Genre | Thrash Metal |
---|---|
Date (CEST) | 2020-10-25 01:07:07 |
Group | GRAVEWISH |
Size | 68 MB |
Files | 10 |
M3U / SFV / NFO |
God_BC-Eargasms_in_Eden-Bootleg-2020-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-god_bc-allergy_ell.mp3 | God B.C. | Allergy 'Ell | 256 | Unknown |
2 | 02-god_bc-drunk_on_wine.mp3 | God B.C. | Drunk on Wine | 252 | Unknown |
3 | 03-god_bc-viking_tales.mp3 | God B.C. | Viking Tales | 256 | Unknown |
4 | 04-god_bc-also_the_deaf_have_ears.mp3 | God B.C. | Also the Deaf Have Ears | 228 | Unknown |
5 | 05-god_bc-marianne.mp3 | God B.C. | Marianne | 249 | Unknown |
6 | 06-god_bc-the_light.mp3 | God B.C. | The Light | 259 | Unknown |
7 | 07-god_bc-saints.mp3 | God B.C. | Saints | 260 | Unknown |
8 | 08-god_bc-holy_alibies.mp3 | God B.C. | Holy Alibies | 259 | Unknown |
9 | 09-god_bc-love_of_messiah.mp3 | God B.C. | Love of Messiah | 263 | Unknown |
10 | 10-god_bc-sna.mp3 | God B.C. | S.N.A. | 247 | Unknown |
NFO
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██▌ Artist...: God B.C. ░▐██▌
░▐██ Album....: Eargasms in Eden ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2020-10-25 ░▐██▓
▐██ Genre....: Thrash Metal ██▌░
░ ██▌ Label....: Wild Rags Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Bootleg ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Allergy 'Ell 5:22
2. Drunk on Wine 4:02
3. Viking Tales 3:41
4. Also the Deaf Have Ears 1:32
5. Marianne 3:57
6. The Light 6:22
7. Saints 4:31
8. Holy Alibies 1:28
9. Love of Messiah 4:16
10. S.N.A. 1:53
------
37:04
This band were one of the pioneers of the small Swedish 80Æs thrash
metal movement alongside Mezzrow (earlier Necromancy), Hexenhaus (later
Memento Mori), Midas Touch, and Fallen Angel. Initially they were just
God, and this Almighty impersonation led to one demo (ôFour Wise Menö,
1988) before the name change which also brought the album reviewed here
with it.
The style is on the jollier, more carefree side of thrash similar to
another Swedish formation, The Krixzhjalters (later Omnitron); in other
words, expect a thrash/crossover mixture with some surprisingly stylish
technical decisions thrown in the latter featured prominently on
ôAllergy æEllö, a fine blend of direct straight-forward and more
intricate thrashing. The less pretentious crossover spirit arrives with
ôDrunk on Wineö, but more, darker surprises are in stall like the morose
pounding rhythms on the early Celtic Frost-esque ôViking Talesö which
also smells epic in a way not very remote from the mid-period Bathory
exploits. No gloom, no doom on ôAlso the Deaf Have Earsö which is a
brisk short instrumental piece so far the album having moved throughout
several metal flavours, but ôMarianneö is an intense surging headbanger,
an uncompromising straight-to-the-point number which is superseded by
the more technical, more varied proposition ôThe Lightö, a nervy
technical shredder worthy of the mentioned Midas Touch. ôSaintsö may be
deemed a pullback after this hyper-active showdown being a calmer
power/thrash mix, but ôLove of Messiahö shows the guysÆ love of
blitzkrieg vigorous thrash this explosive piece finished with a superb
more intricate pirouette. One more instrumental served as an epitaph,
ôS.N.A.ö, a brief sombre, doom-laden interpretation of the Funeral
March, not as virtuoso-prone, and consequently not as pessimistic as the
one provided y their compatriots Candlemass on ôNightfallö a year
earlier.
The Swedish roster could only have benefited from such episodic showings
also having in mind that thrash remained a relatively untapped territory
for the country during the 80Æs, and although this act can be added to
the quite voluminous one-album-wonder group, itÆs worth of note that
there was some kind of a follow-up to their saga when the drummer Tom
Hallback formed a new team with members of the obscure thrashers
HysteÆriah, the merger logically named HysteÆriah G.B.C.. The style was
more direct thrash with not as much crossover-prone optimism, but with
more frequent technical escapades which some fans may find the better
option. Still, our ôdeities"Æ only showing remains a highlight on the
Scandinavian thrash metal horizon from those glory days, and may have
made quite a few heads turn over in OdinÆs court.
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