Genre | World |
---|---|
Date (CEST) | 2019-06-20 22:02:15 |
Group | SOUNDz |
Size | 133 MB |
Files | 19 |
M3U / SFV / NFO |
VA-Jambu_e_Os_Miticos_Sons_Da_Amazonia_1974-1986-(AACD088)-WEB-PT-2019-SOUNDz
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-pinduca-(introducao)_rosvaldo_ja_chegou-snz.mp3 | Pinduca | (Introdução) Rosvaldo Ja Chegou? | 320 | Unknown |
2 | 02-pinduca-vamos_farrear-snz.mp3 | Pinduca | Vamos Farrear | 320 | Unknown |
3 | 03-os_muiraquitans-a_misturada-snz.mp3 | Os Muiraquitãns | A Misturada | 320 | Unknown |
4 | 04-pinduca-pai_xango-snz.mp3 | Pinduca | Pai Xangô | 320 | Unknown |
5 | 05-os_quentes_de_terra_alta-praia_de_algodoal-snz.mp3 | Os Quentes De Terra Alta | Praia de Algodoal | 320 | Unknown |
6 | 06-janjao-meu_barquinho-snz.mp3 | Janjão | Meu Barquinho | 320 | Unknown |
7 | 07-messias_holanda-o_galo_canta__o_macaco_assovia-snz.mp3 | Messias Holanda | O Galo Canta, o Macaco Assovia | 320 | Unknown |
8 | 08-vieira_e_seu_conjunto-lambada_da_baleia-snz.mp3 | Vieira e Seu Conjunto | Lambada da Baleia | 320 | Unknown |
9 | 09-verequete_e_o_conjunto_uirapuru-mambo_assanhado-snz.mp3 | Verequete E O Conjunto Uirapuru | Mambo Assanhado | 320 | Unknown |
10 | 10-orlando_pereira-carimbo_para_yemanja-snz.mp3 | Orlando Pereira | Carimbó para Yemanjá | 320 | Unknown |
11 | 11-pinduca-coco_da_bahia-snz.mp3 | Pinduca | Coco da Bahia | 320 | Unknown |
12 | 12-messias_holanda-carimbo_de_pimienta-snz.mp3 | Messias Holanda | Carimbó de Pimienta | 320 | Unknown |
13 | 13-verequete_e_o_conjunto_uirapuru-da_garrafa_uma_pinga-snz.mp3 | Verequete E O Conjunto Uirapuru | Da Garrafa uma Pinga | 320 | Unknown |
14 | 14-orlando_pereira-maruda-snz.mp3 | Orlando Pereira | Maruda | 320 | Unknown |
15 | 15-magalhaes_e_sua_guitarra-xango-snz.mp3 | Magalhães e sua Guitarra | Xangô | 320 | Unknown |
16 | 16-vieira_e_seu_conjunto-melo_do_bode-snz.mp3 | Vieira e Seu Conjunto | Melô do Bode | 320 | Unknown |
17 | 17-grupo_da_pesada-vao_andorinha-snz.mp3 | Grupo Da Pesada | Vao Andorinha | 320 | Unknown |
18 | 18-grupo_da_pesada-lundun_da_yaya-snz.mp3 | Grupo Da Pesada | Lundun da Yaya | 320 | Unknown |
19 | 19-mestre_cupijo_e_seu_ritmo-despedida-snz.mp3 | Mestre Cupijó e Seu Ritmo | Despedida | 320 | Unknown |
NFO
.___________________________________________________________________________.
|========================-==-..:.::. SOUNDz .::.:..-==-=====================|
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. | \ ! \ / | | | || \| \ | \ / | .
<>!_______ \ / | | | || \ \ | |\ \ _______!<>
==\-----. \ \ \ | )_( || \ \ \| |_\ \ / .-----/zNr
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:=/ |'-------'/_________\! |\ \_________/ \=
/____/\_________|===================='-\-'=\________|=====|_________/\____\
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//// // // // // // // // // / \ \ \\ \\ \\ \\ \\ \\ \\ \\\\
/// // // // // // // // // / /\\ \ \\ \\ \\ \\ \\ \\ \\ \\\
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| / \ |
| |
| |
| R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ----------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
| |
| VA-Jambu_e_Os_Miticos_Sons_Da_Amazonia_1974-1986-(AACD088)-WEB-PT-201 |
| --------------------------------------------------------------------- |
| |
| Artist______________ Various Artists |
| Title_______________ Jambu e Os Miticos Sons Da Amazonia 1974-1986 |
| Label_______________ Analog Africa / AACD088 |
| Genre_______________ World |
| Year________________ 2019 |
| Release Date________ 2019-06-20 |
| Street Date_________ 2019-06-21 |
| Source______________ WEB |
| Encoder_____________ MP3 / Lavf |
| Quality_____________ CBR 320kbps 44.1kHz |
| Size________________ 133.4MiB |
| Playtime____________ 0:57:27 |
| URL_________________ https://play.google.com/store/music/album/ |
| ?id=Bgdwougsb2o3g2ijssyi4dwkel4 |
| |
| |
| 01. Pinduca - (Introducao) Rosvaldo Ja Chegou? 00:30 |
| 02. Pinduca - Vamos Farrear 03:08 |
| 03. Os Muiraquitans - A Misturada 03:03 |
| 04. Pinduca - Pai Xango 03:37 |
| 05. Os Quentes De Terra Alta - Praia de Algodoal 03:24 |
| 06. Janjao - Meu Barquinho 03:15 |
| 07. Messias Holanda - O Galo Canta, o Macaco Assovia 03:34 |
| 08. Vieira e Seu Conjunto - Lambada da Baleia 02:20 |
| 09. Verequete E O Conjunto Uirapuru - Mambo Assanhado 02:54 |
| 10. Orlando Pereira - Carimbo para Yemanja 03:26 |
| 11. Pinduca - Coco da Bahia 02:32 |
| 12. Messias Holanda - Carimbo de Pimienta 03:14 |
| 13. Verequete E O Conjunto Uirapuru - Da Garrafa uma Pinga 03:08 |
| 14. Orlando Pereira - Maruda 02:01 |
| 15. Magalhaes e sua Guitarra - Xango 03:23 |
| 16. Vieira e Seu Conjunto - Melo do Bode 03:47 |
| 17. Grupo Da Pesada - Vao Andorinha 02:44 |
| 18. Grupo Da Pesada - Lundun da Yaya 03:21 |
| 19. Mestre Cupijo e Seu Ritmo - Despedida 04:08 |
| |
| |
| R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
| |
| |
| The city of Belem, in the Northern state of Para in Brazil, has long |
| been a hotbed of culture and musical innovation. Enveloped by the |
| mystical wonder of the Amazonian forest and overlooking the vastness |
| of the Atlantic Ocean, Belem consists of a diverse culture as vibrant |
| and broad as the Amazon itself. Amerindians, Europeans, Africans - |
| and the myriad combinations between these people - would mingle, and |
| ingeniously pioneer musical genres such as Carimbo, Samba-De-Cacete, |
| Siria, Bois-Bumbas and bambia. Although left in the margins of |
| history, these exotic and mysteriously different sounds would thrive |
| in a parallel universe of their own. |
| |
| I didn't even know of the existence of that universe until an |
| Australian DJ and producer by the name of Carlo Xavier dragged me |
| deep into this whole new musical world. Ant it all began in Belem do |
| Para. Perched on a peninsula between the Bay of Guajara and the Guama |
| river, sculpted by water into ports, small deltas and peripheral |
| areas, Belem had connected city dwellers with those deeper within the |
| forest providing fertile ground for the development of a popular |
| culture mirroring the mighty waters surrounding it. Through the |
| continuous flow of culture, language and tradition, various rhythms |
| were gathered here and transformed into new musical forms that were |
| simultaneously traditional and modern. |
| |
| Historically marginalized African religions like Umbanda, Candomble |
| and the Tambor de Mina, which had reached this side of the Atlantic |
| through slaves from West Africa - especially from the Kingdom of |
| Dahomey, currently the Republic of Benin - left an indelible stamp on |
| the identity of Para's music. They would give birth to Lundun, Bangue |
| and Carimbo, styles later modernised by Verequete, Orlando Pereira, |
| Mestre Cupijo and Pinduca to great effect. The success of these |
| pioneers would create a solid foundation for a myriad of modern bands |
| in urban areas. |
| |
| Known as the "Caribbean Port", Belem had been receiving signal from |
| radio stations from Colombia, Surinam, Guyana and the Caribbean |
| islands - notably Cuba and the Dominican republic - since the 1940s. |
| By the early 1960s, Disc jockeys breathlessly exchanged Caribbean |
| records to add these frenetic, island sounds to liven up revelers. |
| The competition was fierce as to who would be the first to bring |
| unheard hits from these countries. The craze eventually reached local |
| bands' repertoires, and Belem's suburbs got overtaken by merengue, |
| leading to the creation of modern sounds such as Lambada and |
| Guitarrada. |
| |
| To reach a larger audience, the music needed to be broadcast. Radios |
| began targeting the taste of mainstream audiences and played music |
| known as "music for masses". As the demand for this music grew, it |
| led to the establishment of recording companies. Belem's infant |
| recording industry began when Rauland Belem Som Ltd was founded in |
| the 1970s. It boosted a radio station, a recording studio, a music |
| label and had a deep roster of popular artists across the carimbo, |
| siria, bolero and Brega genres. |
| |
| Another important aspect in understanding how the musical tradition |
| spread in Belem, are the aparelhagem sonora: the sound system culture |
| of Para. Beginning as simple gramophones connected to loudspeakers |
| tied to light posts or trees, these sound systems livened up |
| neighbourhood parties and family gatherings. The equipment evolved |
| from amateur models into sophisticated versions, perfected over time |
| through the wisdom of handymen. Today's aparelhagens draw immense |
| crowds, packing clubs with thousands of revelers in Belem's |
| peripheral neighbourhoods or inland towns in Para. |
| |
| The history of "Jambu e Os Miticos Sons Da Amazonia" is the history |
| of an entire city in its full glory. With bustling nightclubs |
| providing the best sound systems and erotic live shows, gossip about |
| the whereabouts of legendary bands, singers turned into movie stars, |
| supreme craftiness, and the creativity of a class of musicians that |
| didn't hesitate to take a gamble, Jambu is an exhilarating, cinematic |
| ride into the beauty and heart of what makes Para's little corner of |
| the Amazon tick. The hip swaying, frantic percussion and big band |
| brass of the mixture of carimbo with siria, the mystical melodies of |
| Amazonian drums, the hypnotizing cadence of the choirs, and the deep, |
| musical reverence to Afro-Brazilian religions, provided the |
| soundtrack for sweltering nights in the city's club district. |
| |
| The music and tales found in Jambu are stories of resilience, triumph |
| against all odds, and, most importantly, of a city in the borders of |
| the Amazon who has always known how to throw a damn good party. |
| |
| "Jambu is a plant widely used in Amazonian and Paraense cuisine. |
| Known for having an appetite-stimulating effect, it is added to |
| various dishes and salads but is most famously one of the main |
| ingredients in Tucupi and Tacaca, two delicacies that have been |
| immortalized in countless Carimbo songs. Chewing the leaves of the |
| Jambu plant will leave a strong sensation of tingling on the tongue |
| and lips. Indigenous communities have relied upon its anaesthetic |
| qualities for centuries as an effective remedy against toothaches and |
| as a cure for mouth and throat infections. A decade ago, a distillery |
| from Belem discovered the euphoric effects of the Jambu plant when |
| combined with distilled sugarcane based spirit - known as cachaca - |
| and created the now legendary "Cachaca de Jambu". |
| |
| Compiled by Samy Ben Redjeb & Carlo Xavier. |
| |
| |
| YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! |
| |
| |
| . . |
| |\/\/| |
| |____| |
|------------------------------=---=-======-=---=-------------------------|
|===/\===============================SOUNDz==========================/\===|
'--/__\--------------------------=-2013-2019-=----------------------/__\--'