░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░████████████░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░██████████████████████░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░███████████████████████████▓░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░██████████ ███████████░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░███████░ ████████░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░███████ ████████░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░███████ V E T E R A N S ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░██████ ██████████ █████████ ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░█████▓ ░░█████████ █████████ █████▓░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░█████ ░██████████ █████████ █████▒░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░█████ ░░█████████ █████████ █████░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░█████ ░█████████ ████████ █████░░░░░░░░░░░░░░ ░░░░░░░░░░░░░████ U R B A N ░░██████████████████ U N I T E D █████░░░░░░░░░░░░░ ░░░░░░░░░░░░█████ ████ ████ ░░████████████████ █████ █████ ████░░░░░░░░░░░░░ ░░░░░░░░░░░█████ ░████ ████ ░████████████████ ░█████ █████ █████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░██████████████ ░█████ █████ ████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████▒ ░████ ████ ░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░████ ████ ░░██████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░██████████ ░█████████▓ ░███████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░█████████ ░░████████ ░█████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░███████ ░░██████ ░███████ ████░░░░░░░░░░ ░░░░░░░░░░█████ ░██████ █████░░░░░░░░░░ ░░░░░░░░███████ ░░████ ███████░░░░░░░░ ░░░░░░░████████ ░███ ████████░░░░░░░ ░░░░░░█████▓▓██ ░░██ ██▓▓█████░░░░░░ ░░░░░█████▓▓▓██ ╔══════════════════════════════════════════════╗ ██▓▓▓█████░░░░░ ░░░█████▓▓▓█▓██ ║ r e l e a s e i n f o ║ ██▓█▓▓▓█████░░░ ░░▓████▓▓███▓██ ╚══════════════════════════════════════════════╝ ██▓███▓▓█████░░ ░░████▓▓████▓██ ██▓████▓▓████░░ ░█████▓█████▓██ ▌Artist__│ Walter Jackson ██▓█████▓█████░ ░████▓▓██▒██▓██ ▌Title___│ Feeling Good ██▓█████▓▓████░ ░████▓███▒██▓██ ▌Label___│ Chi Sound Records ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Genre___│ Soul ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Year____│ 1976 ██▓██▒███▓████░ ░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░ ░░████▓█████▓██ ▌Time____│ 39:02 ██▓█████▓████░░ ░░░████▓████▓██ ▌Size____│ 102.17 MB ██▓████▓████░░░ ░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░ ░░░░░███▓▓▓█▓██ ▌Source__│ MP3 ██▓█▓▓▓███░░░░░ ░░░░░░████▓▓▓██ ▌Bitrate_│ 320 kbps ██▓▓▓████░░░░░░ ░░░░░░░███▓▓▓██ ▌Freq____│ 44.1 kHz ██▓▓▓████░░░░░░ ░░░░░░░████████ ▌Encoder_│ Lame 3.99.5 ████████░░░░░░░ ░░░░░░░░░██████ ▀▀▀▀▀▀▀▀▀╝ ██████░░░░░░░░ ░░░░░░░░░░░░███ ███░░░░░░░░░ ░░░ ░░ ╔═══════════════╗ ░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ 01. Too Shy To Say 4:16 ░░ 02. Player In The Band 3:23 ░░ 03. Welcome Home 3:44 ░░ 04. Please Pardon Me (You Remind Me Of A Friend) 4:29 ░░ 05. Love Is Lovelier 3:10 ░░ 06. Love Woke Me Up This Morning 3:10 ░░ 07. Feelings 4:50 ░░ 08. Words (Are Impossible) 3:00 ░░ 09. I've Got It Bad Feeling Good 2:33 ░░ 10. Someone Saved My Life Tonight 6:27 ░░ ░░ ░░ ╔═══════════════╗ ░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ Walter Jackson was '60s Chicago soul at its sweetest and, occasionally, ░░ most mainstream. In the mid-'60s, he had a brace of solid R&B hits - ░░ "Suddenly I'm All Alone," "It's an Uphill Climb (To the Bottom)," "Speak ░░ Her Name," "Welcome Home," "A Corner in the Sun" - without ever rising ░░ higher than the lower reaches of the Top 100. Recording for the OKeh ░░ stable, which was home to the top Chi-Town soul talent, he benefited for ░░ a time from the production services of local masters Carl Davis and ░░ Curtis Mayfield, who handled the Impressions, Major Lance, Gene Chandler, ░░ and others. ░░ ░░ His sides employed similar punchy brass and strings, but in a smoother, ░░ more urbane fashion; Jackson was also comfortable with occasional outings ░░ into pure supper-club pop with nary a trace of R&B. Jackson had already ░░ recorded for Columbia (and unsuccessfully auditioned for Motown) when ░░ OKeh A&R director Davis saw him at a Detroit piano bar in 1962. Stricken ░░ with polio as a young boy, Jackson had never let his disability get in ░░ the way of his musical ambitions, performing on crutches. Impressed with ░░ his commanding voice, Carl Davis thought of Walter as a Nat King Cole ░░ type of singer, and procured material for Jackson from Mayfield, Van ░░ McCoy, Chip Taylor, and other top-notch songwriters. ░░ ░░ Despite the obvious pop crossover potential of Jackson's recordings, he ░░ remained obscure to white listeners. During the latter part of his stay ░░ with OKeh, he was reassigned from Davis' stable to producer Ted Cooper. ░░ Jackson had a few hits with Cooper, but there was little success after ░░ the late '60s, although he recorded for a few more labels before dying of ░░ a cerebral hemorrhage in 1983. ░░ ░░ As a vocalist, Jackson experienced success in the '60s with hits like ░░ 1965's "Welcome Home" and 1967's "My Ship Is Coming In." Those songs ░░ typify the powerful and dramatic Chicago sound, a perfect match for his ░░ precise diction and haunted baritone. Jackson's career was hampered due ░░ to his affliction with polio and unjustified commercial woes, and Welcome ░░ Home marked his mid-'70s return to the music scene. ░░ ░░ It certainly starts off strong enough, with a cover of Stevie Wonder's ░░ "Too Shy to Say." While Wonder's version was subdued if not somnolent, ░░ Jackson turns it into great drama. Jackson's update of his own "Welcome ░░ Home" though, finds the song not improved by an updated, hackneyed ░░ arrangement. The album's best tracks, "Love Is Even Lovelier" and "I Got ░░ It Bad Feeling Good," are customary gems from writers Pam Sawyer and Leon ░░ Ware. With flawless and nuanced arrangements, the songs are a clear ░░ indication where this effort could have gone, but didn't - to shore up ░░ Jackson's hit potential, Welcome Home was overloaded with cover material. ░░ ░░ Of course, the worst offender is the always awful "Feelings," a song that ░░ has stopped many an album in its tracks. Jackson's take on Elton John's ░░ "Someone Saved My Life Tonight" fares better. Welcome Home, produced by ░░ Carl Davis and arranged by Riley Hampton, finds them way off their game ░░ and too often not providing the proper backing for Jackson's superior ░░ vocals. ░░ ░░ "Feeling Good", released in 1976. ░░ discogs.com/master/244937-Walter-Jackson-Feeling-Good ░░ ░░█ ░░███ ░█ ░░░░██ █▓█ ████░ ░░░░░██ y o o v e e y o o █████ █████ ░░░░░░██ g o t t h e ▒████░ ██▒▒██ ░░░░░░░█ ░ ██▓██ ▓█▒██ ░░░░░░░█ ███ ███ ███ ███ ███ ████ ▒▓███ ▒███ ░░░░░░░█ ░█ █░█ █░█ █░█ █░█ ░███████ ████░ ░███ ░░░░░░░█ ░███░███░█ █░███░███ █████████▒ █████ ██ ░░░░░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████████ █████ █ ░░░░░░██ ░█ ░█ █░█ █░█ ░█ ██████████████████ ████▓ ░░░░░██ ░█ ░█ █░█ █░█ ░█ ████████████████████▒ ░░░░██ ░█ ░█ █░█ █░█ ░█ ▓██████▒▒▒▒███████░ ░░░██ ░█ ░█ █░█ █░█ ░█ ▓█████▒███████████ ░░░█ ░█ ░█ █░█ █░█ ░█ █████▒▒░████████ ░░░█ ░█ ░█ █░█ █░█ ░█ ██▓██▒██▓███▒ ░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\ ░░░██ ███ ░| learned from vets |░ ░░░░██ ████ ░| and they |░ ░░░░░██ █████ ░| ain't pet doctors |░ ░░░░░░███ ████▒ \─────────────────────────/ ░░░░░░░▓▓█████████████▒ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ https://www.deezer.com/us/album/1117875