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Number : STH2044 ▓███ ███▓ Street Date : 2002-00-00 ▓███ ███▓ Rip Date : 2020-00-00 ▓███ ███▓ Encoder : LAME 3.100 -V0 ▓███ ███▓ Quality : 246kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 22 ▓███ ███▓ Playtime : 00:53:58 (102.5MB) ▓███ ███▓ URL : http://www.google.com ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Beat Conductor - Chops & Thangs 1:00 ▓███ ███▓ 02 Quasimoto - Microphone Mathematics Remix 2:25 ▓███ ███▓ 03 Dudley Perkins - Flowers 2:29 ▓███ ███▓ 04 Ernie & The Top Notes Feat. Raymond Winnfield - Things 3:03 ▓███ ███▓ Could Be Better ▓███ ███▓ 05 Yesterdays New Quintet - Harlem River Drive Interlude 0:30 ▓███ ███▓ 06 Yesterdays New Quintet - I Am Singing 3:16 ▓███ ███▓ 07 Captain Funkaho - My 2600 2:53 ▓███ ███▓ 08 Beat Conductor - Breaks Of Meditate 0:26 ▓███ ███▓ 09 Madlib Invazion Feat. Oh No And Medaphoar - The Ox 2:36 ▓███ ███▓ (Fantastic Four) ▓███ ███▓ 10 The Stark Reality - Rocket Ship 4:06 ▓███ ███▓ 11 Medaphoar - Place Your Bet 2:40 ▓███ ███▓ 12 The Highlighters - Poppin' Popcorn 3:15 ▓███ ███▓ 13 Breakstra - Getcho Soul Togetha (Part Two) 4:14 ▓███ ███▓ 14 Charizma & Peanutbutter Wolf - Devotion 4:01 ▓███ ███▓ 15 Beat Conductor - Conducted Rhythms 1:51 ▓███ ███▓ 16 A-Trak - Enter Ralph Wiggum 2:49 ▓███ ███▓ 17 Fabulous Souls - Take Me 2:41 ▓███ ███▓ 18 LA Carnival - Color 2:29 ▓███ ███▓ 19 Beat Conductor - Lost Lust 1:21 ▓███ ███▓ 20 Yesterdays New Quintet - Mystic Brew Interlude 0:44 ▓███ ███▓ 21 Yesterdays New Quintet - Knucklehead 2:00 ▓███ ███▓ 22 Lootpack - On Point 3:09 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 53:58 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Stones Throw embodies everything that is right about hip-hop today. ▓███ ███▓ Peanut Butter Wolf, who founded the San Francisco label and ▓███ ███▓ oversees its daily operations, has assembled a tight-knit group of ▓███ ███▓ like-minded artists who adhere to the cratedigger's ethic of vinyl ▓███ ███▓ archeology. But perhaps more importantly, Peanut Butter Wolf ▓███ ███▓ understands the commercial limitations of his label's focus and ▓███ ███▓ never allows expectations of profitability to muddle the Stones ▓███ ███▓ Throw mission to saturate the planet with the dopest beats ▓███ ███▓ possible. Case in point: the Jukebox 45s series. Not only are a ▓███ ███▓ large number of the 24 releases reissues of ridiculously obscure ▓███ ███▓ garage funk from the 70s, but their mere format (on old-school ▓███ ███▓ seven-inches formerly used for jukeboxes and edited radio singles) ▓███ ███▓ precludes any sort of crossover potential. And what's even more ▓███ ███▓ appalling from a business standpoint is that many of the other ▓███ ███▓ seven-inches are exclusive material from the label's most ▓███ ███▓ marketable artist, Madlib. ▓███ ███▓ ▓███ ███▓ And just why has PBW stuck his financial neck out for 45s, you ▓███ ███▓ might be wondering? Well, as he explains in the disc's liner notes, ▓███ ███▓ he made a promise to himself that when he got older he "would ▓███ ███▓ eventually buy a jukebox for my home and have only hip-hop songs on ▓███ ███▓ it." Sounds good to me. After all, hip-hop, from the act of ▓███ ███▓ sampling to the black artists' refusal to be tagged with their ▓███ ███▓ slave names, has always focused on reclaiming and reinterpreting a ▓███ ███▓ collective or personal past. And this desire for reclamation not ▓███ ███▓ only dictates the medium of the initial releases of the Stones ▓███ ███▓ Throw 45s, but also extends to the track selection and their ▓███ ███▓ placement on this compilation. ▓███ ███▓ ▓███ ███▓ If you look closely, you'll notice that an old-school soul number ▓███ ███▓ such as The Highlighters' "Poppin' Popcorn" is sandwiched between ▓███ ███▓ hip-hop emcee Medaphor's "Place Your Bet" and a new-school ▓███ ███▓ breakbeat track supplied by ⁿber-funksters Breakestra. Placing ▓███ ███▓ these musical cousins side by side is a perfect example of the ▓███ ███▓ dynamic between influence and art that PBW is attempting to achieve ▓███ ███▓ with the Jukebox 45 series. The hip-hop songs on here are built ▓███ ███▓ upon the spirit of the funk/soul tracks that are included, while ▓███ ███▓ modern day bands like Breakestra and Yesterday's New Quintet are ▓███ ███▓ reinterpreting that funk through the lens of hip-hop. It's a ▓███ ███▓ circular, symbiotic relationship that is unique in the music world ▓███ ███▓ and results in a seamless mixture of sounds both educational and ▓███ ███▓ dope. Which leads us to what really matters: the music. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀