Genre | Metal |
---|---|
Date (CEST) | 2020-05-23 20:19:31 |
Group | GRAVEWISH |
Size | 79 MB |
Files | 8 |
M3U / SFV / NFO |
Inner_Missing-Defeat-2014-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-inner_missing-the_secret.mp3 | Inner Missing | The Secret | 267 | Unknown |
2 | 02-inner_missing-bleak.mp3 | Inner Missing | Bleak | 274 | Unknown |
3 | 03-inner_missing-the_princess_of_snow.mp3 | Inner Missing | The Princess of Snow | 277 | Unknown |
4 | 04-inner_missing-febris.mp3 | Inner Missing | Febris | 262 | Unknown |
5 | 05-inner_missing-defeat.mp3 | Inner Missing | Defeat | 263 | Unknown |
6 | 06-inner_missing-december.mp3 | Inner Missing | December | 274 | Unknown |
7 | 07-inner_missing-the_parting.mp3 | Inner Missing | The Parting | 251 | Unknown |
8 | 08-inner_missing-phoenix.mp3 | Inner Missing | Phoenix | 268 | Unknown |
NFO
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██▌ Artist...: Inner Missing ░▐██▌
░▐██ Album....: Defeat ░██▌░
▓▐██ Year.....: 2014 ▓▐██▓
▓▐██ Rel.Date.: 2020-05-23 ░▐██▓
▐██ Genre....: Metal ██▌░
░ ██▌ Label....: Darknagar Records / Satanath Records / Niberu ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. The Secret 6:38
2. Bleak 4:18
3. The Princess of Snow 5:22
4. Febris 4:04
5. Defeat 6:18
6. December 4:52
7. The Parting 5:22
8. Phoenix 4:33
------
41:27
Inner Missing carry the sort of distinctive threads that they could be
described pretty closely in few terms. That is often the risk with bands
that take a high concept road with their musical elements. To which I'd
say a fully operatic baritone certainly applies, at least when found in
Inner Missing's genre of choice: Gothic doom metal with a notably
progressive edge. In fairness, Inner Missing offer up a solid dose of
gloom across the board with Defeat. The production is appropriately
atmospheric. The sound is nicely well-developed, and there are times I
was flat-out surprised by what they had in store. But the thing I'll
ultimately take away from Defeat is the vocal performance of the
frontman Sigmund. Having manned the helm of Inner Missing since their
days under the name Odium, I don't think I could imagine the band
sounding nearly as memorable without him.
I have noticed a penchant for sad melodies in colder parts of the world,
so it makes sense that Inner Missing, fresh from Saint Petersburg, would
be rife with them. Defeat is the fourth album of theirs in a relatively
short amount of time, so it is clear they've nary let the creative
embers diminish before moving onto their next project. I think this has
been a good thing in their case; Inner Missing have earned an
increasingly distinctive sense of identity; a relatively impressive feat
in a style filled with sycophants of My Dying Bride.
The sombre, introspective tone on Defeat shouldn't come as a surprise to
anyone. Even so, if death-doom was once a strong descriptor of the
band's sound, it isn't anymore. Inner Missing are as true to their gloom
as ever, but in finding their sound, it's brought them closer to Gothic
territory than anything. The vocals are almost entirely clean, and
there's too great a range to the tempo to justify the doom epithet.
Inner Missing obviously aren't in a world of their own stylistically,
but I was impressed from an early point that they could make me think
twice about something as fundamental as genre.
Sigmund's vocal performance definitely explains why I might feel
differently towards Defeat. Atop the melodic guitar gloom, his voice
rumbles in a purely operatic way. Aside from some mandatory Gothic
whisperings, there's little done to connect this vocal style with metal
customs, and that is a great thing. Compared to the stars of the
operatic world, Sigmund wouldn't actually live up to the best of them.
His vibrato only really shines on the lowest notes, and his vocal range
sounds purposefully limited to the lower end. But I think that's why his
vocals work so well. They have all the pomp and arrogance of opera, but
have the latent modesty to integrate into the rest of the music. Even
so, it would have been nice to hear the full range of what the guy can
do with his voice. As far as Defeat goes, it sounds like we only get a
limited taste of what's probably a much broader spectrum.
Inner Missing's songwriting and instrumentation is a sight less
distinctive than their frontman's brooding bellow, though that should
not be seen as a slight against them. The musicianship is relatively
professional, at least on par with a lot of the bands that influenced
them. The composition of Defeat is perfectly solid for what it is. Songs
tend to get locked into a gloomy groove that builds with intensity,
sometimes middling along with the general sense that a song will end up
in a simply louder place than where it began. This atmospheric bent has
worked for bands in the past, and it does a solid job for Inner Missing
too. Where I'm most surprised are the points on Defeat that transcend
the gloom for something greater. The prog metal fireworks on "Febris"
are a continual source of surprise to me, popping up at a point in the
album where I was sure I had it figured out already.
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