Genre | Reggae |
---|---|
Date (CEST) | 2020-12-23 23:03:28 |
Group | NOiR |
Size | 80 MB |
Files | 11 |
M3U / SFV / NFO |
Wailing_Souls-Back_A_Yard-2020-NOiR
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-wailing_souls-down_in_trench_town-noir.mp3 | Wailing Souls | Down In Trench Town | 268 | Unknown |
2 | 02-wailing_souls-this_is_the_time-noir.mp3 | Wailing Souls | This is The Time | 268 | Unknown |
3 | 03-wailing_souls-in_the_house_of_jah-noir.mp3 | Wailing Souls | In The House Of Jah | 279 | Unknown |
4 | 04-wailing_souls-no_chalice_malice-noir.mp3 | Wailing Souls | No Chalice Malice | 270 | Unknown |
5 | 05-wailing_souls-invisible_wall-noir.mp3 | Wailing Souls | Invisible Wall | 273 | Unknown |
6 | 06-wailing_souls-shark_attack_(feat._alborosie)-noir.mp3 | Wailing Souls | Shark Attack (feat. Alborosie) | 270 | Unknown |
7 | 07-wailing_souls-stay_calm-noir.mp3 | Wailing Souls | Stay Calm | 271 | Unknown |
8 | 08-wailing_souls-no_money_no_love-noir.mp3 | Wailing Souls | No Money No Love | 275 | Unknown |
9 | 09-wailing_souls-all_about_you-noir.mp3 | Wailing Souls | All About You | 262 | Unknown |
10 | 10-wailing_souls-eyes_on_you-noir.mp3 | Wailing Souls | Eyes On You | 269 | Unknown |
11 | 11-wailing_souls-look_whats_happening-noir.mp3 | Wailing Souls | Look Whats Happening | 256 | Unknown |
NFO
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Back A Yard ▄▄▀▀ █
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SOURCE:.......CDDA
LABEL:........VP Records GRABBER:.....EAC
RELEASEDATE:..12.23.2020 ENCODER:.....Lame
STREETDATE:...08.28.2020 TRACKS:......11
▄ GENRE:........Reggae PLAYTiME:....41:37 ▄
▀▓▀ URL:..........www.vprecords.com SiZE:........80,14 MB ▀▓▀
▄▄▀ ▄ RELEASETYPE:..Album LANGUAGE:....English ▄ ▀▄▄
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01. Down In Trench Town [04:32]
02. This is The Time [03:36]
03. In The House Of Jah [03:29]
04. No Chalice Malice [03:53]
05. Invisible Wall [03:38]
06. Shark Attack (feat. Alborosie) [03:40]
07. Stay Calm [03:48]
08. No Money No Love [03:27]
09. All About You [03:54]
10. Eyes On You [03:29]
11. Look WhatÆs Happening [04:11]
▄ ------- ▄
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y0,
The irrepressible Wailing Souls
are showing no signs of losing
artistic momentum, if their
latest album is anything to go
by. Because they are back (and
with this album, æback in
JamaicaÆ) and still at the top of
their game.
Back A Yard, released via
Greensleeves and distributed by
VP Music Group, sees longstanding
members Winston ôPipeö Matthews
and Lloyd ôBreadö McDonald team
up with Alborosie across
production. The album is clearly
paying homage to the 1980s, as
the intricate compositions and
production incorporate varying
degrees of styles from the
decade. But across the board,
Back A Yard still sounds fresh.
The album opens with Down In
Trench Town. Classic in its
formation, itÆs Roots heavy with
all the relevant devices in play,
which also feature heavily across
the entire album: Tyrone Downie
(formerly of The Wailers) keys
running a bubble rhythm; the bass
from Errol ôFlabbaö Holt rolling
a syncopated, melodic riff which
rarely misses a beat and the
drums doing a stripped-back one
drop. But central to the track
are the whining, bending and
heavily wah-wahÆd electric
guitars, nodding to the early
genreÆs Funk influence. The
rasping horns finish the vibe off
û and the end result is brooding,
funky and affecting. ItÆs a
clever opening, too û given the
æback to JamaicaÆ theme of the
album.
Wailing Souls move into some
glorious 80s throwback territory
with the positivity-inducing ode
to collective love and
consciousness This Is The Time.
ThereÆs a nice musical paradox,
here û with the positive thematic
message being placed against a
minor key backdrop, which
shouldnÆt work û but does. The
additional synth drum lines are
pitch-perfect, transporting you
back four decades. Samples and
breaks finish the retro, Dub-
heavy vibe off well and the synth
horns are delicious - high-passed
and rasping. In The House Of Jah
is in a similar vein, as Wailing
Souls sing the praises of faith
and Jah, and the fortitude both
bring û with a nice melodic motif
used by the vocals, keys and the
bass.
The track No Chalice Malice sees
Wailing Souls go heavier on the
Soul influences. The first
appearance of a vibrato-heavy
electric organ signals the
stylistic shift, with the keys
right hand running additional
riffs on top of the bubble
rhythm. And the 80Æs synths are
back û even sharper than before.
Wailing Souls and Alborosie love
their guitars, too û as they take
centre stage once more.
Invisable Wall (with the
intentional misspelling) builds
on the previous trackÆs Soul
vibe, with some gorgeous call and
response backing vocals. But the
arrangement is more stripped back
and unfussy û drawing the ear
into the trackÆs overly political
and social message about those
system-invented borders (whether
geographical, ethnic or class)
that keep us all contained.
Alborosie moves from behind the
production desk for Shark Attack,
bringing the original 90s hit
bang up-to-date. When parallelled
with the original, the team has
made some notable changes. The
drums are still a mashing-up of
Roots and Hip Hop, with an
absence of a one drop marked by
the kick hitting the downbeats. A
focus on synths is still there û
but rasping horns have been
embellished with a more sample-
driven vibe, with the overall
engineering leaning towards the
lower kHz. And in 2020, Shark
Attack has leaned more towards
Dub with its pointed breaks. But
the sentiment is still the same û
and the message about BabylonÆs
nefarious agenda sadly still
resonates.
Next, and Stay Calm is a lush,
detailed and overly gorgeous
piece of work û invoking the
trackÆs self-resilient message.
Roots musical devices are still
present, but here the focus is
shifted to the horns taking
centre stage. Their arrangement
is lovely, full of heavily-
layered, dynamically-fluctuating
responses to the main melodyÆs
call û but notably swerving
between the more traditional
arrangement of the lines being an
octave apart and heavy
harmonisation. All About You
stands in contrast to Stay Calm,
moving back to that brooding,
heavy sound dominated by 80s
synths and a particularly stark
bass line, doubled-up to give a
slappy, abrasive feel. The
unfussiness of All About You
makes the powerful message to our
æleadersÆ and proponents of
Babylon really stand out.
Eyes On You is a genius, almost
anti-LoverÆs Rock track, given
its lyrical content about a
potentially cheating partner.
Musically it sits in the genre,
with its delicious guitar-heavy
second melodic line and drop-beat
bass. But some stark Dub snare
synths have been brought in,
reverberating around the track û
and additional, pensive samples
add to the disconcerting vibe.
Back A Yard concludes with Look
WhatÆs Happening. ItÆs a wholly
fitting conclusion: a narrative
about the state of the world û
and smashes apart everything that
came before it, bringing the
album to an extremely moving
crescendo. No Roots devices are
in sight. Instead, Alborosie and
Wailing Souls take us to RnB
ballad territory: unpretentious,
with its stripped back piano,
drums and bass and heavy on the
Gospel-like backing vocals;
almost nodding to a Nyabinghi
style. Breathtakingly good, the
unexpected nature of the style
perhaps makes Look WhatÆs
Happening the albumÆs most
affecting track. Wonderful.
ItÆs important to note how
impressive Matthews and McDonald
still are. Having been in the
business for over 50 years, their
artistry is still potent and rich
û having qualities not only
endemic of their experience but
also their motivations. Back A
Yard also delivers lyrically,
with an overwhelming message
that, despite these troubled
times, hope is still to be found
û not least in Jamaica.
Back A Yard is a strong return
from Wailing Souls. AlborosieÆs
deft and creative hand is all
over the project, with Matthews
and McDonald delivering thought-
provoking, affecting lyrics and
performances in droves. A classy
release which is a pertinent
reminder of Wailing SoulsÆ
talents.
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