░░                                                                           ▐███▓                                                                         ▐████     G R A V E W I S H    ░░▄                                   ▓░   ░█▓██▌░          ▓░             ░▐██▓             ▄                  ▄██▄◘▀▓░ ▐████▄          ▐██▄▄     ▄▄▄   ░███          ░▄█▌▓░               ▄████░▀     ██████        ░█▓███▌   ░███▓   ▐██▌      ▓▄▄███░                ░████▀ ░     ░▐██▀███▓      ░██████▓   ▐██▌   ▐██▌░▄▄▄██████▀▓                 ▐▓██▓  ▓      ▐██▌▓▀██▄     ▐██▌▐███   ░███▓   ███▐███▀▀▀▀ ░▄                ░███▌▓ ▐█░░░▄▄▓░██▓▓  ███▄   ▐▓█▌░███▌   ▐██▌░  ███ ░██▌ ▄████▓   ░░          ▓███░  ▐██████▌░███▓   ███▄  ███▄▄▓███▌  ░███░░▐███ ░█████▀▀   ▄▄▄▄▄░         ▓███░▓   ▓ ███▓░▐██▓▓_▄████▓███████████▓  ▐██▌░▐███  ███▓  ▄▄██████▓░         ▐██▌░░▓  ▄██▌░ ▐███████▀▀  ███▀▓  ░▐███▄  ███▓███▌  ░██▌▄████▀░  ▐░▌         ░▀██▄▄▄▄███▀  ░▐██ ▐██▌   ████░     ▀███▄ ▐▓█████▓  ░█████▀░ ▄    ▓            ▀███████▀    ▐██  ███  ████▌░      ░▀███▄██████    █▓██▓  ▀░▀  ▐░              ▓▀▀▀▓     ░▐██  ███▌  ░▀░▓     ░░░▓▓▀▀░ ▓▓▀▀▓   ░▀▀▀▄        ░         ▄     ▄          ▄▄▄   ███░    ░    ░▓█████▄▓ ░▓▓ ░██▌  ░█                  ▀░▀     █   ░▓   ░███▓  ▄▓██░       ▄███▓▐███░  ░▌ ░███    ▄     ▀█░▄▄▄             ▄  ░▐███▓  ▐██▌ █████▌     ░███▓░ ███░   ▓  ░▐██░    ▀ ▄    ▀▀░           ▄ ▀    ▐███▌  ░███ ▀██▓██▄   ▄██▀   ▐███        ░██▌       ▀██▄          ▄██▀   ░▓▓  ████▓  ███▓ ░░░ ██▌░▄██▓   ░███▓     ░  ▓▐██▓ ░     ▐▓▓▄        ▐▓▓▌░  ░██▓  ████▌  ▐██▌▓▄█▓░ ▀███▀     ███▌░    ░▌  ░▐██▄███▄▄▄▓▓▓▀░▀        ▀▓▓▓▄▄▓██▌░ ██▓██▓ ▐██▌███░   ████▄   ▀▓▓▓      ▓ ░ ░░███████▓▄               ▓▓▐██▓▓ █████▌ ███▌███░ ▄██  ██▓    ░░ ▄▄▄██████████▌▓▐███░              ▓██▌░▐██▀███▓███▓███░ ██▓▓▓  ▀ ░▄▄███▀▀▀▀▓    ░███▌ ░██▓▄             ░███ ██▌ ▐██████░▐██▓██▓▓▄▄▄████▀▀░▓▄░        ▐████  ██░ ▀ ▄          ▀█░▄▄▄  ▐█████   █████▌░▐███████████░░  ░▓███▓░     ▐██▓██ ░██     ▀██▄        ▀▀░   ▓▀███▓   ▐░▀▀█   ███████▀▀░▐█▄░░ ▒▐███▓   ░▄██████  ███░    ▐▓▓▌       ▄     ░░     ░ ░  ▄▓▀██▄▀    ▄████▄██▌███▓   ▄███▀▐▓▀  ▐██  ▄▄▓▓▓▀       ▀░▀ ░   █        ▄▓▓▀░▓▓░    ░███▓▓▒▒█▌░██░  ████▓  ▓   ░██▌▀▄  ▀▓▄              ▄  ░  ▓███████ ░      ░████▒░░██▌██░░███▀         ▐██▌    ▀▓▓▄         ▄ ▀    ▓██████████░      ▐███░█▓▐░██▐▌▄███▓     ▓    ░▐██▄   ▐▓▓▓     ▄██▀      ▓███████▓▓▓█▄▄     ▐██▓▒░░░███▐███▀              ▀██░▬ ▄▓▓▓▓    ▐▓▓▌    ░ ██▓░░▓█████▓▓▓█▀    ░██▓▒░░░███▐██▓               ░░ ▄▄▓▓▓▓▓▀    ▀▓▓▓▄▄  █▓░   ░▓████▓██▓▓█░   ██▓▒░▀███▌ ▓       █▀▄         ▀▄▓▓▓▀▀        ██░ ░████▓▓▓█▓█░░░▐█▒▀▄░▄██░ █     ▄▓▓▀            ░ █▓ ▓ ▓ ░▓███▓▓▓▓████▐▓▒▒▓████░ ▓ ▄ ▓▓▀              ██ ▄▀▀▀▌▓ ░██████▄▄▄▄▄██▄▓▓▓███░░░░▄▄▄▄▄ ░  ▀ ▄ ▀▓   ░         ▓█░ ▓▐▄▓ ▌ ▓▓▐█▀▒▒▒▒████▀░  ░░░▀█████▓▒▒▒▓▀█▌▓   ▀██▄           ░▄█▓ ▄▄ ▓▄ ▌▀   ▓█▄█▄▄▓▓▀▀███▓░▄▄▄▄░░███▓▓░▄▄▄██▌     ▐▓▓▌ ░      █        ▓█▓░▓█ ▀▌ ▐▄ ▐    ░█▓▓▀▀▀██▄█▓███▄█▄█▄▄▄▀▀▓▓▓  ░   ▄▄▓▓▓▀ ░               ▓█▓ ▓▐ ░ ▌ ▐▓      █▓▄▓▀░▓██░ ▀██████▀███▄░    ▄██▀▀ ▄█▄ ▄  ██▄        ░██░ ▀▌▀▄▄▓  █    ░▄▀▓ ▓  ▓█▓░ ▒ ▒██▓▓ ▓░░▀▄▄░▀      ░ ▀▀████████▀           █▓░ ▀▌      ▄▀░       █▌▓ ▒  ██▓    ░ ░░▀▄  ░  ▀██▀               █▓ █ ░ ░   █░        ░█▌  ▓░ ▐█▓      ░  ░█░    ▀░▐                  █▓ ▄▀█░   ░█░ ░        █▌ ░▓░  █▓       ░ ░ █   ▄ ░               █   ▓█▓ █ ░   █░▓         ░███▄▓░ ░▌▌    ░      ░█   █                   ░█▓▄  █▓▓░         ░▓█▀█▓▓▓▓█▓   ░      ░ ▐█  ▄                   ▄ ▀▓░      ▐▓▓░ ░         ░ ░ ▀░▀▀░         ░    ▓▌    ▀ ▄                ▄██▀   █▓░     █░▓ ░     ░        ░  ░     ░     ░    ▌       ▀██▄           ▐▓▓▌     █▓░░█░▐█▓░░░ ░     ░         ░░         ░  ░░ ▌ █▀▄    ▐▓▓▌ █         ▀▓▓▓▄▄   ██░░░▐█▓░▓░                           ░░    ░█ ▌█  ▄▄▓▓▓▀           █    ▀▀██▄ ░█░░▐█░▓░░▓        ░         ░       ▓     ░▓▌ ▄                     ░       ▀ ▓█░▐█▌░▓░░░      ░ ░░         ░░    ▓█░░ ░ ▐   ▀ ▄      ▓               ░     ▐█░██░▄▓░░░▓       ░ ░      ░       ░▓░░░░█      ▀██▄            █    ▄     ▄  ▓█▐█▓▐▓░░▓█████▄░░░         ___░ ░░░▐█▓  █░      ▐▓▓▌           █   ▀░▀ ░   █  ▓███▓░▄██████████░░    _▄█████████▄ ██▓░█    ▄▄▓▓▓▀         █      ▄ ▐█▌░▐███████████▌▓█▓▄▄▓███████████▌▐███▌ ▄██▀▀ ░ █     █▓  ░  ▄ ▀ ▐█░░████░█████████▌▓░███░█████████▌│▐██▌▀     █   ▄██▀ ▄▀██░░█████████████▌░░░▌▐███████████▌▓▐██  ▄    █  ▐▓▓▌ ▄▀ █░█░░▐█▓█████████▓ ▄▓▓░░███████████▓▓██▓▄ ░ ▀░▀ ▓█   █   ▀▓▓▓▄▄ █ ▄▓ ▐▌▓░░████████░░░▐█░██ ░░█████████░▓███  █   █ ▄▓▀ ░█▌▓░░▀▓████▀░░░ ██▓██▓░  ░▀▓▓▓▀▀ ░░▐█▌▄ ░ ░ █   █ ░ ▄██▀ ▐██░░░░░░░░░░░  ███▓███░ ░     ░░░ ░ █░ ▀ ▄ █   █ ░ ▐▓▓▌  ██░░░░ ░ ░  ░ ░███▓███░░░   ░  ░   ░▌   ▀██▄ ▓█   █ ▀▓▓▓▄▄   ▀█░░░░░░░  ░ ░███░█▓█░▌░  ▄░░ ░░_▄█   ░ ▐▓▓▌ ▄   █▓ ▄▄ ▀▀██▄   ▐██▄▄█▄▓░   ░█▓█░▐██▓▌░░▓ ▄▄▓▓██▀░    ▄▄▓▓▓▀ ▀░▀    ▄  █ ▄▓▐▀ ▀  ░▐▓█████░░   ░▀█░░▓▀▓░ ░░████▄█▓ ▄▄▄██▀▀▐▓▄▄▄    ░▀ █▓ ▄▓▀░ ▄▀ █▀▄   ▐ ░███▀░░░▓░   ▓░▀░ ░  ▓▐▓▌▓ ▄▓▓▀▀  ▀▄ ▀▓▄ ▓█   ▄▓▓▀  █     ▌ ░▌▌▀█▓▓░▐▓░░  ▄░▓▓ ░  █▓▌░██▀  ░ ▀▓▓▄ █   ▐▓▓▓▐   ░ ▄     █  ▌▌░▐▄▓▓░░░█▓▄█▓████▄█▀▓▄███ ░ ░ ▐▓▓▓▌█   ▐▓▓▓▓▄  ▄ ▀ ▄  ▓ ░▌▓░▐▓▀█▀██████▀██░█░▌█░▓▓▌▓       ░ ▄▓▓▓▓▌█   ▀▓▓▓▓▓▄▄░▀   ▀██▄ ▌░░▐█ ░░▐▌░█▌▌░▐█░░░█░░▀▓▓ ░ ▄▄▓▓▓▓▓▀ █   █ ▀▀▓▓▓▄▀ ░    ▐▓▓▌█ ░░██▄██▌░▐▌▌ ░▌███▓░ ▀▓▄     ▀▄▓▓▓▀▀ █   █▓    ▀▓▓▄ ▄▄▓▓▓▀ ░  ░▓█████  ▓▓ ▐██░▌▓░ ░ ▀▀■ ░ ▄▓▓▀ ▓█   █▓ ▀▓ ▄██▀▀      ░ ░░██▄▀░▓░▓ ░▌▀█▀█░░ ▓ ▓▓▀ ▓█   ▓█▓ ▓ ▓▀▓ ▓     ░ ░▌░▓▓▓█ ▓ ▐░▓░░░░ ░ ▓ ▓ ▀▓ ▓█▓   ▓██▀██████████████████████████▓▐▄▄▄▄▐░▓░▌▓ ▄▌░█████████████████████████▀██▓   ▓██▄▓▄██████████████████████████▓░░▓███▓▓▌▀▀▀▓░█████████████████████████▄▓▄██▓  ▓████████████████████████████████░░░▓▓█▌▓░░░███████████████████ ▄██████████▓   ▓██ ▐▄                ▄▓▓ ▐█   ▐██ ▄▄▓█▌ ▄▄▓▐█▄▓    ▄█▀▓█▌ ▄▄ ▄▄ ▐█▌ ▄▄▄   ▓█▀█▄  ▓█▀▀█▌ █▓▓█▀▀█▌ ▐█▐█  ▓█▀  █▀     ██▀▀▓       ▓██▄  ██▓█▀▀█▄▐██ ▓█▌ ▐█▌ █▌▀█▄▄██ █▌▀█▄▄██▄██▄▀    ▄▄█▄██▄██▀▀█▄▄▓     ██▀█▄█▌ ██▀▀ █▌█  █▌██   ▐██▀  ██ ▐██▀ ██▓  █████▀▀▓▄▄   ▄████▀         ▓ ▀██▌ █▌   ▓█▀ ▓█▌▐█▌  ▓▀    ▀▀ ▓▀   ▀▓    ▀▀▀    ██▓ ██ ▀▀               ▀  █▌       ▓ ▀▀▀▀ ▀ ▐█▓ ▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▓██▄█▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀   ▀▀▀▀▀▀ ▌▀ ░▓█▓░ ▀█▄                ▓▐█▀▀                      ░▓█▓░ ░█▓░░  ▓                      ▓        ▓░▓█░  ░▓▄█████▄░   ▄ ▄  ▓▄██████▄░  ░▐██▀▀▀▀███▓░ ▀▓▀ ▀▓▀ ░███▀▀▀▀██▄▓ ▀▀▀   ▀▀▀▀▀▀  ▀▀▀▀▀   ▀▀▀ ███  ████▀    ▄▀▀▄▄█████▄▄ ▄▄█████▄▄▀▀▄   ▀████   ██  ██   ▀██▄▐▄  ■ ▄██▀▀ ▀██▄ ▄ ▄██▀ ▀▀██▄ ■ ▄ ▄██▌   ▐█▓  ░▓▄   ▀██▄▀▓█▄▄▄█▀▀ ▄ ▄▓▓▄ ▐█▌ ▌ ▀▓▀ ▐▓▓▌ ▄▓▓▄ ▄ ▀▀▓▄▄░▄██▀   ▄▀      ▓░▓▄███   ▐▀ ▀▓▀ ▀▀ ▄██▀ ▀██▄ ▀▀ ▀▓▀  ▀███▄ ▓▓        ▄██▀▓   ■ ▀▄▀ ▀▄▀ ■   ░▀███░       ▓███▓     ░░ ▐▌ ▐▌     ░███▓      ███▌░  ▀ ▀ ███▓    ▐██▀ ▀███░   ██▌  Artist...: Horrisonous ░▐██▌  ░▐██   Album....: A Culinary Cacophony  ░██▌░ ▓▐██   Year.....: 2019  ▓▐██▓ ▓▐██   Rel.Date.: 2020-04-11  ░▐██▓  ▐██   Genre....: Death Metal   ██▌░ ░ ██▌  Label....: Memento Mori   ██▌    ▐██  Source...: CD  ▐██    ░▐██▌ Type.....: Album ▐██▌░  ▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░ ▓▄████ ████▌░   ███▌░  ███▓   ▐██░░▀█▄░         ▓█▌  ███  ▀██▓ ▓█▄        ▄█▀ ▓██▀    ▓██▄ ▓▓▀▄    ▄▓▀  ▄██▓░     ██▌    ▓  ▄▄▄ ░    ▐██▓░       ██▌    ░ ░▀▄▓▓█▀█▄▀▀░     ▓██░         ░██░     ░ ░▄ ▄▄██▐▓▓█▄░▄█▌██▀▀ ▀░ ░ ▄▄▀▀█░░▐█░      ▄  ▐█▌░    ░▄▄▀▓▓███▀▄░ ▓▄▄█▌▓▓█ ▓█░   ▀░▀  ██     ▀▀▀ ░█▓▄▄▄█▀░ ▓█        ░▐█▌    ░█▌▐▓ ▓▄▄░ ▌         ░█░     ▄  ▐▓▓▀▀▀░▓█▄▄░       ░░▄█▄ ▄ ██▄ ▀░▀ ▀█░▄▄▄  ▄█░▄▀▀▄▀▀▄░▀▀▄       ▀▀████████▀░ ▀▀░  ▄█▓░░░░▀░░█ █▄█▓        ▐█░▀██▀ ▄█▓░░░ ▐ ▄ ░▓█▄        ▓  ▐▌  ▐ ▄█▀█░ ░  ░ ▄ ▀█▄▓█░    ░▓▓▀▀░▄ ▌▓   ■░▒ ░ ▄ ▐▀▀▓▄█▓░░ ░ ░ ▄█▀█░█▐▓▌▀▄         ░▀█▌  ▓▬ ▓▀▓ ░▄▄▓▀▓░      ░▀█░▀█▄░░  ░█░ ██ █░▀█▐▌       ░▓░░▐▌   ▌ ░░■  ▄█▐  ▐       ▓▓▓█░▓█▄▄█░  █▓█▓▌░ ▀  ▄         ▓░▓ █▓▐░▌ ▓ ░▓▓ ▓▐▒▄░░▐▓█  ▌         █▀▀░▐▀░█▀▓  ▐▌ █▌    ▀░▀     ▄ ▐░▌░▐█ █▌ ▓   ░█░░█▀ ▐▓▐░ ▀▄▄▀▀▌░   ▄▄███▐████▄▓  ▌        █  ░   █ ─▀▀▀█▓░█▄▌  ▐░▐░ ▄▄▄░██  ░ ░ ░▓░  ▐▌▓▄▌▓▓▌▓▐▓█▀  ■                ▄ ▌     ▀█▄█▌ █▌▐▓░█▓ ▀ ░░░ ░▓█▄█  █▓▓▓▓▓█▄▓▓▐▓  ░        █  ░  ▄ ▀ ░  ░  ▓██  ▄██▀ ░▌█░▄░██░░▐▌  ▄ ░▌▄░░░▄▌░▌▀    ← ▄  ░  █  ▄██▀    ░░▓  ░▀█▐█▀▀▀▀▀ ▐▄██▀▀█▌░░▌   ▀░▀ ░▌ ▀░▀   ▐ █ █ █▄▐▓▓▌        ▀▄▄  ██▌▒ ░▄░  █▐▓░▐░   ░ ░▌▄     ░▌ ▄ ░ ██ ▀▓▓▓▄▄ ░▬▓░ ▐██▀▀▀▓░  ▐█▌░ ▌░    ███▄░  ░▌  ▀ ▄  █ ███   ▄      █▄▄██ ░░    █▐░ ▐▓  ▐▓██░ ░▓▓     ▀██▄  ███  ███▌   ▀░▀ ░▀██▌      ▐▓▌░ ▌░ ▐▓█▓    █ ░     ▐▓▓▌ ███ ▓████░  ▐█▌▄▄    ░ █▐▓ ░▌░  ░█▓▌░ ░  ▌         ▄▄▓▓▓▀  ███ ▐█▓██░ ▒▐▌ ░▄██ ██░  ▄▄█▌▌░▄█░░░░░██░░   ▓▌  ░      ░░▌ ▀▀▓▌░ ██▌░ ████░ ▄██▄░  ▄▄███ ▄██▄▄    █▓▓░▓█▓▓▄█▓▓▓░▌░░   ░█  ▄▄▓▄░▀▄█▓░▓▄▀▀▀█ ██▌▓░████▓░   █▌░  █████▌ ▀██▀▀  ▓▀▀▀▓▄ █▄█▐█▓▓▓█▌▓░ ░░ ▐▄▄▄▄█▓ ▄░  ░ ▒█████ ███▓▄████▓    █▌  ▐██ ██▌ ░██    ▄█ ░▄▄░▓██▀███▄▄▄██▀░▓▄▓█▀▀░░ ▀▒ █░ ░ ░ ▄▀▀█▄ ██████████████████████████▄██▄▄▓█░▬██▄███▀░░░█▓▄▄▄█░▄▄▄▬▐█▓▄▓▓▓▓▄█▀▀█▄▄█▀░▄██▄ ████▀███████████▓███████████████▀▓▓▀▐▌█▌█▀░▐█▀▀░ ▐███▄█▄▌░  ▀▄█░░░▌▄░░▄▓░▐▓▄▓▀ ██▄▓▄████████████████████▓████████████▓▌███▓░░░▄░░░░███▓░█████▀░▀▐ ▓▓▓▐▓█████ ████████▄▄███████████████████▐████████████████████████████████████▓█▌██████ ▓█░▓▄▄▄████▄▓▀ ▄▄▓ ▄▄▄░█▌ ░▄▀▀▄█▓░ ▓▓█░████▓███░██▀▓▓███▓ ▓██▓▐█▌ ███▄▄   ▐███▄ ▓▄█▀▀  ▐█▄█▀  ▄▀▀░ ▄█▀░ ░ ▓████████▐██████▓█▓ ▓█ ██  ░█▓ ▐█▄▓██▄██▄▐█▌░   ▐██▌▓▄█▀▓    ▄▄▀▀▀▀▄▄▄ ▓██▓▓▓▀▄████▐░███ █░█▌▄ ▐█▀██▀ ██▀   ▀███▄▄█▓ ███████▄▓▀▀▀▀▄▓  ░▄██▓ ▓ ▓██▓▀▄█████▓ ▄▄▀▀▓▄▄█▄▐█▄▄▓▄▄▄▄▄▄▄░▄░░░▄▄▀▄▄▀█░▄▄▄▄▄▄▐█▌ ▄██▀▄▄▄▄▄▄ ██░████ ▓     ░  ▓██░                        ▓█▄█▀     ▓██████            ▀▀▄▓                      ▓▀▀▀       ▓ █    1. Kuru Worship 4:54 2. The Gavage 3:33 3. Perpetual Mincing 5:53 4. A Tale of Matriphagy 5:25 5. Flesh Presented for Orgasmic Torment 5:48 6. Crispy Chunks of the Obese 4:04 7. Nourishment Through Excrement 4:15 8. The Number of the Feast 7:58 ------ 41:50 Some of the most damning lies of the sixteenth century came from European explorers hoping to prime new territories in todayÆs South America for conquest. The methodology was the same, be it then King of Spain or an opportunistic soldier like German Hans Staden, whose false accounts of conquest and cannibalism would contribute to the death of countless native cultures to this day. StadenÆs æWarhaftige Historia und beschreibung eyner Landtschafft der Wilden Nacketen, Grimmigen Menschfresser-Leuthen in der Newenwelt America gelegenæ (1557) offers accounts of the lives of the Tupinambß people who inhabited what would soon be Portuguese conquered Brazil. Most damning of is lies would be the description of the ritualistic slaughter and consumption of rival warrior tribes which would find its greatest horror with the description of finding the skulls of Children in the bottom of a bowl of soup served to Staden. Of course no archaeological findings support this accusation but it helped portray the native Amazonian tribes as savage enemies, uncivilized and murderous without moral. However unpalatable the consumption of dead human flesh might sustain itself as one of the greater fears and horrors of humanity, the belief that this act empowers and strengthens the eater of man-flesh with the essence of the conquered was agreed upon by myriad warrior peoples (and a few serial killers) across the globe. Sydney, Australia quintet Horrisonous obsess over the follies of human meat nearly as much as they do over the effective bludgeon that old school death/doom savagery brings to humanity, without all of the bones and hair to worry about later. If your mind drifted off to the old barfed-up, lo-fi Carcass-assed death metal from the early Razorback Records line-up youÆre actually not as far off as youÆd think but refocus towards the mid 00Æs era of Coffins and Hooded Menace. The sapient snarls of vocalist Yonn McLaughlin, who is best known as ex-Temple Nightside and current Pestilential Shadows drummer Basilysk, bring unexpected and nearly blackened rasping to an flawlessly rendered mix of Asphyx and Bolt Thrower influenced skull-boiling. Deep and darkly rich flavors keep those olden mid-paced death metal ways dancing on the auditory palate thanks to the memberships of ex-Backyard Mortuary and Bludgeoner folks but, æA Culinary CacophonyÆ is not at all iteration upon æLure of the OccultÆ despite a few small similarities. Naturally the menacing death/doom style of æThe Plague DoctorsÆ (2016) EP survives on this debut full-length, though it is undeniable that the inclusion of drummer Aled Powell (Golgothan Remains) gives Horrisonous a greater pool of blood to marinate within. No doubt there is a twinge of æFulfill the CurseÆ style riffing to be found here but more apt comparisons might find Horrisonous shoulder-to-shoulder with bands like Innsmouth, æAngel of the Sixth OrderÆ era Armoured Angel (see: ôA Tale of Matriphagyö) and Torchureæs long-forgotten æBeyond the VeilÆ. The deep register of the guitars on æA Culinary CacophonyÆ offer a modern edged sound but the performance dynamics reek only of the oldest schools of death thatÆd marry with passages of doom before itÆd be labeled as any such hybrid. Entrenched in filth but not raw or lacking in modern fidelity Horrisonous offer a great balance of serious, sinister epics and kitschy retro death metal shock value while placing the guitar movements as the main driver of pace and progression. The crossover between Autopsy and the early Stockholm death metal scene applies to the faster paced points of æA Culinary CacophonyÆ but the bulk of this record is dynamically rhythmic beyond the scope of those æold schoolÆ counterparts, closer in overall effect to Grave Miasma or the aforementioned Innsmouth minus some of the black metal influences. Whatever style or era theyÆre pushing through Horrisonous consistently represent the most effective spectrum of mid-paced death metal with powerful doom metal riffs that highlight builds and bridges of more intricate guitar work. This focus on shifting dynamics isnÆt wholly unpredictable but itÆll take at least 4-5 listens before youÆll likely be anticipating the movements of æA Culinary CacophonyÆ. The themes of disease and cannibalism, among other subjects, arenÆt groundbreaking or particularly memorable but the seasoned death metal fandom will appreciate their uncomplicated message of aggrandized misanthropic horror. This album clicked with me in terms of death/doom style and classic death metal tonality but, I wonÆt say I ever found a thread of riffs that really knocked me on my ass. By the tenth full listen I felt IÆd extracted the vital juices from the mushed-up gore of Horrisonous without absorbing any new found power and without the warriors blood rage coursing through me, IÆd say the album is on the average side of things in terms of songwriting. Every other aspect of the music is on point placing the quality of this release beneath the heightened conceptual legacies of similar groups like Slugathor/Desecresy but above a group like Decaying. There is yet room to move even further into their own here and for that reason I can highly recommend Horrisonousæ debut as solid old school death/doom but also as a band to look out for in the future. For preview youÆre limited to one track but IÆd suggest hearing both ôKuru Worshipö and ôA Tale of Matriphagyö before making any final judgement of this fine album. --- These Australian chefs have the recipe to creating a nasty and nutritious dose of death metal; the kind that raises the hairs on your skin from the moment the first vocal is sung, the fist riff is played and the first stroke of the snare drum is applied. As it has been from the beginning I discovered death metal, the artwork is the sole contributor responsible for my peaked interest in this gem released on the 22nd of January, 2019 through Memento Mori. Having resembled and brought back images of a scene out of Hannibal (2001), I could not resist temptation, and IÆm glad I did not. What is to be witnessed on this massacre of ethics and decency, is death metal that shape-shifts constantly to invoke peaking levels of bliss as it strokes your cravings maliciously. Even If the artwork had not been as vile as it is, reading through the names of the tracks would have been more than enough to suck me in; ôFlesh Presented for Orgasmic Tormentö?, thatÆs evil. On HorrisonousÆ debut titled A Culinary Cacophony, youÆre given 41 minutes of putrid lyrical content, classic death metal riffs that change course often and unpredictably as they experiment with slow decomposing doom metal and black metal tremolo picking. You get vocals that range from goring gutturals and raw black metal snarls to a drumming performance that displays both patience and discipline in its execution. With an opening the likes of ôKuru Worshipö, Horrisonous set their standards so high that I questioned their ability to keep it. My fears were dispelled due to the bandÆs ability to not just maintain that level of quality, but exceed it as well. By carefully incorporating all of the above mentioned techniques into their sound, Horrisonous managed to create something that exhibits the bandÆs ability to play fluently when transitioning to and from death and doom metal sections among other genres. Horrisonous as a unit plays with a very calculative and precise level of effectiveness; they never sound sloppy, the music never leaves you feeling overburdened, instead you are aroused with delight as you drift among diverse musical disciplines. ôA Tale of Matriphagyö exquisitely demonstrates how much of a wrecking force Horrisonous is as a unit. Borrowing classic death metal and mixing it with melodic metal, black metal and melodic death/doom riffing; the song reeks of contrasting emotions with melancholy being one that appears towards the ending of the track in an attempt to cast a gloomy aura of the record. The fact that they experimented with a debut full-length tells of the high confidence existing in their musical abilities. Some bands experiment to their own detriment by just throwing things into their music that fails to compliment or even sustain what little enjoyment is present on the effort. Adding to the point made, Horrisonous not only experimentÆs during the total runtime of A Culinary Cacophony, but they convey a steady-handed and level-headed approach. They know just how much of any element is enough; thus implying having the knowledge and wisdom of where and how to exit those experimental moments. Though using various combinations to generate an appeasing record , that Australian death metal dressing follows A Culinary Cacophony with unfettered strides. Yes this is quite the blend of styles, however; the chefs brewing this broth appear to be familiar with the Too many cooksà proverb. There is a nod to DeicideÆs ôSacrificial Suicideö in terms of the verseÆs pattern and another to Iron Maiden in the form of the final and lengthiest track titled ôThe Number of the Feastö. Both entries exercise the same discipline exhibited in the beginning and are among the stronger songs to be discovered on A Culinary Cacophony. A Culinary Cacophony is a solid album in which I hope garners the attention it deserves. Many can take a few lessons from this impressive debut; as it displays the importance of good organization where the implementation of diverse styles is concerned. Another win for Australia, whom in my opinion play death metal with much efficiency and cohesion. If youÆre looking for the duck sauce, you will surely find it here.                                                                                                     ▀▀░                                                                                                                ░▄▀                                  ▄█▀                                             ░▄           ░▐███░               ▀█░▄▄▄                    ▄░       ▀█░░                      ░           ▀▀░                                         ▄  ░                                          ▄     █          ▀                 ▄              ▄█▄ ▄ ██▄         ▀░▀     ▄         ▀                ▀░▀   ▀         ▀▀████████▀░                   ▀ ▄      ░                      ░░       ░▀██▀                    ▀██▄                ▄               ▐     ░      ░  █▀▄    ▐▓▓▌   █                    ▄   ▄▄       ░                    ▄▄▌█  ▄▄▓▓▓▀  ▄                      ▄ ▀   ████      ░                   ▐███▌  ░ ░                  ▄██▀     ▄▄██▄▄           ░           ▄▄███▄▄ ▄  ▓                         ▐▓▓▌  ░   ▓████▄        ▀          ▀    ▓█████▓  ▀ ▄                           ▀▓▓▓▄▄   ▐▓███ ▌                       ▌█████      ▀██▄   ▄                ░▄  ▀▀██▄▐████ ▌▐ ▌▓                ▓▐ ▌█▓███       ▐▓▓▌ ▀░▀           █    █  ░ ░▓▐████▄▌▐ ▌▌ ▌▌▐ ▌▐▄ ▐▐·▌▌▐▐ ▐ ▄█████    ▄▄▓▓▓▀                            ▓ ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐▓▐▐ ▌▌▐▐ ▐ ▌█████ ▄█▓▀▀  ▄░ ░            ▄▄▄░      ▓     ░▐████▄▌▐▄▌▌▄▌▌▐ ▌▐▐▄▐▐▄▌▄▐▐▓▐▄▌█████ ▓     █               █████      ▐▄░   ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓░   ▄         ▐▓    █▓███░    ▓▐█░▄▄  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐█ ▐▐ ▌▌▐▐ ▐ ▌█████    ▄██▄ ▀ ▄      █▌    █████▓   ██▀█▀▀   ▐█▓██ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▌███▓█   ▐█▓██▓   ▀██▄ ▀██▀   █████▓░    ▓█▌    ▐████▓▌▐▄▌▌▄▌▌▄ ▌▐▐▄▐▐▓▌▌▐▐▄▐▄▌█████   ▐████▌    ▐▓▓▌▓█▌   ▄█▓███▄░     ▐█▄▓  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▀█▓███   ▐████▌ ▄▄▓▓▓▀  █▓  ████████▄▄▓ ▄█████▌ ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓████▌░ ▄▄   ▄▄█▄▄ ██████████████████████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄     █████  ░██▓████▓██▓▓██████ █░█████▄▀█▄░████████▄▄▄▄▄██████▓████████░██████▄▄▄▄▄███████░▄██░█░█████████ ▓██▀█████▓░░ ░ ░ ░ ░ ░ ░░░▓███▓█████ ████████▓ ▓██▓▐████▓ ▓██ █░███ █░██████▓ ███▓▄▀█▓ ▓ ▓█████▓███████ ▓███ ░▄▄▄▓████▓ ▓████████▓ ▓██████▓ ▓████▓