Genre | Progressive Rock |
---|---|
Date (CEST) | 2020-08-09 15:54:24 |
Group | GRAVEWISH |
Size | 60 MB |
Files | 11 |
M3U / SFV / NFO |
Adrian_Belew-Pop_Sided-2019-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-adrian_belew-when_is_it_coming_back.mp3 | Adrian Belew | When is it Coming Back | 274 | Unknown |
2 | 02-adrian_belew-obsession.mp3 | Adrian Belew | Obsession | 286 | Unknown |
3 | 03-adrian_belew-the_times_we_live_in.mp3 | Adrian Belew | The Times We Live In | 267 | Unknown |
4 | 04-adrian_belew-everybodys_sitting.mp3 | Adrian Belew | Everybody's Sitting | 262 | Unknown |
5 | 05-adrian_belew-lobsters_and_hypocrites.mp3 | Adrian Belew | Lobsters and Hypocrites | 283 | Unknown |
6 | 06-adrian_belew-although.mp3 | Adrian Belew | Although | 266 | Unknown |
7 | 07-adrian_belew-take_five_deep_breaths.mp3 | Adrian Belew | Take Five Deep Breaths | 271 | Unknown |
8 | 08-adrian_belew-the_ladder_of_life.mp3 | Adrian Belew | The Ladder of Life | 272 | Unknown |
9 | 09-adrian_belew-road_rage.mp3 | Adrian Belew | Road Rage | 259 | Unknown |
10 | 10-adrian_belew-wait_to_worry.mp3 | Adrian Belew | Wait to Worry | 269 | Unknown |
11 | 11-adrian_belew-luminous.mp3 | Adrian Belew | Luminous | 226 | Unknown |
NFO
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██▌ Artist...: Adrian Belew ░▐██▌
░▐██ Album....: Pop Sided ░██▌░
▓▐██ Year.....: 2019 ▓▐██▓
▓▐██ Rel.Date.: 2020-08-09 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: self-released ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. When is it Coming Back 2:29
2. Obsession 2:47
3. The Times We Live In 2:52
4. Everybody's Sitting 2:32
5. Lobsters and Hypocrites 2:28
6. Although 3:40
7. Take Five Deep Breaths 3:10
8. The Ladder of Life 2:57
9. Road Rage 2:27
10. Wait to Worry 3:24
11. Luminous 2:26
------
31:12
Adrian Belew is best known as the highly experimental, tech-oriented,
high-wire walking progressive rock guitarist who brought thrills and
excitement to the music of King Crimson, Frank Zappa, David Bowie,
Talking Heads, Nine Inch Nails, and countless others. But Belew also
possesses a keen knack for melody and harmony, heavily influenced by the
Beatles and other acts from that era. This side of his personality is
expressed best in the context of The Bears and his solo albums.
BelewÆs last three solo albums have been a part of his experimental Flux
series, where listeners are asked to use the ôshuffleö button on their
CD players to combine songs with various forms of ambient noise,
creating a unique listening experience with each play. With POP-Sided,
he returns to conventional form, creating an eclectic but accessible
front-to-back musical immersion.
The album clocks in at a scant 31 minutes, a la his side one, side two,
and side three releases from a decade-plus ago. Belew is well aware of
the relatively short attention span of the modern music listener, who
mostly chooses to download select tracks over entire albums. A shorter
album lends itself to more focused listening, he reasons. But this
shouldnÆt be seen as a disincentive. Quite the contrary. POP-Sided is
LOADED with enough musical information to keep the listener under the
impression that the album lasted longer. Most of the lyrics come across
as contemplative and autobiographical, as Belew ponders the state of the
world and his place in it.
Things get off to a wistful beginning with ôwhen is it coming back,ö a
breezy bit of Æ60s pop created, it seems, just for a leisurely day on
the beach. Anyone looking for BelewÆs more experimental side doesnÆt
have to wait long, as ôobsessionö steamrolls over the opener with a
heavy 6/8 stomp and shrieking guitars, not unlike ômadnessö from side
one. The lyrics amount to a simple question, ôwhen is enough enough?ö
which is a point driven home beautifully by the instruments at hand.
ôtimes we live inö could have been credited to Lennon/McCartney/Belew,
as the music reminds one of ôRocky Racoonö from The Beatles (aka The
White Album). But the lyrics are pure Adrian, as he contemplates the
loss of civility in society, and how he has come to feel horribly out of
place because he insists on maintaining his. More than a few of us can
relate. The theme is similar in ôeverybodyÆs sitting,ö where Belew
ponders the relative absence of engagement by people in modern society.
What might seem like so much grumpiness is really a case of genuine
concern.
Belew is at his most abstract on ôlobsters and hypocrites,ö a tune best
heard in order to be understood. It harkens back to the likes of King
CrimsonÆs ôNeurotica.ö Meanwhile, ôalthoughö is the most genuine case of
Belew being Belew, an epic pop song that would have fit just as nicely
on his Here album as it does on this record. ôtake five deep breathsö
comes across as a useful mantra, while ôladder of lifeö offers an
interesting perspective on BelewÆs feelings toward his professional
life. ôroad rageö finds a kind man dealing with the rancor surrounding
him, and ôwait to worryö offers up reasons not to get hung up on any of
it.
Belew performed only two of his brand new songs with his new quartet
(more on that soon) in concert. This seems surprising at first, but
POP-sided is a deeply intimate and personal album, performed in the
studio by Belew alone. In the end, he may feel it is best presented that
way, offering an even deeper connection between artist and listener.
Mission accomplished.
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