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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Wollny - Parisien - Lefebvre - Lillinger - XXXX ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Wollny - Parisien - Lefebvre - Lillinger ▓▓▓▓█ █▓▓▓▓ TiTLE...[ XXXX ▓▓▓▓█ ████ GENRE...[ Jazz CAT#....[ ACT9924-2 ████ ████ LABEL...[ ACT Music ENCODER.[ Lame 3.99.5 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 44:53 REL.DATE[ 05.05.2021 ████ ████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 102,91 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Somewhere Around Barstow 04:16 ████ ████ 02 Dick Laurent Is Dead 04:48 ████ ████ 03 Too Bright in Here 05:34 ████ ████ 04 Grandmother's Hammer 02:01 ████ ████ 05 The Haul 05:04 ████ ████ 06 Find the Fish 03:06 ████ ████ 07 Doppler Fx 04:01 ████ ████ 08 Michael vs. Michael 06:51 ████ ████ 09 Noervenich Lounge 03:49 ████ ████ 10 Nostalgia for the Light 05:23 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 44:53 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://www.amazon.com/dp/B08W53NJPQ/ ████ ████ ████ ████ Four greats of jazz & beyond join for a week of ████ ████ collective, entirely free improvisation, later ████ ████ to be transformed into a radical, intense, ████ ████ exciting recording of truly new music. ████ ████ ████ ████ eXplore ████ ████ ████ ████ This story begins with just one sound, ████ ████ originating in the place which Berlin jazz ████ ████ people think of as their living room, the A- ████ ████ Trane. Back in December 2019, the club was host ████ ████ to four leading figures in todayÆs improvised ████ ████ music scene, who turned this cozy space into ████ ████ their blank canvas, their research lab. In ████ ████ eight sets over four nights, piano phenomenon ████ ████ Michael Wollny, re-inventor of the soprano ████ ████ saxophone Emile Parisien, electric bass icon ████ ████ Tim Lefebvre, and that free spirit of the drum ████ ████ kit Christian Lillinger were given free rein. ████ ████ They had agreed beforehand, incidentally, that ████ ████ nothing should be composed, arranged or pre- ████ ████ planned. ████ ████ ████ ████ eXpand ████ ████ ████ ████ As a result, the music we hear doesnÆt fit into ████ ████ any category. WeÆre in uncharted territory, so ████ ████ a good way to capture its essence might be to ████ ████ break it down into its four component parts. ████ ████ First thereÆs Michael Wollny, here for the very ████ ████ first time playing only on electronic keyboard ████ ████ instruments. He creates a characterful world of ████ ████ retro-futuristic sounds that is very much his ████ ████ own. We find the occasional nod to early Jean- ████ ████ Michel Jarre, references to science fiction and ████ ████ horror movies, and also vivid memories of the ████ ████ sounds of avant-garde Krautrock: "Can" and ████ ████ Irmin Schmidt and Klaus Schulze. As for Tim ████ ████ Lefebvre, here is a musician who has plied his ████ ████ very great craft with stars such as David ████ ████ Bowie, the Tedeschi Trucks Band, John Mayer, ████ ████ Knower, Steely Dan, Elvis Costello and Wayne ████ ████ Krantz. Here he is like a rock in a tempestuous ████ ████ sea. He propels the music forward with a ████ ████ combination of bass and effects. He builds ████ ████ structures and tames unruly elements. The way ████ ████ he lays down a groove is overwhelming. As a ████ ████ counterbalance we find the explosive yet highly ████ ████ sensitive playing of drummer Christian ████ ████ Lillinger. He stacks layer upon layer of ████ ████ rhythms and textures. And the melodic lines of ████ ████ Emile Parisien on soprano saxophone always have ████ ████ an astonishing springy inventiveness. Such is ████ ████ ParisienÆs latent energy, it seems as if at any ████ ████ moment he could suddenly become airborne. ████ ████ ████ ████ eXploit ████ ████ ████ ████ It takes a particular kind of musician to step ████ ████ forward willingly into a context like this with ████ ████ no fall-back or safety net. Before they ████ ████ actually met, the four musicians had been well ████ ████ aware of the risks. Each of them knew how ████ ████ different the othersÆ musical vocabularies and ████ ████ heritages were. And there was indeed a kind of ████ ████ tension at the start, which took about a ████ ████ quarter of an hour to subside. What took its ████ ████ place, however, was a collective sense of ████ ████ raised consciousness. The playersÆ eager ████ ████ curiosity as to what the next turn, the next ████ ████ impulse, the next push will be is palpable to ████ ████ the listener. One can sense the tension between ████ ████ the urge to construct forms, lines, grooves, ████ ████ harmonies, textures, versus the illicit joy of ████ ████ tearing such fragile structures apart before ████ ████ they have even been heard. There are beats and ████ ████ patterns from the 90s, 80s and 70s, all ████ ████ coalescing into cinematic bacchanalia of sound. ████ ████ These four master improvisers and composers all ████ ████ have the urge to rewrite the rules of their ████ ████ musical world û and to do so in real time. ████ ████ ████ ████ eXterminate ████ ████ ████ ████ And the story continues. The live sets by the ████ ████ musicians and their equipment produce a wealth ████ ████ of juxtapositions, fascinating collages of ████ ████ instrumental sounds. And in total, the ████ ████ recordings from the A-Trane result in at least ████ ████ eight hours of music. A decision is taken to ████ ████ distil these recordings into just one album ████ ████ that will be more than simply a document of the ████ ████ series of live concerts. Tim Lefebvre has the ████ ████ spark of an idea, and in February 2020, he and ████ ████ Michael Wollny meet producer and sound engineer ████ ████ Jason Kingsland in Atlanta. Kingsland has a ████ ████ background not just of working with renowned ████ ████ indie rock and pop artists, but also a passion ████ ████ for experimentation and improvisation. So the ████ ████ task becomes one of capturing the intoxication ████ ████ and the euphoria of these four Berlin nights, ████ ████ and also to take the abundance of possibilities ████ ████ and whittle them down to a cohesive album. ████ ████ Gradually, over several days and nights, the ████ ████ material is reduced, and a distillate ████ ████ consisting of ten surprisingly succinct tracks ████ ████ emerges. But hereÆs the paradox: this is a live ████ ████ recording which also sounds like a studio ████ ████ albumà and yet every note in it was improvised ████ ████ at the club. What emerges here is an album full ████ ████ of joy, emotion, humour and an almost ████ ████ childlike, naive pleasure in "playing". And it ████ ████ also presents a new trans-Atlantic group which ████ ████ is absolutely ôsui generisö û a quartet which ████ ████ is one of its kind in the world right now. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .