Genre | Rock |
---|---|
Date (CEST) | 2019-01-19 19:19:02 |
Group | FANG |
Size | 44 MB |
Files | 6 |
M3U / SFV / NFO |
Whitehorse-The_Northern_South_Vol._2-(SIX118)-CDEP-2019-FANG
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-whitehorse-whos_been_talkin.mp3 | Whitehorse | Who's Been Talkin' | 241 | Unknown |
2 | 02-whitehorse-baby_what_you_want_me_to_do.mp3 | Whitehorse | Baby, What You Want Me to Do | 239 | Unknown |
3 | 03-whitehorse-john_the_revelator.mp3 | Whitehorse | John the Revelator | 249 | Unknown |
4 | 04-whitehorse-baby_scratch_my_back.mp3 | Whitehorse | Baby, Scratch My Back | 250 | Unknown |
5 | 05-whitehorse-i_just_wanna_make_love_to_you.mp3 | Whitehorse | I Just Wanna Make Love to You | 264 | Unknown |
6 | 06-whitehorse-st._james_infirmary.mp3 | Whitehorse | St. James Infirmary | 224 | Unknown |
NFO
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: \/ F A N G \ / : '
____ \ / . . .. .. .:.. .
\ / presents \ / .
. \/ \/ :
: .
..:.. ,
: Artist......: Whitehorse
: Album.......: The Northern South Vol. 2 :
: Label.......: Six Shooter Records .. .:.. .
Genre.......: Rock :
Catnr.......: SIX118 .
' Source......: CDEP ,
; Rip.date....: 2019-01-19
Str.date....: 2019-01-18
Quality.....: 244kbps/44.1kHz/Joint Stereo . :..
.:. Url.........: http://sixshooterrecords.com '
' ,
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\ / # title time \ /
\/ \/
1. Who's Been Talkin' 4:33
2. Baby, What You Want Me to Do 3:46
3. John the Revelator 3:18
4. Baby, Scratch My Back 4:33
5. I Just Wanna Make Love to You 2:55
6. St. James Infirmary 6:03
______
\ / ________ Runtime 25:08
,\ /... . . .... .... \ / ' Size 45.82 ______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: Itches, urges, dirges and scourges: welcome back to The Northern :,
: South. Whitehorse makes their return to the early days of :
:' electric blues with the second instalment of a project that ':
,: melds original grooves and melodies with the duoÆs steamy, :,
: swampy, squalling approach. ThereÆs foreplay, foreboding, fever :
:' and Fenders ù plenty of them ù with cuts from HowlinÆ Wolf, ':
,: Willie Dixon, Jimmy Reed, Slim Harpo and more. :,
: :
:' ôBlues gave rock ænÆ roll its nerve. It breaks, bends and ':
,: distorts rules,ö offers Melissa McClelland, one half of the duo. :,
: ôThis sense of abandon, emotional and musical urgency trickled :
:' into all forms of modern day music. There would be no Cardi B ':
,: without Lucille Bogan. There would be no Tom Waits without :,
: HowlinÆ Wolf and there would be no Stones without any of it.ö :
:' ':
,: On opener ôWhoÆs Been TalkinÆö (1957), Luke Doucet serves up a :,
: hearty White Falcon slice of love and respect for HowlinÆ Wolf :
:' and his right-hand man, guitar hero Hubert Sumlin, while ':
,: melodica and Wurlitzer wind around the deft dance of the lyrics. :,
: ôThe nuance of simultaneously accepting responsibility and :
:' accusing a lover of doing him wrong was very subtle,ö says ':
,: Doucet. ôItÆs a rabbit hole of contrition.ö :,
: :
:' From there, Whitehorse gets loose and languid with a Jimmy Reed ':
,: via J.J. Cale take on ôBaby What You Want Me To Doö (1959). With :,
: a few Gretsch squelches for good measure, WhitehorseÆs tribute :
:' to ReedÆs laid-back minimalism and melody mastery moves along ':
,: no faster than a Sunday morning. :,
: :
:' An exercise in subtlety it is not: WhitehorseÆs version of Slim ':
,: HarpoÆs ôBaby, Scratch My Backö (1965) is a lap dance, an :,
: unapologetically erotic, red-hot take. With McClelland on lead :
:' vocals upending the original dynamic, WhitehorseÆs version is ':
,: one of female desire and pleasure. Less girls gone wild, more :,
: sexual intellectual. :
:' ':
,: Next up is ôI Just Wanna Make Love To Youö (1954), a Willie :,
: Dixon original given a Jon Spencer Blues Explosion-inspired :
:' treatmentùMcClellandÆs idea. ôIt would be impossible to top ':
,: Etta JamesÆ steaming vocal, so I suggested we turn ourselves :,
: into a garage rock band, a little scrappier, punchier and live :
:' off the floor.ö ':
,: :,
: From a turbulent, direful crackling rapture to a haunting, minor :
:' key requiem, The Northern South Vol. 2 goes further back in ':
,: time with two traditional gospel blues selections, ôJohn The :,
: Revelatorö and ôSt. James Infirmary.ö The latter features one of :
:' the EPÆs highlights: a righteous noisescape outro from ':
,: McClelland, played on DoucetÆs Les Paul. ôJohn the Revelator was :,
: an interesting song to delve into,ö says McClelland. ôWe liked :
:' the intensity of the end of times bible story but we wanted it ':
,: to tell a more current, relevant tale. With some new words, we :,
: touch on the end of days issues that feel pressing to us: global :
:' warming, the Trump presidency, consumerism, and religion ':
,: itself.ö :,
: :
:' Both snapshot and slingshot,The Northern South Vol. 2 cycles ':
,: back and careens forward, taking a twelve-bar trip through the :,
: chart-toppers of the era. ôThese arenÆt deep cuts, they are the :
:' Top 40, the pop hits of the blues world, what was happening at ':
,: the time,ö explains Doucet of the song selection process. ôThese :,
: songs spoke to the basics. They communicated simple truths and :
:' realities in ways that transcended boundaries.ö ':
: '
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\ / \ /
\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
\ / \ /
\/ ____ ____ \/
\ / F A N G \ /
\/ 2 0 1 9 \/