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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀VA - Soul Of A Nation 2 Jazz is the Teacher, Funk is the Preacher ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ VA ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Soul Of A Nation 2 Jazz is the Teacher, Funk is the Pr▓▓▓▓█ ████ GENRE...[ Jazz+Funk CAT#....[ SJRD423 ████ ████ LABEL...[ Soul Jazz Records ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2018 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint-Stereo ████ ████ PLAYTIME[ 87:38 min REL.DATE[ 04.12.2019 ████ ████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 200,9 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 The Art Ensemble Of Chicago - Theme De Yoyo 09:03 ████ ████ 02 The Har-You Percussion Group - Welcome to the 04:02 ████ ████ Party ████ ████ 03 The Pharaohs - Damballa 07:58 ████ ████ 04 Baby Huey - Hard Times 03:20 ████ ████ 05 James Mason & Ninoska Escobar - Sweet Power Your 05:27 ████ ████ Embrace ████ ████ 06 Byron Morris & Unity - Kitty Bey 12:25 ████ ████ 07 Funkadelic - Nappy Dugout 04:37 ████ ████ 08 Rashied Ali & Frank Lowe - Exchange Pt. 2 06:15 ████ ████ 09 Gary Bartz NTU Troop - Celestial Blues 07:34 ████ ████ 10 Oneness Of Juju - Space Jungle Funk 09:50 ████ ████ 11 Sarah Webster Fabio - Work it Out 02:48 ████ ████ 12 Tribe 07:03 ████ ████ (Wendell Harrison & Phillip Ranelin) - Beneficient ████ ████ 13 Gill Scott-Heron - Whitey on the Moon 02:01 ████ ████ 14 Don Cherry - Brown Rice 05:15 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 87:38 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://play.google.com/store/music/album/Vari ████ ████ ous_Artists_Soul_Jazz_Records_Presents_SOUL_OF ████ ████ ?id=Borcqyr3un4qbcf5gqgalr4wkfu ████ ████ ████ ████ Soul Jazz RecordsÆ new release æSoul of A ████ ████ Nation: Jazz is the Teacher, Funk is the ████ ████ PreacherÆ is a powerful new collection of ████ ████ radical jazz, street funk and proto-rap made ████ ████ in the era of Black Power (1969-75). ████ ████ ████ ████ This is the second æSoul of A NationÆ album ████ ████ released by Soul Jazz Records to coincide with ████ ████ the exhibition æSoul of a Nation û Art in the ████ ████ Age of Black PowerÆ, critically acclaimed and ████ ████ enormously successful when it opened at the ████ ████ Tate Modern in London last year (as was Soul ████ ████ Jazz RecordsÆ accompanying first album æSoul ████ ████ of A Nation û Afro-Centric Visions in the Age ████ ████ of Black Power 1968-79Æ). The blockbuster ████ ████ international exhibition is now at the ████ ████ Brooklyn Museum, New York and then travels to ████ ████ Los Angeles in 2019. ████ ████ ████ ████ This new album features a number of important ████ ████ and ground-breaking African-American artists û ████ ████ The Art Ensemble of Chicago, Don Cherry, ████ ████ Funkadelic, Gil Scott-Heron and more û ████ ████ alongside a host of lesser-known artists all ████ ████ of whom in the early 1970s were exploring new ████ ████ Afrocentric poly-rhythmical styles of music û ████ ████ radical jazz, street funk and proto-rap û ████ ████ while at the same time exploring the Black ████ ████ Power and civil-rights inspired notions of ████ ████ self-definition, self-respect and self- ████ ████ empowerment in their own lives. ████ ████ ████ ████ During this era African-American jazz ████ ████ musicians ripped up traditional definitions û ████ ████ rejecting the term æentertainerÆ to redefine ████ ████ themselves instead as æartistsÆ. They worked ████ ████ outside of the mainstream music industry ████ ████ perceiving this artistic relationship to be ████ ████ fundamentally exploitative and politically ████ ████ flawed. Artists instead formed their own pan- ████ ████ arts community-centric collectives, set up ████ ████ their own record labels, ran concerts in ████ ████ alternative performance spaces û art ████ ████ galleries, parks, lofts, community centres û ████ ████ all as a way of taking control of their own ████ ████ creative destinies. ████ ████ ████ ████ At the start of 1960s jazz musicians had ████ ████ embarked on an intense period of musical ████ ████ experimentation as artists John Coltrane, ████ ████ Ornette Coleman and Don Cherry sought to ████ ████ dismantle the traditional definitions of jazz ████ ████ by creating new music that broke free from its ████ ████ establishment shackles. By the end of the ████ ████ 1960s, forward-thinking African-American jazz ████ ████ musicians had absorbed the ideas of this ████ ████ radical and avant-garde path but also began to ████ ████ introduce many new elements û not just civil ████ ████ rights concepts of freedom but also black ████ ████ power ideas of self-respect, righteousness and ████ ████ anger. ████ ████ ████ ████ Their music developed into a radical and ████ ████ intense Afrocentric mix of jazz, funk, soul ████ ████ and street poetry, all in search of a new ████ ████ musical language that could better represent ████ ████ artistic African-American cultural expression. ████ ████ ████ ████ All of the featured artists here were involved ████ ████ in this search in different ways; A shared ████ ████ sense of Afrocentric collectivism joined the ████ ████ dots between the deep avant-garde ████ ████ experimentalism of The Art Ensemble of Chicago ████ ████ (here featuring soul singer Fontella Bass ████ ████ singing the powerful æTheme de YoyoÆ) to the ████ ████ hyper funk psychedelia of George ClintonÆs ████ ████ Funkadelic. ████ ████ ████ ████ The poetry of Gil Scott-Heron and Sarah ████ ████ Webster Fabio performed with a backdrop of ████ ████ street funk and heavyweight percussion laid ████ ████ down the template for the birth of rap. The ████ ████ Har-You Percussion Group, a group of young ████ ████ Harlem teenagers, showed how government- ████ ████ sponsored social initiatives helped create ████ ████ great art and music. Gary Bartz and The ████ ████ Oneness of Juju offer spirituality and ████ ████ cosmology. Collectives like The Pharaohs and ████ ████ DetroitÆs Tribe add deep jazz and street funk ████ ████ in equal measures. And so on. ████ ████ ████ ████ Influenced and radicalised by Black Power and ████ ████ civil rights, all these artists were involved ████ ████ in creating û in the words of the Art Ensemble ████ ████ of Chicago û æGreat Black Music: Ancient to ████ ████ Future.Æ ████ ████ ████ ████ ████ ████ URL: n/a ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .