Genre | Black Metal |
---|---|
Date (CEST) | 2019-04-19 19:48:44 |
Group | BERC |
Size | 113 MB |
Files | 8 |
M3U / SFV / NFO |
Vehemence-Par_le_sang_verse-2019-BERC
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-vehemence-epopee_-_par_le_sang_verse-berc.mp3 | Véhémence | Épopée - Par le sang versé | 277 | Unknown |
2 | 02-vehemence-la_sorciere_du_bois_lunerive-berc.mp3 | Véhémence | La sorcière du bois lunerive | 272 | Unknown |
3 | 03-vehemence-letrange_clairiere_partie_i-berc.mp3 | Véhémence | L'Étrange clairière: Partie I | 257 | Unknown |
4 | 04-vehemence-letrange_clairiere_partie_ii-berc.mp3 | Véhémence | L'Étrange clairière: Partie II | 272 | Unknown |
5 | 05-vehemence-la_derniere_chevauchee-berc.mp3 | Véhémence | La dernière chevauchée | 272 | Unknown |
6 | 06-vehemence-le_sous_bois_a_trois_lieues_du_chateau-berc.mp3 | Véhémence | Le sous bois, à trois lieues du château | 254 | Unknown |
7 | 07-vehemence-passage_dans_les_douves-berc.mp3 | Véhémence | Passage dans les douves | 266 | Unknown |
8 | 08-vehemence-la_fronde_des_anges-berc.mp3 | Véhémence | La fronde des anges | 263 | Unknown |
NFO
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/: :\
/:: Artist :: VΘhΘmence ::\
:: Album :: Par le sang versΘ ::
:: Year :: 2019 ::
:: __ _ _ __ ::
-:--\\-----------------------------------------------------------------//--:-
:: \ / ::
:: . Genre :: Black Metal Source :: CDDA . ::
:: Label :: Antiq Records R.date :: 2019.04.19 ::
_::__ Cat.nr. :: Antiq026 Size :: 112,77 MB __::_
::// \\::
::/---------------------------------------------------------------------\::
:: ::
/: Encoder :: LAME 3.100 -V0 :\
..: Bitrate :: avg. 266kbps : .
. Quality :: 44,1kHz/Joint Stereo .
. .
Website :: https://www.facebook.com/V%C3%A9h%C3%A9mence-1079174508761708
__ __ _ . : _ ____ _ _ ____ _ : . _ __ __
.\\\\------- : | ---\ /---------------------\ /--- | : -------////.
+/ -\------- | | ----\ tracklist /---- | | -------/- \+
/: . : : . :\
/:: ::\
:: 01. ╔popΘe - Par le sang versΘ 09:10 ::
:: 02. La sorciΦre du bois lunerive 10:02 ::
:: 03. L'╔trange clairiΦre: Partie I 02:02 ::
:: 04. L'╔trange clairiΦre: Partie II 09:41 ::
:: 05. La derniΦre chevauchΘe 09:39 ::
:: 06. Le sous bois, α trois lieues du chΓteau 02:39 ::
:: 07. Passage dans les douves 06:38 ::
:: 08. La fronde des anges 08:33 ::
:: ------- ::
.. >> 58:24 ..
__ __ _ . : _ ____ _ _ ____ _ : . _ __ __
.\\\\------- : | ---\ /---------------------\ /--- | : -------////.
+/ -\------- | | ----\ release notes /---- | | -------/- \+
/: . : : . :\
/:: ::\
:: ::
:: Par le Sang VersΘ is one of the most thoroughly entrancing ::
:: and gloriously vibrant metal albums I've heard in years, ::
:: regardless of sub-genre. It seizes ancient folk traditions ::
:: and hurls them forward into the modern age, but without ::
:: letting go of the intense devotion to the centuries-old ::
:: well-springs of inspiration that gave birth to this record. ::
:: ::
:: Antiq Records portrays the album is "an immersive and ::
:: blazing experience", with lyrical themes inspired by sagas ::
:: of chivalry, providing an hour-long journey through a ::
:: "medieval-fantastic universe" - and all of that is true. ::
:: Abundantly layered with a broad array of instrumentation, ::
:: both modern and ancient, and featuring a similar contrasting ::
:: hybrid of vocal expressions, the music weaves with rich ::
:: colors a great tapestry of human endeavor, both exalted and ::
:: humble, mythic yet also grounded in ancient soil, nourished ::
:: with spilled blood and watered with tears. The sounds are ::
:: joyful, capturing the buoyancy of whirling peasant dances, ::
:: and they also channel visions of dramatic panoramic grandeur ::
:: and epic tragedy. The album is a beautifully conceived and ::
:: meticulously executed work, thrilling in the moment and ::
:: lasting in the memory. ::
:: ::
:: While the main strands of the music - its millennia-crossing ::
:: instrumental ingredients, its varying emotional themes, and ::
:: its melodic contrasts - recur across the album, the ::
:: sequencing of the songs helps to create an album-length ::
:: experience in which interest never flags. "╔popΘe - Par Le ::
:: Sang VersΘ" makes for an incredibly stirring opener. It ::
:: feels like we're on the back of a runaway stallion flying ::
:: over sunlit hills and racing through valleys shadowed by ::
:: oaks. Clear guitar tones, which then buzz, blaze, and gleam ::
:: unfold over an extravagant drum and cymbal pattern, ::
:: clattering and booming. The song is vibrant, bright, and ::
:: heart-swelling, though lined with melancholy - and it burns ::
:: with vehemence through the added texture of harsh, ::
:: incendiary vocals. There is a clean singing voice in the mix ::
:: as well, carrying the chorus melody in a way that's moving ::
:: and memorable. ::
:: ::
:: In addition to being a thrilling introduction to the album ::
:: as a whole, "╔popΘe ..." reveals VΘhΘmence's skill in ::
:: crafting variations on an initial melody through the ::
:: skirling sound of the guitar, creating in this track ::
:: something like a cross between an anthem and a rousing folk ::
:: song. The drumming remains extravagant, even as it bolts ::
:: through changing patterns, adding to the music's explosive ::
:: passion. Through the whole album, the drumming continues to ::
:: be jaw-dropping in its impact. ::
:: ::
:: "La SorciΦre du Bois Lunerive" explodes from the beginning ::
:: in another surging race, propelled by blasting drums and ::
:: torrential riffing - creating a mood that's more frenzied ::
:: and pained than the opener, but still blazing in its ::
:: emotional intensity. And then the music suddenly shifts into ::
:: a bright medieval acoustic guitar harmony, and when joined ::
:: by the metal instruments, the song begins to dance in a ::
:: whirl and spiral upward like a gyre of flame, the riff ::
:: sounding like a bagpipe, accented by an ecstatically ::
:: flickering solo. A bridge leads to an inspiring clean vocal ::
:: harmony, followed by the frightening gasps and snarls of the ::
:: harsh vocals and a darting acoustic guitar melody backed by ::
:: a head-moving drum rhythm and the shimmer of alluring ::
:: ambient sound. At last, the music soars again, as both the ::
:: guitar and the drums power through electrifying variations ::
:: of sound. ::
:: ::
:: Through these two tracks, VΘhΘmence introduce us to most of ::
:: the main ingredients that make the album so distinctive - ::
:: but not all. "L'╔trange ClairiΦre: Partie I" creates a ::
:: dramatic change in feeling and volume, presenting a moody ::
:: but sorcerous instrumental of acoustic guitar, fiddle, a ::
:: deep thumping drum, and perhaps a tambourine - and the long ::
:: second Part of the song, while again involving metal ::
:: instruments, seems to channel a mood of anguish interwoven ::
:: with the usual strands of flame. As the galloping pace of ::
:: the song relents, the melody drags, moans, and weeps, ::
:: augmented by tortured howls. It's a new kind of resonance in ::
:: the music compared to what has preceded it, but there's ::
:: still more to come - spoken words over strummed acoustic ::
:: guitar and vibrant percussion, a sparkling melody layered ::
:: with flute, whistle, and voice, and a final torrent of ::
:: racing sound, with strident, even maniacal, voices and a ::
:: glorious yet agonized guitar lead providing a crescendo of ::
:: remarkable, heart-bursting power. ::
:: ::
:: Your head might be spinning by the end of that track, but ::
:: "La DerniΦre ChevauchΘe" (The Last Ride) will send it off in ::
:: yet another direction, creating a mythic and epic musical ::
:: pageant. Rapid, somersaulting drums and a gleaming, gliding, ::
:: and whirling melody, together with intense cries, create a ::
:: sense of angst and tension, a feeling of impending downfall ::
:: despite its fieriness. As savage vocals return, roaring and ::
:: shrieking and crying, the music transforms into a ::
:: transcendent warlike charge of wild and dramatic intensity. ::
:: As that rush subsides, a grand panoramic melody unfolds, ::
:: which sounds wounded yet full of pride, a feeling of honor ::
:: upheld at terrible cost. You can actually hear galloping ::
:: hooves and the clash of steel near the end, just before a ::
:: final eruption of thundering drums and rampant melody that ::
:: waves like a banner in the wind. ::
:: ::
:: In the sequencing of songs we're given a moment to breathe ::
:: again after such a breathtaking epic narrative, as "Le Sous ::
:: Bois, α trois Lieues du ChΓteau" presents a relatively brief ::
:: interlude of birdsong and acoustic picking, of whistle or ::
:: flute, a contemplative, introspective piece which seems ::
:: wistful yet hopeful. ::
:: ::
:: And with that meditative interlude, we're off to the races ::
:: again, albeit in earthier environs than the fantastical ::
:: place where "La DerniΦre ChevauchΘe" took place. "Passage ::
:: dans les Douves" is a glorious, fiery, heart-pumping dance ::
:: whose bright, rippling riffs whirl us up in the air. And ::
:: again, we're treated to the dulcet tones of a darting, sun- ::
:: dappled acoustic guitar melody and the sublime pulse of a ::
:: lilting flute harmony, before we're caught up in the dance ::
:: again, the electrifying guitar melody resembling a devilish ::
:: reel, like bagpipes and fiddle at an old-country peasant ::
:: celebration - high up in the clouds. ::
:: ::
:: In many ways, "La Fronde des Anges" draws together all the ::
:: strands of the music in a fantastic finish to the record, ::
:: while also introducing a few new experiences. The dulcet ::
:: tones of an angelic choir greet our ears at first, and then ::
:: the drums drive, and the guitar skirls and whirls in another ::
:: glorious dance while those angelic voices continue high ::
:: above. There are also harsh vocals and blasting drums, ::
:: joined by a sweeping, melancholy melody that takes us again ::
:: into epic territory, as well as an interlude of bright ::
:: chiming tones (I have no idea what the instrument is, but ::
:: the sound is very cool) over heavy ominous chords. And ::
:: what's this?!? A Maiden-esque riff and a head-moving back- ::
:: beat! That chiming melody persists, but through that ::
:: accompaniment becomes elevated to something glorious. ::
:: ::
:: "La Fronde des Anges" gives us one final, fiery, whirling, ::
:: folk-like dance - though it's those ethereal voices that ::
:: actually close the album in its last seconds, as if to ::
:: remind us that everything we've experienced has occurred in ::
:: a place that lives in memory, or imagination, rather than ::
:: anything of the world we see around us. ::
:: ::
:: I fear the preceding, track-by-track, descriptions have ::
:: become tedious. I couldn't resist doing it, which I suppose ::
:: is a measure of my own enthusiasm for the album, and it ::
:: certainly wasn't necessary, since you need no guide in order ::
:: to find the player below and experience this for yourself. ::
:: Further, and probably more interesting, insights might have ::
:: been provided if I had an understanding of the lyrics, but I ::
:: don't. All I have is an abundance of strong emotions ::
:: flourishing in the presence of these songs, and I hope ::
:: you'll feel just as fervently carried away. ::
:: ::
:: . _ _ . ::
\: :. \\ ___________ . ___________ // .: :/
__\____ :: ____ ___\ _ / BERC : 2019 \ _ /___ ____ :: ____/__
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