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Pure Malt Mp3's ...... │ ║ ╚══════════════════════════╗└───────────────────────────────────────┘ ║ ▒ ▓ ▒ ║ If you like this album then keep the mp3's ║ Doom ░ ▓▄▓ ░ ║ AND rush out and buy it otherwise delete pls ║ Generation ▒▓███▓▒ ╚══════════════════════════════════════════════╝ Noises ░ ▓▀▓ ░ ▒ ▓ ▒ ╔═════════════════════════════════════════════════════════════════════════╗ ║ ║ ║ ░░░░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░ ║ ║ ░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░░░░ ║ ║ ║ ║ Artist: ----> Vangelis ██████████▓▓▓▒▒░░ ║ ║ Album: ----> Blade Runner (Off-World Recordings)(OWM9301) ║ ║ Label: ----> n/a ██████████▓▓▓▒▒░░ ║ ║ Type: ----> Soundtrack ║ ║ Genre: ----> Soundtrack ██████████▓▓▓▒▒░░ ║ ║ ║ ║ ║ ║ ░░▒▒▓▓▓██████████ Ripped on ----> 02/02/2003 ║ ║ Ripper ----> Anderton ║ ║ ░░▒▒▓▓▓██████████ Bitrate ----> 192 kbps ║ ║ Size ----> 100,3 MB ║ ║ ░░▒▒▓▓▓██████████ Playtime ----> 72:56 min ║ ║ Grabber ----> Eac 0.9 b1 ║ ║ ░░▒▒▓▓▓██████████ Encoder ----> Lame 3.92 ║ ║ ║ ║ ░░░░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░ ║ ║ ░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░░░░ ║ ║ ║ ║ ║ ║ ║ ║ Track No. Title Time ║ ║ ║ ║ 01. Ladd Company Logo 00:29 ║ ║ 02. Main Titles And Prologue 04:04 ║ ║ 03. Los Angeles November 2019 01:52 ║ ║ 04. Deckard Meets Rachel 01:35 ║ ║ 05. Bicycle Raiders 02:16 ║ ║ 06. Memories Of Green 05:07 ║ ║ 07. Blade Runner Blues 10:24 ║ ║ 08. Deckard's Dream 01:17 ║ ║ 09. On The Train Of Nexus 6 05:34 ║ ║ 10. If I Didnt Care 03:08 ║ ║ 11. Love Theme 05:03 ║ ║ 12. The Prodigal Son Brings Death 03:40 ║ ║ 13. Dangerous Days 01:08 ║ ║ 14. Wounded Animals 11:04 ║ ║ 15. Tears In Rain 03:03 ║ ║ 16. End Titles 07:27 ║ ║ 17. One More Kiss Dear 04:06 ║ ║ 18. Trailer and Alternate Main Titles 01:39 ║ ║ ║ ║ ░░░░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░ ║ ║ ░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓███████████████████▓▓▓▓▓▓▒▒▒▒▒▒▒▒░░░░░░░░░░░░ ║ ║ ╔═══════════════╗ ║ ╠═════════════════════════╣ Release Notes ╠═══════════════════════════════╣ ║ ╚═══════════════╝ ║ ║ ║ ║ ║ ║ This is a special limited edition release, a very rare ║ ║ bootleg of this great Vangelis Soundtrack for cult ║ ║ movie Blade Runner... ║ ║ ║ ║ Original Motion Picture Soundtrack: Blade Runner ║ ║ Limited Edition of 2,000 (not licensed for public sale) ║ ║ Off World Music, Ltd., no. OWM 9301 ║ ║ Compact Disc ║ ║ ║ ║ Early in the 21st century... ║ ║ ║ ║ ║ ║ 1. Ladd Company Logo ║ ║ 2. Main Titles and Prologue ║ ║ The film opens with our introduction to Hades: Los ║ ║ Angeles of the future, watched over by an omnipotent ║ ║ eye (Batty?) descending upon it. Echoing bells give way ║ ║ to the main theme which suggests the hum of flying ║ ║ "spinners" around us and the flame-belching refineries ║ ║ in the city below. This theme is reprised later when ║ ║ Deckard and Gaff fly to THE TYRELL CORPORATION. ║ ║ ║ ║ 3. Los Angeles, November, 2019 ║ ║ Ex-cop Rick Deckard is arrested and brought to police ║ ║ HQ for a briefing. With him, we see the metropolis that ║ ║ L.A. has become: a polluted city of perpetual night ║ ║ with a population of 109 million people. The music ║ ║ continues this sense of wonder with an underlying theme ║ ║ of oppression. The introduction to this cue is slightly ║ ║ longer than when used in the film. ║ ║ ║ ║ 4. Deckard Meets Rachael ║ ║ Upon arriving at THE TYRELL CORPORATION, Deckard meets ║ ║ Tyrell's assistant, Rachel. Dr. Tyrell presses him to ║ ║ interrogate the girl, from which he learns she is a new ║ ║ generation of Replicant with no knowledge of her own ║ ║ inhumanity. Wind chimes played throughout this cue ║ ║ suggest a mystery and juxtapose the fragile tranquility ║ ║ of the privileged corporate elite with the dystopic ║ ║ city outside. ║ ║ ║ ║ 5. Bicycle Riders ║ ║ As Deckard begins his investigation, the fugitive ║ ║ Replicants conduct their own agenda: to gain access to ║ ║ THE TYRELL CORPORATION and the secrets of their limited ║ ║ lifespans. This gentle harp music is heard as Batty and ║ ║ Leon stroll the unusually quite streets of a typically ║ ║ dreary Los Angeles morning. The cue is taken from the ║ ║ 1978 album "Harps of the Ancient Temples" and is the ║ ║ only piece of source music actually credited in the ║ ║ film. ║ ║ ║ ║ 6. Memories of Green ║ ║ Rachel confronts Deckard with the knowledge that she is ║ ║ a Replicant and that all of her memories are merely ║ ║ brain implants. Deckard alternately rebuffs her and ║ ║ tries to comfort her in his unsympathetic manner, but ║ ║ is ultimately left to question his own humanity when ║ ║ she asks, "Have you ever taken that test yourself?" ║ ║ This piece is from the 1978 Vangelis album "See You ║ ║ Later" and is probably a favourite of the director's. ║ ║ An orchestrated version is used as the love theme in ║ ║ his later film "Someone to Watch Over Me". ║ ║ 7. Blade Runner Blues ║ ║ Rachel leaves Deckard brooding over the city from his ║ ║ 97th floor balcony; feelings of doubt and regret ║ ║ hanging over him. This theme is reminiscent of music ║ ║ used in the noir detective films of the 1930's and ║ ║ 40's, but with electronic overtones. This music ║ ║ continues after Deckard "retires" the Replicant Zhora ║ ║ and again must come to terms with his life as a hired ║ ║ killer. ║ ║ ║ ║ 8. Deckard's Dream ║ ║ Alone with his thoughts, Deckard studies Rachel's and ║ ║ Leon's photographs mixed among his own. In the ║ ║ "Director's Cut", Deckard drifts off to sleep and ║ ║ dreams of a unicorn running through an unspoiled ║ ║ forest. This image is repeated near the end of the film ║ ║ in the form of a tinfoil origami sculpture, emphasizing ║ ║ that Deckard's own dreams and memories may not be all ║ ║ that they seem. This choral piece is not included in ║ ║ the original release of the film. ║ ║ ║ ║ 9. On the Trail of Nexus 6 ║ ║ Deckard follows the clues left in Leon's apartment room ║ ║ which take him to Animoid Row, the seedy casbah-like ║ ║ marketplace in central Los Angeles. The familiar use of ║ ║ wind chimes for an air of mystery and Arabic chanting ║ ║ expands the already diverse ethnicity of the future ║ ║ city. Portions of this cue are used in several scenes ║ ║ of the film. ║ ║ ║ ║ 10. If I Didn't Care ║ ║ Feeling remorse over retiring another Replicant, ║ ║ Deckard is told he must also hunt down Rachel who has ║ ║ fled Tyrell and is now at large in the city. This song ║ ║ by The Ink Spots can be heard in the background of this ║ ║ scene in the early test version of the film and is ║ ║ probably another of Ridley Scott's favourites, as it is ║ ║ used in one of his well known Chanel No. 5 television ║ ║ commercials. ║ ║ ║ ║ 11. Love Theme ║ ║ Deckard recognizes a kindred spirit in Rachel after she ║ ║ saves his life from a Replicant ambush. Their romance ║ ║ begins with this smokey jazz piece as a moment of ║ ║ tenderness is found in the violent world of the BLADE ║ ║ RUNNER and the Replicant. In the film this cue is ║ ║ overlaid with Rachel's piano playing; actually a ║ ║ variation n Chopin's 13th Nocturne. In the test ║ ║ release, a different love theme is used which continues ║ ║ when Batty arrives at the Bradbury building. ║ ║ ║ ║ 12. The Prodigal Son Brings Death ║ ║ With the reluctant help of Sebastian, Batty carries out ║ ║ his plan to confront Tyrell. The crescendo of this ║ ║ choral theme comes as Batty first embraces, then ║ ║ brutally murders his "father." A poignant moment, ║ ║ ommitted from most later versions of the film, comes ║ ║ next when the blood-splattered Batty starts toward the ║ ║ helpless engineer and says, "I am sorry, Sebastian." ║ ║ ║ ║ 13. Dangerous Days ║ ║ Learning of Tyrell's and Sebastian's deaths, Deckard is ║ ║ sent to Sebastian's apartment at the Bradbury building ║ ║ to confront what must be the last remaining Replicants. ║ ║ He kills Pris after a violent struggle and then awaits ║ ║ the inevitable arrival of the Replicant leader, Batty. ║ ║ This brief but menacing cue reflects Deckard's ║ ║ apprehension of what will be his final battle. ║ ║ "Dangerous Days" is an early shooting title of this ║ ║ film. ║ ║ ║ ║ 14. Wounded Animals ║ ║ Two lone warriors, Deckard and Batty each howl in the ║ ║ dark with their own personal agony. (Both have ║ ║ defective right hands.) The music begins here with ║ ║ shadows and rain surrounding their rooftop fight and ║ ║ evolves into a variation on the title theme as Deckard ║ ║ hangs precariously over the city streets far below. ║ ║ ║ ║ 15. Tears in Rain ║ ║ Saved at the last minute by his nemisis, Deckard ║ ║ realises that Batty's love for life is greater than his ║ ║ hatred of the BLADE RUNNER. The music builds with a ║ ║ melodic, hopeful-sounding variation of the "Wounded ║ ║ Animals" theme as Batty dies and his adopted bird flies ║ ║ up into the clearing skies above (his soul to heaven?). ║ ║ The line from Batty's soliloquy referring to the ║ ║ moments of his life "lost like... tears in rain" was ║ ║ unscripted and, in fact, improvised on the last day of ║ ║ shooting by actor Rutger Hauer and the director. ║ ║ ║ ║ 16. End Titles ║ ║ His mission accomplished, Deckard leaves the city with ║ ║ Rachel in search of a better life together. In most ║ ║ versions of the film this cue is prefaced with the love ║ ║ theme as Deckard's voice-over explains that Rachel does ║ ║ not have a Replicant's normal limited lifespan and ║ ║ thus, a happy ending. The "Director's Cut" of the movie ║ ║ has no love theme or voice-over, but still features a ║ ║ truncated version of this cue. The original screenplay ║ ║ describes a very different ending in which Deckard, now ║ ║ certain that he too is a Replicant, heads North with ║ ║ the knowledge that his ex-partner Gaff will be hunting ║ ║ him not far behind. This somewhat downbeat ending would ║ ║ better explain the soaring aerial photography and the ║ ║ still dark, malevolent tone of the closing theme. ║ ║ ║ ║ 17. One More Kiss Dear ║ ║ This pseudo-40's song is used in most versions of the ║ ║ film in place of the Ink Spots piece. Written by ║ ║ Vangelis especially for "Blade Runner", it uses the ║ ║ same melody and structure as "If I Didn't Care", but ║ ║ perhaps does not convey both Deckard's desire and ║ ║ regret as well as the original. ║ ║ ║ ║ 18. Trailer and Alternate Main Titles ║ ║ Lacking any other title credits, the early test version ║ ║ of the film pulled its title graphics and music from ║ ║ the advance theatrical trailer, where it was used along ║ ║ with a synthesized variation of "If I Didn't Care". In ║ ║ the context of the film, it immediately throws the ║ ║ viewer into the nightmare city of the future, rather ║ ║ than gradually immersing one into it though the opening ║ ║ prologue. ║ ║ ║ ║ http://scribble.com/uwi/br/brfaq/soundtrack-bootleg.htm ║ ║ l ║ ║ ║ ║ ║ ║ ╔══════════════════════╗ ║ ╠══════════════════════╣ Who is DGN crew ... ╠═══════════════════════════╣ ║ ╚══════════════════════╝ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ ║ █████ █████ Well... ║ ║ █████ █████ ║ ║ █████ █████ DGN (Doom Generation Noises) ║ ║ █████ █████ is a group of friends who like ║ ║ █████ █████ to listen to music. ║ ║ █████ █████ Does not matter the source, ║ ║ ██████████████████████████████ it can be Radio, tv, mp3's, ║ ║ ██████████████████████████████ Live concerts, or even a nice ║ ║ ██████████████████████████████ Gramophone. ║ ║ ███████████████▓██████████████ ║ ║ ████████▀█▓▓███▀▓▓▓▓██▀███████ ║ ║ ██████▀▓▓▓▓▀▓▀▓▓▀▓▀▓▀█▓███████ . ║ ║ █████ ▒▒▓ ▒ ▒▒ ▒ ▒ ▒ ██████ . ║ ║ █████ ▒ ▒ ░ ▒░ ░ ░ ░ ██████ . ║ ║ █████ ▒ ░ ░ ░ ░ ░ ░ ██████ . ║ ║ ██████ ░ ░ ███████ . ║ ║ ▓▓█████ ███████ . ║ ║ ▒███████ ██████▓ . ║ ║ ░▓▓██████ ███████▒ ║ ║ ▒▓▓███████ ███████▓░ We are not here to serve or ║ ║ ░▒▓████████ ████████▓▒ to make mp3's available to the ║ ║ ▒▒█████████ ████████▀▒░ public. Use Winmx or a program ║ ║ ░▒ ▓█████████████████▓▀ ░░ alike if you need them. ║ ║ ░░ ▒▀▓██████████████▓▒ ░ ║ ║ ░ ░ ▒▓▀███████████▓▒░ ░ ║ ║ ░▒█▀████████▀▓▒░░ . ║ ║ ░ ▀▀▓████▀▓▓▒░ ░ . ║ ║ ▒█▀█▀▓▒▒░ ░ . ║ ║ ░ ▒ ▒░░ . ║ ║ ░ ▒ ░ . ║ ║ ░ ░ . ║ ║ ░ . ║ ║ ║ ║ ██████████████ We are concerned to many kind ║ ║ █████████████████ of music, from Dance to Lo-Fi, ║ ║ ███████████████████ From Jazz to Ethnic and New age ║ ║ █████████████████████ ║ ║ ██████████▀▓██▓███████ ║ ║ █████▓▀▓▀▓█▓▀▓▓▀███████ . ║ ║ █████▀▒ ▒ ▒ ▒ ▒▒ ▓███████ . ║ ║ █████ ▒ ▒ ▒ ▒ ░▒ ▒▓██████ . ║ ║ █████ ▒ ▒ ░ ░ ░▒ ░▒▀██████ . ║ ║ █████ ▒ ░ ░ ░ ░ ░░ ▓▓█████ . ║ ║ █████ ░ ░ ░ ░ ▒▒▓█████ . ║ ║ █████ ░ ░▒▓██████ . ║ ║ █████ ░ ░▒▓█████ . ║ ║ █████ ░▒█████ . ║ ║ █████ ███ ▒██████ . ║ ║ █████ ████ ░ █████ . ║ ║ █████ ████ ░ █████ . ║ ║ █████ ████ █████ . ║ ║ █████ ████ █████ . ║ ║ █████ ████ █████ ║ ║ █████ ████ █████ We do not like fighting and ║ ║ ▀█████ ████ █████ arguing to other groups... ║ ║ █████████████ █████ ... It's useless ║ ║ █████████████ █████ ║ ║ ██▓██████████ █████ . ║ ║ ▓▓██████████ ▀██▓█ . ║ ║ ▒▓██▓██▓█▓▓█ █▓▓ . ║ ║ ░▒▓▀▓▀▓▓▓▓▀█ ▓▓▒ . ║ ║ ░▒ ▒ ▒▒▒▒ ▒ ▒▒░ . ║ ║ ░ ▒ ░▒░░ ░ ▒░ . ║ ║ ░ ░ ▒░ ░ . ║ ║ ▒ ░ . ║ ║ ░ . ║ ║ . ║ ║ . ║ ║ . ║ ║ ██████████████████████████████ . ║ ║ ██████████████████████████████ . ║ ║ ██████████████████████████████ . ║ ║ ▓███████████▓██▓██████████████ . ║ ║ ▓▓█▓████████▓██▓██████████████ . ║ ║ ▒█░▒▓▓▓▓▓█▀█▓█▀▓█▓▀▀██████████ . ║ ║ ▒░░▒▒▒▒▓▓ ▒ ▒▓▒ ████████ . ║ ║ ░ ▒▒░▒▒ ░ ░▒ ██████████ . ║ ║ ▒▒░░▒ ░ ▒ ███████████ . ║ ║ ░░ ▒ ░███████████ . ║ ║ ░ ░ ██████████▓ . ║ ║ ░ ██████████▀▒ . ║ ║ ██████████▓ ░ . ║ ║ █████████▓▒▒ ░ ║ ║ ██████████▀▒ ▒ We have made many friends around ║ ║ █████████▓ ░ ░ and maybe this is the best result║ ║ ██████████▓▒ ░ ░ we could have, people who love ║ ║ █████████▀ ▒░ ░ the same music we love... ║ ║ █████████▀▓ ▒░ ║ ║ ██████████ ▒ ░░ ║ ║ ██████████▓ ░ ░ . ║ ║ █████████ ▒ . ║ ║ ██████████████████████████████ . ║ ║ ██████████████████████████████ . ║ ║ ██████████████████████████████ . ║ ║ ██████████████████████████████ . ║ ║ █▓█▓▓▓█▀▀███▀███▀███▓██▓██▓▓██ . ║ ║ ▀▓▀▒▓▒████▓▀█▀▀███▀█▒▀▀▒██▒▒██ . ║ ║ ▒ ░▒░ ▓ ▓▒ ▓ ▓ ░ ░ ▒▒ . ║ ║ ░ ░▒░ ▒ ▒ ▒ ▒ ░ ░ ▒ . ║ ║ ░ ░ ░ ░ ░ ▒ ░ . ║ ║ ░ ░ ░ ░ ░ ║ ║ ░ Technology allows us to ║ ║ make not popular kind of music ║ ║ available where's not and make ║ ║ you listen to it before ║ ║ buying an expensive CD/Tape. ║ ║ Do not sweat this opportunity. ║ ║ ║ ║ ║ ║ ╔══════════════════════════════════════════════════════════════╗ ║ ║ ║╔════════════════════════════════════════════════════════════╗║ ║ ║ ║║ ║╚═══╗ ║ ╠═══╝║ Note: ╠═══╗║ ║ ╠════╣ ║ ║╚══╣ ║ ║ We're against any kind of distribution to the public. ║╔═╗╚═══╣ ╠═══╗╚════════════════════════════════════════════════════════════╝║ ╚════╣ ║ ╚══════════════════════════════════════════════════════════════╝ ║ ║ ║ ║ ║ ║ ║ ║ ╔═══════════════════════════════════════╣ ║ ║ DGN DGN DGN DGN ║ ╠═════════════════════════════════╬╗ DGN DGN DGN DGN ║ ║ Nfo & Logo were done ║║ DGN DGN DGN DGN ║ ║ Using Morgoth's & Elton's Sw ║╚══════════════════════════════════════╣ ╚═════════════════════════════════╩═══════════════════════════════════════╝