Genre | Progressive Rock |
---|---|
Date (CEST) | 2021-12-05 17:47:29 |
Group | GRAVEWISH |
Size | 138 MB |
Files | 13 |
M3U / SFV / NFO |
Goad-In_the_House_of_the_Dark_Shining_Dreams-CD-2006-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-goad-intro_(johann_pachelbel_canon_in_d).mp3 | Goad | Intro (Johann Pachelbel Canon in D) | 246 | Unknown |
2 | 02-goad-yet_another_battlefield.mp3 | Goad | Yet Another Battlefield | 240 | Unknown |
3 | 03-goad-clapperaes_beatinae_fast.mp3 | Goad | Clappers Beatin Fast | 245 | Unknown |
4 | 04-goad-dark_virgin.mp3 | Goad | Dark Virgin | 249 | Unknown |
5 | 05-goad-olympia.mp3 | Goad | Olympia | 257 | Unknown |
6 | 06-goad-killer_(van_der_graaf_generator_cover).mp3 | Goad | Killer (Van der Graaf Generator cover) | 259 | Unknown |
7 | 07-goad-as_nothing_had_changed.mp3 | Goad | As Nothing Had Changed | 260 | Unknown |
8 | 08-goad-dark_virgin_2.mp3 | Goad | Dark Virgin 2 | 259 | Unknown |
9 | 09-goad-steep_path.mp3 | Goad | Steep Path | 238 | Unknown |
10 | 10-goad-itaes_always_the_same_thing.mp3 | Goad | Its Always the Same Thing | 250 | Unknown |
11 | 11-goad-springy.mp3 | Goad | Springy | 246 | Unknown |
12 | 12-goad-21st_century_schizoid_man_(king_crimson_cover).mp3 | Goad | 21st Century Schizoid Man (King Crimson cover) | 251 | Unknown |
13 | 13-goad-genius_of_europe_(incl_wagner_intro_-_siegfried_death).mp3 | Goad | Genius of Europe (incl. Wagner Intro - Siegfried Death) | 238 | Unknown |
NFO
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██▌ Artist...: Goad ░▐██▌
░▐██ Album....: In the House of the Dark Shining Dreams ░██▌░
▓▐██ Year.....: 2006 ▓▐██▓
▓▐██ Rel. Date: 2021-12-05 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Black Widow Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Intro (Johann Pachelbel Canon in D) 1:55
2. Yet Another Battlefield 7:31
3. ClapperÆs BeatinÆ Fast 6:57
4. Dark Virgin 5:58
5. Olympia 4:04
6. Killer (Van der Graaf Generator cover) 8:25
7. As Nothing Had Changed 6:11
8. Dark Virgin 2 4:22
9. Steep Path 5:20
10. ItÆs Always the Same Thing 6:19
11. Springy 6:07
12. 21st Century Schizoid Man (King Crimson cover) 7:37
13. Genius of Europe (incl. Wagner Intro - Siegfried 6:39
Death)
77:25
During the last decade several Italian bands which hit the big time in
the 70s have got back on track. Some examples are Arti & Mestieri, Museo
Rosenbach, and Osanna. Others, on the contrary, had never given up
playing but had been condemned to a long oblivion they are coming out
of. Goad, the Italian band led by Maurilio Rossi, is a a case in point.
A Florence-based guitarist, composer and singer, Rossi is familiar to
those who like progressive bands, even though his band is still waiting
for the attention it deserves. They started playing in Florence in the
early 70s, but Italian prog bands were active otherwhere: Milan, Naples,
Rome. But Rossi and his folks never gave up. This CD is a new version of
Dark Virgin (2001), a work that had been conceived with Luca Leonello
Rimbotti, a journalist with interests ranging from Paganism to the
social aspects of heavy metal. The CD includes new material, including
two covers (Van der Graaf Generator's "Killer" and King Crimson's "21st
Century Schizoid Man") reaffirming a strong prog stance. The Floydian
"Steep Path" and the final "Genius of Europe" conjure a whole set of
musical ideas and passionate commitment. Goad have always loved dark and
gothic athmospheres, as confirmed by CDs devoted to Poe and Lovecraft.
Had they been English or American, their success would have been much
greater. To some ears this music may sound too deep-rooted in 70s prog
and thus unfashionable. It shows, however, some things that should not
be overlooked. Not only because progressive rock is gaining more and
more fans everywhere, but mostly because it shows that many bands are
not going to surrender. Year after year, decade after decade, they keep
on playing the kind of music they like without taking care of charts,
selling and all the like. Due to this they deserve our admiration and
respect. Maybe they would be better off better singing in Italian, but
this is a minor sin. Maybe the time has come for Goad to gain wider
audience: they deserve it more than many other progsters.
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