-2013-2019-=----------------------/__\--'

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