Genre | Progressive Rock |
---|---|
Date (CEST) | 2020-10-25 01:48:02 |
Group | GRAVEWISH |
Size | 89 MB |
Files | 6 |
M3U / SFV / NFO |
Airbag-A_Day_at_the_Beach-2020-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-airbag-machines_and_men.mp3 | Airbag | Machines and Men | 258 | Unknown |
2 | 02-airbag-a_day_at_the_beach_(part_1).mp3 | Airbag | A Day at the Beach (Part 1) | 234 | Unknown |
3 | 03-airbag-into_the_unknown.mp3 | Airbag | Into the Unknown | 251 | Unknown |
4 | 04-airbag-sunsets.mp3 | Airbag | Sunsets | 268 | Unknown |
5 | 05-airbag-a_day_at_the_beach_(part_2).mp3 | Airbag | A Day at the Beach (Part 2) | 256 | Unknown |
6 | 06-airbag-megalomaniac.mp3 | Airbag | Megalomaniac | 247 | Unknown |
NFO
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██▌ Artist...: Airbag ░▐██▌
░▐██ Album....: A Day at the Beach ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2020-10-24 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Karisma Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Machines and Men 10:48
2. A Day at the Beach (Part 1) 3:54
3. Into the Unknown 10:27
4. Sunsets 8:16
5. A Day at the Beach (Part 2) 5:33
6. Megalomaniac 9:49
------
48:47
Airbag has gone far beyond the staggering achievement of their last
album and have made unquestionably their greatest collection of songs.
No more lazy David Gilmour comparisons: Bjorn Riis' guitar work and
songwriting on "A Day At The Beach" solidifies him as the guitar hero of
the "New Prog" era. Every chorus here I was like "Jesus dude this is
fucking great." That's because it is. Thanks also for the email after my
signed vinyl purchase. Greatly appreciated - a class act all around.
---
Norwegian band Airbag are still very much based around Asle Tostrup
(lead vocals, keyboards, programming) and Bj'rn Riis (guitars,
keyboards, backing vocals), while drummer Henrik Fossum has been there
since the second album, but there has been change in bassist with Anders
Hovdan not involved in an Airbag album for the first time, and he has
been replaced by guest Kristian Karl Hultgren. For some reason I have
not heard any of Airbag's most recent albums, and in fact the last album
I reviewed was the debut 'Identity' which was released all the way back
in 2009, but here we have a band who have been carving out a reputation
for solid and consistent albums, and the same is true of this one.
If ever an album was grower then it is this, as after the first two or
three plays I really was not at all convinced as their modern take on
Pink Floyd, soundscapes, Radiohead, Kraftwerk, recent Marillion et al
just did not do it for me. I knew the guys were trying to build an
emotional connection, with laid back music which often contained high
separation of instruments and loads of space, but somehow it still just
felt too clinical. But the more I played it, the more I started to fall
into the world, and it all seemed to make sense. Once one gets past the
rather disturbing cover photo of teddy bears having their heads buried
in the sand, there is progressive crossover electronic art rock music
which is cinematic and has real breadth. This is music which does really
need to be listened to as otherwise it will fall into the background,
but for those who are prepared to spend the time and effort they will
get something out of this. The vocals are front and centre, but there
are also long passages when the band play purely instrumentally, often
veering into electronic and ambient territory. Personally, I would have
liked to have heard more guitars, as the electronica is too much for my
personal taste, but all in all this is an interesting album. But it does
need time to drop into the brain.
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