Genre | Darkwave |
---|---|
Date (CEST) | 2020-08-04 16:22:34 |
Group | FANG |
Size | None MB |
Files | 9 |
M3U / SFV / NFO |
VR_Sex-Human_Traffic_Jam-(DAIS134CD)-PROMO-CD-2019-FANG
Infos
Similar Releases
- Crystal_Fighters-Light_Plus-(PIASR1460CD)-CD-2024-FANG
- The_Empress-Square_One-(CM052524)-CD-2025-FANG
- Johnny_Lytle-Four_Classic_Albums-(AMSC1275)-2CD-2017-FANG
- Jon_Bentley-Go_Ahead-(CMF040924)-CD-2025-FANG
- Jacob_Wutzke-You_Better_Bet-(CM090224)-CD-2025-FANG
- VA-Quantic_Presents_Tropical_Funk_Experience-(NSFUNK004)-ES-CD-2010-FANG
- The_Machetazo-Searching_Hard-(ER-140)-CD-2022-FANG
- Mason_Razavi-Even_Keel-(PM-002)-CD-2025-FANG
- Peter_Erskine_and_The_JAM_Music_Lab_All-Stars-Vienna_To_Hollywood-(ORIGIN82910)-CD-2025-FANG
- Eddie_Harris-Artists_Choice_The_Eddie_Harris_Anthology-(8122-71514-2)-2CD-1993-FANG
Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-vr_sex-surrender.mp3 | VR Sex | Surrender | 268 | Unknown |
2 | 02-vr_sex-downgrade.mp3 | VR Sex | Downgrade | 272 | Unknown |
3 | 03-vr_sex-an_epiphany_in_gridlock.mp3 | VR Sex | An Epiphany In Gridlock | 246 | Unknown |
4 | 04-vr_sex-sacred_limousine.mp3 | VR Sex | Sacred Limousine | 283 | Unknown |
5 | 05-vr_sex-maiden_china.mp3 | VR Sex | Maiden China | 289 | Unknown |
6 | 06-vr_sex-psycho_cybernetiks.mp3 | VR Sex | Psycho Cybernetiks | 256 | Unknown |
7 | 07-vr_sex-cheek_detritus.mp3 | VR Sex | Cheek Detritus | 270 | Unknown |
8 | 08-vr_sex-facts_without_faces.mp3 | VR Sex | Facts Without Faces | 277 | Unknown |
9 | 09-vr_sex-corridor_(epilogue).mp3 | VR Sex | Corridor (Epilogue) | 254 | Unknown |
NFO
:
'
.. .:.... . ' '
______________ : ________ : '
\ / .. .:. .. \ / : :
\ /_________ \ / . .. ... .. . :
.\ / /___ /\ \ / ______________ ___ _.
: \ / / \ / \ \/ / \ \ \ \ \
. ...:..\ / _______/ \/ \ ___/__ / / / / /
: /\ / / \ \/ \ / / / . sH!
' / \/ / / / \ / / . ... .:.... .. .
:/ _______/ / / / _______/__ ___ __
.\ / / / / / / / / / / /
\ / / / / / / / / / / / .
. \ /\______/ / / / / \___ / / :
\/ ____ \ / / / / / :
\ / \ /\____/\ / / : :
________\/ \ / \ / / : '
\ / \/ \ /\ / : . ..:.. .
\ / \/ \ /
\ / \ / . '
: \/ F A N G \ / : '
____ \ / . . .. .. .:.. .
\ / presents \ / .
. \/ \/ :
: .
..:.. ,
: Artist......: VR Sex
: Album.......: Human Traffic Jam :
: Label.......: Dais Records .. .:.. .
Genre.......: Darkwave :
Catnr.......: DAIS134CD .
' Source......: CD ,
; Rip.date....: 2020-08-04
Str.date....: 2019-05-10
Quality.....: 268kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://www.daisrecords.com/collections/vr-sex '
' ,
________ ________
\ / \ /
\ / \ /
\ / # title time \ /
\/ \/
1. Surrender 5:40
2. Downgrade 3:39
3. An Epiphany In Gridlock 1:23
4. Sacred Limousine 5:48
5. Maiden China 5:08
6. Psycho Cybernetiks 3:59
7. Cheek Detritus 4:08
8. Facts Without Faces 6:04
9. Corridor (Epilogue) 8:11
______
\ / ________ Runtime 44:00
,\ /... . . .... .... \ / ' Size 89.45 ______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: :,
: :
:' VR Sex is a project that straddles several different genre ':
,: lines. It's a little noise-rock, a little industrial, a little :,
: new wave, a little synth-rock, and probably a few other :
:' subgenres I'm forgetting. The album is a sideline for Andrew ':
,: Clinco of the band Drab Majesty, here calling himself Noel Skum. :,
: Skum recorded the whole album himself with producer Ben :
:' Greenberg, but the live version of VR Sex is a trio, with Z. ':
,: Oro on vocals and drums and Mico Frost on synths and bass. :,
: :
:' Drab Majesty is also a Clinco project (in that one he goes by ':
,: the androgynous title of Deb Demure) with a decidedly '80s :,
: synthpop style. Clearly, VR Sex is a different enough idea that :
:' he wanted to remove it from his main band. And there are some ':
,: key differences. There is a haze of noise over everything on :,
: Human Traffic Jam. Whether that's an actual audible sound or :
:' just a feeling of oppressiveness depends on the track, but it's ':
,: present throughout the album. That haze immediately creates a :,
: downbeat mood that says, "We're not here to have fun." It's very :
:' effective, and the record is assuredly not fun. ':
,: :,
: So if the album isn't any fun, are the songs good enough to make :
:' it a worthwhile listen? No, not really. There isn't much on ':
,: Human Traffic Jam that's outright bad, but there isn't anything :,
: that transcends the noise and scuzziness to catch the ear, :
:' either. The closest the album gets is on a pair of songs that ':
,: have very different feels. "Downgrade" begins with low, buzzing :,
: synth bass and synth drums, but soon adds a chiming electric :
:' guitar. Skum's chanting, spoken word vocals, though low in the ':
,: mix, have genuine energy, particularly on the chorus, where he :,
: shouts, "Time to break down / Time to break down!" over a :
:' pulsing hi-hat and distorted guitar. It sounds sort of like ':
,: Depeche Mode trying a punk song. :,
: :
:' "Maiden China", on the other hand, begins with two clashing ':
,: distorted sounds, one synth and one guitar, before resolving :,
: into a kind of grinding pop-rock. Growling distorted bass and :
:' tinny drums sounds give the song its main layer of noise while ':
,: other sounds flit in and out. Lyrically, Skum is taking on :,
: consumer excess and human trafficking via a monotone delivery, :
:' and it would be interesting if the vocal delivery weren't so ':
,: flat. This track more resembles an early Ministry song if Al :,
: Jourgensen was too tired to record a solid vocal take. :
:' ':
,: And those are the highlights. Opener "Surrender" mashes up :,
: industrial noise, chiming '80s pop guitar, and, even stranger, :
:' the vocal cadence from Local H's minor '90s hit "Bound for the ':
,: Floor". "Sacred Limousine" takes the social commentary of :,
: "Maiden China" but fully buries the vocals in the mix while :
:' failing to do anything interesting of note musically. ':
,: :,
: But wait, those are just the catchy songs! On the back half of :
:' the record, Noel Skum cedes most of the vocal duties to ':
,: pre-recorded found audio. "Cheek Detritus" finds a doctor :,
: describing a plastic surgery and a woman's unhappiness with the :
:' results. It throws another Ministry-esque buffet of industrial ':
,: noise under this audio, which ends with the self-help punchline :,
: that she was unhappy with the results because it didn't change :
:' how she felt inside. "Pyscho Cybernetiks" sounds like an ':
,: unearthed VHS-era sales pitch for some electronic-based :,
: self-help (yes, again) program. The music underneath is all :
:' wobbly synth chords and woozy noise, with so little direction ':
,: that it's difficult even to call it a song. :,
: :
:' The album closes with the six-minute "Facts Without Faces", ':
,: which has some nice new wave stylings and unexpected chord :,
: changes. But it cycles through those changes repeatedly to the :
:' point where the listener feels every one of those six minutes. ':
,: But VR Sex isn't quite done. After this last song, there's an :,
: eight-minute instrumental, "Corridor (Epilogue)" that finishes :
:' out the album for real. It's eight minutes of ambiance, with ':
,: slow, shimmering synths and found audio of what sounds like :,
: children shouting and playing. It's interminable. :
:' ':
,: The bits of life that pop up on Human Traffic Jam include some :,
: interesting, unusual combinations of styles. But the oppressive :
:' level of noise, Skum's monotone vocal delivery, and the weird ':
,: but unengaging tangents make this album very much an acquired :,
: taste. The week I spent with the record was not enough for me to :
:' acquire that taste. ':
: '
'.. ..'
.. . :........... . . . . ............: . .
______________ ______________
\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
\/ ____ ____ \/
\ / F A N G \ /
\/ 2 0 2 0 \/