Genre | Thrash Metal |
---|---|
Date (CEST) | 2020-07-19 14:43:38 |
Group | GRAVEWISH |
Size | 72 MB |
Files | 10 |
M3U / SFV / NFO |
Chainsaw-Filthy_Blasphemy-2017-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-chainsaw-headless.mp3 | Chainsaw | Headless | 269 | Unknown |
2 | 02-chainsaw-down_in_vitriol.mp3 | Chainsaw | Down in Vitriol | 266 | Unknown |
3 | 03-chainsaw-the_slasher.mp3 | Chainsaw | The Slasher | 273 | Unknown |
4 | 04-chainsaw-iron_casket.mp3 | Chainsaw | Iron Casket | 270 | Unknown |
5 | 05-chainsaw-filthy_blasphemy.mp3 | Chainsaw | Filthy Blasphemy | 262 | Unknown |
6 | 06-chainsaw-storm_of_vomit.mp3 | Chainsaw | Storm of Vomit | 275 | Unknown |
7 | 07-chainsaw-judas_double_trader.mp3 | Chainsaw | Judas Double Trader | 261 | Unknown |
8 | 08-chainsaw-hooves_at_your_door.mp3 | Chainsaw | Hooves at Your Door | 275 | Unknown |
9 | 09-chainsaw-under_the_hammer_of_gore.mp3 | Chainsaw | Under the Hammer of Gore | 272 | Unknown |
10 | 10-chainsaw-demolition_team_(gehennah_cover).mp3 | Chainsaw | Demolition Team (Gehennah cover) | 268 | Unknown |
NFO
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██▌ Artist...: Chainsaw ░▐██▌
░▐██ Album....: Filthy Blasphemy ░██▌░
▓▐██ Year.....: 2017 ▓▐██▓
▓▐██ Rel.Date.: 2020-07-19 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: Vulkan Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Headless 3:27
2. Down in Vitriol 3:52
3. The Slasher 3:32
4. Iron Casket 4:21
5. Filthy Blasphemy 3:16
6. Storm of Vomit 3:10
7. Judas Double Trader 4:12
8. Hooves at Your Door 4:00
9. Under the Hammer of Gore 4:06
10. Demolition Team (Gehennah cover) 3:12
------
37:08
Bass guitar players are a pitiful species. They have only four strings,
they are not allowed to play solos and many vile sound engineers forget
to record their contributions when it comes to a new album. So all in
all, they do not see the bright side of life too many times, to say the
least. But Witchkiller, the bass guitarist of the Greece wrecking crew
called Chainsaw, has decided to be no part of this miserable game. Thus,
the bass lines have gained a pretty prominent position on "Filthy
Blasphemy", the second album of the trio.
A trio? Indeed, already the number of musicians gives a first indication
concerning the style of the compositions. Chainsaw feel comfortable in
bad company and so they have a drink with Venom, Warfare, Mot÷rhead,
Blizzard and (early) Tank. Needless to say that this meeting takes place
in a very shabby bar with sticky tables and rancid girls behind the
counter who have been quite sexy during the seventies of the last
century (of course, Lemmy had them all). And it goes without saying that
nobody here has ever heard of any kind of hygiene regulations and so
"Filthy Blasphemy" lives up to its name with great ease.
Boozy, violent anthems like "Down in Vitriol", "Iron Casket" or the
title track shape an album that does not lack power, malignancy and
velocity. The riffing sounds fresh, the energy level leaves no wishes
unfulfilled and no acoustic interludes disturb the constant aggression.
Despite the "we don't give a f**k" attitude of the protagonists, the
album does not suffer from a blurred production and both the precision
and tight interplay of the band know how to please the ear. In terms of
thrash, the Greece legions are still growing and it does not matter
whether we speak about the pure old school style or the blackened
approach that Chainsaw celebrate. Of course, one can say that the group
serves absolutely every stereotype of the hybrid genre with tracks such
as "Judas Double Trader" and its anti-religious lyrics, but who cares?
The fact that the artwork sucks is also more or less completely
irrelevant. As long as we have the commitment that the music is what
really counts, all these minor deficiencies are blown away by the
absolute highlight "Under the Hammer of Gore". Its pinpoint riff, the
rapid beats of the snare, the commanding deep voice of the lead singer
and the raid-like background vocals of the chorus express pure
dedication and sheer brutal fun. The real essence of blackened thrash
comes to life, while other songs like "Hooves (at Your Door)" emphasize
the rather sordid side of their music. These tunes draw the shorter
straw in comparison with the more vehement pieces, but nobody must worry
about big differences in terms of quality.
Did I already tell you that bass guitar players live a very interesting
life (as long as they play metal)? They are part of a devastating horde,
they know the value of teamwork and they spread their music all over the
world. Sometimes they are even the descendants of people who made a huge
contribution in the development of the European culture. Ask this guy
called Witchkiller, if you don't believe me.
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