Genre | Progressive Rock |
---|---|
Date (CEST) | 2020-02-16 17:41:10 |
Group | GRAVEWISH |
Size | 101 MB |
Files | 11 |
M3U / SFV / NFO |
It_Bites-Eat_Me_in_St_Louis-1989-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-it_bites-positively_animal.mp3 | It Bites | Positively Animal | 251 | Unknown |
2 | 02-it_bites-underneath_your_pillow.mp3 | It Bites | Underneath Your Pillow | 258 | Unknown |
3 | 03-it_bites-let_us_all_go.mp3 | It Bites | Let Us All Go | 256 | Unknown |
4 | 04-it_bites-still_too_young_to_remember.mp3 | It Bites | Still Too Young to Remember | 257 | Unknown |
5 | 05-it_bites-murder_of_the_planet_earth.mp3 | It Bites | Murder of the Planet Earth | 252 | Unknown |
6 | 06-it_bites-people_of_america.mp3 | It Bites | People of America | 260 | Unknown |
7 | 07-it_bites-sister_sarah.mp3 | It Bites | Sister Sarah | 252 | Unknown |
8 | 08-it_bites-leaving_without_you.mp3 | It Bites | Leaving Without You | 253 | Unknown |
9 | 09-it_bites-till_the_end_of_time.mp3 | It Bites | Till the End of Time | 259 | Unknown |
10 | 10-it_bites-the_ice_melts_into_water.mp3 | It Bites | The Ice Melts into Water | 246 | Unknown |
11 | 11-it_bites-charlie.mp3 | It Bites | Charlie | 256 | Unknown |
NFO
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██▌ Artist...: It Bites ░▐██▌
░▐██ Album....: Eat Me in St. Louis ░██▌░
▓▐██ Year.....: 1989 ▓▐██▓
▓▐██ Rel.Date.: 2020-02-16 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Virgin ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Positively Animal 4:35
2. Underneath Your Pillow 5:27
3. Let Us All Go 4:11
4. Still Too Young to Remember 4:57
5. Murder of the Planet Earth 3:48
6. People of America 4:14
7. Sister Sarah 4:19
8. Leaving Without You 4:54
9. Till the End of Time 4:13
10. The Ice Melts into Water 7:16
11. Charlie 7:36
------
55:30
It is apparent from the get go that the weirdly titled Eat Me In St
Louis is a much harder edged affair than the two previous efforts. While
previous albums were rather tame in comparison with this, the present
one is "positively animal". Personally, this one is much more to my
liking. The star of the band is Francis Dunnery whose voice sounds very
much like that of Peter Gabriel and whose guitar sound resembles that of
Brian May! The guitar sound is not the only connection to Queen, this
album is produced by Mack who also produced many of Queen's albums (and
not by Steve Hillage as others have stated). The Prog tendencies have
not been abandoned here, merely presented a bit differently; instead of
timid Pop Prog we get Pop Prog with something of a Hard Rock punch to
it! The songs are generally a bit shorter here - short and snappy is the
order of the day. But more things are crammed into a shorter space of
time, creating a much needed sense of urgency that was often lacking on
earlier It Bites-releases. Sheer song length is not a sure sign of
progressiveness anyway.
Eat Me In St Louis is also a bit darker in both sound and subject matter
compared to previous albums. One example is the beautiful Leaving
Without You which seems to be based on a suicide letter that opens with
the line "I wish I could die and see what it's like" as well as Murder
Of The Planet Earth which is a cynical look on mankind.
As I mentioned above, Dunnery sounds very much like Peter Gabriel on
this album. But Eat Me In St Louis is more similar to Peter Gabriel's
solo albums than anything from Gabriel- era Genesis. Other influences
probably include late 70's/early 80's Yes and Genesis and, as previously
mentioned, Queen and perhaps a bit of Asia. Keyboards are played by John
Beck who provides some nice keyboard solos in among the "biting" guitar
solos and melodic hooks. All band members provide harmony vocals which
is something of a trademark for It Bites. It is hard to pick out
favourite songs as there are no standout songs as such, but who can
ignore the gorgeous guitar melody on Still Too Young To Remember and the
lovely vocal on The Ice Melts Into Water? There are a couple of weaker
moments in Let Us All Go and Sister Sarah but the quality overall is
even and high. The album closes with Charlie which is a lovely
guitar-based instrumental that reminds me of Steve Morse playing.
My CD version has a very nice (and very weird) cover art is by none
other than the great Roger Dean and the new It Bites-logo and album
title as printed on the sleeve is done in Dean's unmistakable style.
In my opinion this is It Bites' best album and sadly it was also their
last (until the come-back in 2008 without Dunnery). The classic Prog
purists will probably not be impressed by this, but for any fan of
Crossover Prog this is well worth checking out.
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