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▓█▌▐█▌  ▓▀    ▀▀ ▓▀   ▀▓    ▀▀▀    ██▓ ██ ▀▀               ▀  █▌       ▓ ▀▀▀▀ ▀ ▐█▓ ▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▓██▄█▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀   ▀▀▀▀▀▀ ▌▀ ░▓█▓░ ▀█▄                ▓▐█▀▀                      ░▓█▓░ ░█▓░░  ▓                      ▓        ▓░▓█░  ░▓▄█████▄░   ▄ ▄  ▓▄██████▄░  ░▐██▀▀▀▀███▓░ ▀▓▀ ▀▓▀ ░███▀▀▀▀██▄▓ ▀▀▀   ▀▀▀▀▀▀  ▀▀▀▀▀   ▀▀▀ ███  ████▀    ▄▀▀▄▄█████▄▄ ▄▄█████▄▄▀▀▄   ▀████   ██  ██   ▀██▄▐▄  ■ ▄██▀▀ ▀██▄ ▄ ▄██▀ ▀▀██▄ ■ ▄ ▄██▌   ▐█▓  ░▓▄   ▀██▄▀▓█▄▄▄█▀▀ ▄ ▄▓▓▄ ▐█▌ ▌ ▀▓▀ ▐▓▓▌ ▄▓▓▄ ▄ ▀▀▓▄▄░▄██▀   ▄▀      ▓░▓▄███   ▐▀ ▀▓▀ ▀▀ ▄██▀ ▀██▄ ▀▀ ▀▓▀  ▀███▄ ▓▓        ▄██▀▓   ■ ▀▄▀ ▀▄▀ ■   ░▀███░       ▓███▓     ░░ ▐▌ ▐▌     ░███▓      ███▌░  ▀ ▀ ███▓    ▐██▀ ▀███░   ██▌  Artist...: Alien Deviant Circus ░▐██▌  ░▐██   Album....: Ananta Abhava  ░██▌░ ▓▐██   Year.....: 2015  ▓▐██▓ ▓▐██   Rel.Date.: 2020-07-13  ░▐██▓  ▐██   Genre....: Black Metal   ██▌░ ░ ██▌  Label....: Necrocosm   ██▌    ▐██  Source...: CD  ▐██    ░▐██▌ Type.....: Album ▐██▌░  ▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░ ▓▄████ ████▌░   ███▌░  ███▓   ▐██░░▀█▄░         ▓█▌  ███  ▀██▓ ▓█▄        ▄█▀ ▓██▀    ▓██▄ ▓▓▀▄    ▄▓▀  ▄██▓░     ██▌    ▓  ▄▄▄ ░    ▐██▓░       ██▌    ░ ░▀▄▓▓█▀█▄▀▀░     ▓██░         ░██░     ░ ░▄ ▄▄██▐▓▓█▄░▄█▌██▀▀ ▀░ ░ ▄▄▀▀█░░▐█░      ▄  ▐█▌░    ░▄▄▀▓▓███▀▄░ ▓▄▄█▌▓▓█ ▓█░   ▀░▀  ██     ▀▀▀ ░█▓▄▄▄█▀░ ▓█        ░▐█▌    ░█▌▐▓ ▓▄▄░ ▌         ░█░     ▄  ▐▓▓▀▀▀░▓█▄▄░       ░░▄█▄ ▄ ██▄ ▀░▀ ▀█░▄▄▄  ▄█░▄▀▀▄▀▀▄░▀▀▄       ▀▀████████▀░ ▀▀░  ▄█▓░░░░▀░░█ █▄█▓        ▐█░▀██▀ ▄█▓░░░ ▐ ▄ ░▓█▄        ▓  ▐▌  ▐ ▄█▀█░ ░  ░ ▄ ▀█▄▓█░    ░▓▓▀▀░▄ ▌▓   ■░▒ ░ ▄ ▐▀▀▓▄█▓░░ ░ ░ ▄█▀█░█▐▓▌▀▄         ░▀█▌  ▓▬ ▓▀▓ ░▄▄▓▀▓░      ░▀█░▀█▄░░  ░█░ ██ █░▀█▐▌       ░▓░░▐▌   ▌ ░░■  ▄█▐  ▐       ▓▓▓█░▓█▄▄█░  █▓█▓▌░ ▀  ▄         ▓░▓ █▓▐░▌ ▓ ░▓▓ ▓▐▒▄░░▐▓█  ▌         █▀▀░▐▀░█▀▓  ▐▌ █▌    ▀░▀     ▄ ▐░▌░▐█ █▌ ▓   ░█░░█▀ ▐▓▐░ ▀▄▄▀▀▌░   ▄▄███▐████▄▓  ▌        █  ░   █ ─▀▀▀█▓░█▄▌  ▐░▐░ ▄▄▄░██  ░ ░ ░▓░  ▐▌▓▄▌▓▓▌▓▐▓█▀  ■                ▄ ▌     ▀█▄█▌ █▌▐▓░█▓ ▀ ░░░ ░▓█▄█  █▓▓▓▓▓█▄▓▓▐▓  ░        █  ░  ▄ ▀ ░  ░  ▓██  ▄██▀ ░▌█░▄░██░░▐▌  ▄ ░▌▄░░░▄▌░▌▀    ← ▄  ░  █  ▄██▀    ░░▓  ░▀█▐█▀▀▀▀▀ ▐▄██▀▀█▌░░▌   ▀░▀ ░▌ ▀░▀   ▐ █ █ █▄▐▓▓▌        ▀▄▄  ██▌▒ ░▄░  █▐▓░▐░   ░ ░▌▄     ░▌ ▄ ░ ██ ▀▓▓▓▄▄ ░▬▓░ ▐██▀▀▀▓░  ▐█▌░ ▌░    ███▄░  ░▌  ▀ ▄  █ ███   ▄      █▄▄██ ░░    █▐░ ▐▓  ▐▓██░ ░▓▓     ▀██▄  ███  ███▌   ▀░▀ ░▀██▌      ▐▓▌░ ▌░ ▐▓█▓    █ ░     ▐▓▓▌ ███ ▓████░  ▐█▌▄▄    ░ █▐▓ ░▌░  ░█▓▌░ ░  ▌         ▄▄▓▓▓▀  ███ ▐█▓██░ ▒▐▌ ░▄██ ██░  ▄▄█▌▌░▄█░░░░░██░░   ▓▌  ░      ░░▌ ▀▀▓▌░ ██▌░ ████░ ▄██▄░  ▄▄███ ▄██▄▄    █▓▓░▓█▓▓▄█▓▓▓░▌░░   ░█  ▄▄▓▄░▀▄█▓░▓▄▀▀▀█ ██▌▓░████▓░   █▌░  █████▌ ▀██▀▀  ▓▀▀▀▓▄ █▄█▐█▓▓▓█▌▓░ ░░ ▐▄▄▄▄█▓ ▄░  ░ ▒█████ ███▓▄████▓    █▌  ▐██ ██▌ ░██    ▄█ ░▄▄░▓██▀███▄▄▄██▀░▓▄▓█▀▀░░ ▀▒ █░ ░ ░ ▄▀▀█▄ ██████████████████████████▄██▄▄▓█░▬██▄███▀░░░█▓▄▄▄█░▄▄▄▬▐█▓▄▓▓▓▓▄█▀▀█▄▄█▀░▄██▄ ████▀███████████▓███████████████▀▓▓▀▐▌█▌█▀░▐█▀▀░ ▐███▄█▄▌░  ▀▄█░░░▌▄░░▄▓░▐▓▄▓▀ ██▄▓▄████████████████████▓████████████▓▌███▓░░░▄░░░░███▓░█████▀░▀▐ ▓▓▓▐▓█████ ████████▄▄███████████████████▐████████████████████████████████████▓█▌██████ ▓█░▓▄▄▄████▄▓▀ ▄▄▓ ▄▄▄░█▌ ░▄▀▀▄█▓░ ▓▓█░████▓███░██▀▓▓███▓ ▓██▓▐█▌ ███▄▄   ▐███▄ ▓▄█▀▀  ▐█▄█▀  ▄▀▀░ ▄█▀░ ░ ▓████████▐██████▓█▓ ▓█ ██  ░█▓ ▐█▄▓██▄██▄▐█▌░   ▐██▌▓▄█▀▓    ▄▄▀▀▀▀▄▄▄ ▓██▓▓▓▀▄████▐░███ █░█▌▄ ▐█▀██▀ ██▀   ▀███▄▄█▓ ███████▄▓▀▀▀▀▄▓  ░▄██▓ ▓ ▓██▓▀▄█████▓ ▄▄▀▀▓▄▄█▄▐█▄▄▓▄▄▄▄▄▄▄░▄░░░▄▄▀▄▄▀█░▄▄▄▄▄▄▐█▌ ▄██▀▄▄▄▄▄▄ ██░████ ▓     ░  ▓██░                        ▓█▄█▀     ▓██████            ▀▀▄▓                      ▓▀▀▀       ▓ █    1. AP (Nada) 21:59 2. Hiranya - Garbha (Shakti) 19:32 3. Aham Tattva 8:19 4. Mrityu Moksha (Vac) 9:12 5. Maha Pralaya (Pradhamsa-Abhava) 10:34 ------ 69:36 5 tracks of industrial black metal. My necklace and ornaments are of human bones I dwell among the ashes of the dead and eat my food in human skulls. I look with eyes brightened with the antinomy of Yoga, and believe that the parts of this world are reciprocally different, but that the whole is not different from God. ...After fasting we drink liquor out of the skulls of Brahmans our sacred fires are fed with the brains and lungs of men mixed up with their flesh, and human beings covered with the fresh blood gushing from the dreadful wound in their throats, are the offerings by which we appease the terrible god (Maha Bhairava)." Vamacara Sadhana sophia is based upon the dissolution into chaos and the emancipation ov personnality from every kind ov dogma or ethical concept. It promotes total art ov destruction, liberated from every influence or static ethic. The metaphysical and philosophical thought is the dark thread ov his global concept which takes root from a strong personnal will and a reflexion upon non conditionned expression... The Word links up around our own act ov deconditioning and poor possibility towards the absolute in which society defines all political or religious values. Moralism is an obstruction to our awakening... Art, philosophy and Waves are the way ov this awakening towards the black irradiant light. We shall awake in order to match our vibration to his source and to arrange the manifest according to our will... Let's draw our strengh from decay, let us swamp with this source ov creativity, expression and death!!! Order shall never rise from disorder again!!! Dethroned mankind shall end his cycle in pain and dishonor!!! --- Alien Deviant Circus play industrial black metal. That means industrial metal + black metal. Let's start with black metal. The guitar sound is "black metal-ish" at 95 per cent, as well as a good part of the riffs is typically "black metal-ish". There is almost no "industrial-ish" guitar on the whole album. Quite the contrary: in the second half of the second song "Hiranya - Garbha (shakti)" there is even a thrash metal riff. In the third song "Aham Tattva" the guitar fingering is played ù again typically "black metal-ish" (well, almost typically). The drum-machine knocks this guitar passage diligently, making this part of the song totalitarian and insane at once. By the way, this is the most black metal song on the album. As for the bass on "Ananta Abhava", the bass parts are also mostly classical ones for black metal, and the bass sound doesn't particularly deviate from the canons of the genre, unless it was used too many effects for it. But it makes the bass sounding as if it comes from the grave, and it's a big plus for the (necro) atmosphere of the album. The vocals are mainly screaming. The voice is not typical for black metal ù not so high and shrill ù but it keeps within the genre too. The first song "AP (nada)" doesn't have a lot of vocals in it, but further the vocalist gets his own back. The fifth song "Maha Pralaya (pradhamsa-abhava)" is the peak of his work on "Ananta Abhava", he sings by screaming to a black industrial "orchestral" accompaniment very carefully here. Impressive stuff! Alien Deviant Circus also use ritual chants, but the vocals are flooded in these places (judging by the first song), so it is not very clear whether the singer sings on a note or not. And besides: is it whether a vocal or a looped sample. "Ananta Abhava" has not been without female vocals ù just a little bit: the first song goes into the second ("Hiranya - Garbha (shakti)") with the sample of the high female "cathedral" chant. Now the turn came for "industrial metal". It is clear that the industrial component is obtained by the drum-machine. We all know that if a drum-machine dominates the sound and there is a "black metal-ish" guitar, it's hard not to hear Mysticum. Indeed, middle tempo Mysticum with most of its signature techniques is heard very often on "Ananta Abhava". Maybe that's why Alien Deviant Circus create songs mostly at a slow and medium tempo. And here I must pay tribute to the creators, they increase the suspense skillfully, while gradually strengthening the hard dark/unmanned atmosphere. It seems they don't risk to accelerate to mind-boggling speeds, because then there would be nothing left of Alien Deviant Circus. It would be pure and simple Mysticum. The sound of the drum-machine is remarkable, it is overloaded, some dirty. Sometimes it is impossible to understand what kind of "drum" or "cymbal" sounds ("snare", "hi-hat", "kick", etc.). The drum-machine nearly exhausts the listener with its callousness and monotony. Its dead mechanical sound is a trademark of industrial black metal, as I understand. You have to have the strength and courage to listen to this material for almost 70 minutes. Perhaps that is why the musicians give the listener a rest for the ears, prefacing their songs with long ambient intros (only the third and fifth songs have short intros ù some warnings, rather symbolic). The introduction to the first song is full of Indian (or Tibetan) musical motifs. Or more accurately "Indian / Tibetan musical motifs" in European understanding. Intro to the second song is an ambient one with a verbose (occult) recitative. While the fourth track "Mrityu Moksha (vac)" begins with a pure EBM act. This fourth composition contains a fair share of classical martial industrial ù both in rhythm and in music. Perhaps this is the darkest track on "Ananta Abhava". By the way, there is the only guitar solo on the album here in "Mrityu Moksha (vac)". And the farther in, the deeper: in the fifth song (or rather, in its third part ù after the ambient insertion with electronic gurgling and very gloomy primitive synthesizer) you can hear an almost funeral march-like melody. However, I can't identify the atmosphere of this album as perfectly grim and totalitarian. The rhythmic figure systematically ù and too often ù converts to the rhythm that sounds like "pum-pa pum-pa pum-pa" (syncopated rhythm, if you need accuracy). It's not industrial black metal, it's not martial industrial, it's some kind of dance. This "pum-pa pum-pa pum-pa" makes you want to jig about, and with such a background there is no possibility to think about high matter. Or energy (according to the booklet recommendations). In the first song "AP (nada)" this rhythm interchanges with the ritual chants and ù oh, maybe I don't understand something ù it is the greatest crime against dark/necro harmonization on this album. And please, don't tell me that Mysticum use that "pum-pa pum-pa pum-pa" too! I guess the lyrics are based on tantric mysticism, but I'm not sure, that is out of my range. Nevertheless, the booklet is filled with mandala-like schematic images: some of them look original, others are just a modern ("industrial") stylization. To be honest, I don't understand and don't support flirting with Hindu / Tibetan occultism. --- In seven years, industrial black metallers Alien Deviant Circus have already launched three albums, being the third one titled ôAnanta Abhavaö which was released in January via Necrocosm, the French label that mainly promotes industrial metal. Twenty two minutes of running time is the length of the first track ôAP (nada)ö that presents a slow and mid-tempo pace in a militarist taste that fills the whole musical canvas like if it was a bio-mechanical army on the march. The industrial sounds united with the repetitive and spiral guitar riffs create a full warlike hypnosis. While the song evolves, everything gets more chaotic and claustrophobic, but also more embodied. ôHiranya û Garbha (shakti)ö follows up with its nineteen minutes of duration in which the first four minutes are comprised by a long speech that will burst into a, once again, mechanical song which is deprived of melody, but this time shown in a groovy vein. The musical repetition keeps on, but itÆs not so hypnotic and the highly aggressive vocals are more constant. However, the industrial side is a little bit more evident due to the metallic percussion. In addition, there are some ritualistic choirs forming a spiritual aura always with a highlighted industrial background on its peak. The other tracks are way shorter and follow the same line of the previous ones, thus bringing nothing new to the bandÆs sound itself. Even so, the guitar riffs are more worked out and even more perceptible. As a final note, sometimes this kind of music tends to be synthetic due to utilization of non-organic instruments and sounds, but with Alien Deviant Circus it seems that everything fits quite well; the production is compact and it sounds like a united musical body.                                                                                                     ▀▀░                                                                                                                ░▄▀                                  ▄█▀                                             ░▄           ░▐███░               ▀█░▄▄▄                    ▄░       ▀█░░                      ░           ▀▀░                                         ▄  ░                                          ▄     █          ▀                 ▄              ▄█▄ ▄ ██▄         ▀░▀     ▄         ▀                ▀░▀   ▀         ▀▀████████▀░                   ▀ ▄      ░                      ░░       ░▀██▀                    ▀██▄                ▄               ▐     ░      ░  █▀▄    ▐▓▓▌   █                    ▄   ▄▄       ░                    ▄▄▌█  ▄▄▓▓▓▀  ▄                      ▄ ▀   ████      ░                   ▐███▌  ░ ░                  ▄██▀     ▄▄██▄▄           ░           ▄▄███▄▄ ▄  ▓                         ▐▓▓▌  ░   ▓████▄        ▀          ▀    ▓█████▓  ▀ ▄                           ▀▓▓▓▄▄   ▐▓███ ▌                       ▌█████      ▀██▄   ▄                ░▄  ▀▀██▄▐████ ▌▐ ▌▓                ▓▐ ▌█▓███       ▐▓▓▌ ▀░▀           █    █  ░ ░▓▐████▄▌▐ ▌▌ ▌▌▐ ▌▐▄ ▐▐·▌▌▐▐ ▐ ▄█████    ▄▄▓▓▓▀                            ▓ ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐▓▐▐ ▌▌▐▐ ▐ ▌█████ ▄█▓▀▀  ▄░ ░            ▄▄▄░      ▓     ░▐████▄▌▐▄▌▌▄▌▌▐ ▌▐▐▄▐▐▄▌▄▐▐▓▐▄▌█████ ▓     █               █████      ▐▄░   ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓░   ▄         ▐▓    █▓███░    ▓▐█░▄▄  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐█ ▐▐ ▌▌▐▐ ▐ ▌█████    ▄██▄ ▀ ▄      █▌    █████▓   ██▀█▀▀   ▐█▓██ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▌███▓█   ▐█▓██▓   ▀██▄ ▀██▀   █████▓░    ▓█▌    ▐████▓▌▐▄▌▌▄▌▌▄ ▌▐▐▄▐▐▓▌▌▐▐▄▐▄▌█████   ▐████▌    ▐▓▓▌▓█▌   ▄█▓███▄░     ▐█▄▓  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▀█▓███   ▐████▌ ▄▄▓▓▓▀  █▓  ████████▄▄▓ ▄█████▌ ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓████▌░ ▄▄   ▄▄█▄▄ ██████████████████████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄     █████  ░██▓████▓██▓▓██████ █░█████▄▀█▄░████████▄▄▄▄▄██████▓████████░██████▄▄▄▄▄███████░▄██░█░█████████ ▓██▀█████▓░░ ░ ░ ░ ░ ░ ░░░▓███▓█████ ████████▓ ▓██▓▐████▓ ▓██ █░███ █░██████▓ ███▓▄▀█▓ ▓ ▓█████▓███████ ▓███ ░▄▄▄▓████▓ ▓████████▓ ▓██████▓ ▓████▓