Genre | Instrumental Rock |
---|---|
Date (CEST) | 2020-08-15 16:22:05 |
Group | GRAVEWISH |
Size | 90 MB |
Files | 13 |
M3U / SFV / NFO |
Joe_Satriani-Shapeshifting-2020-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-joe_satriani-shapeshifting.mp3 | Joe Satriani | Shapeshifting | 269 | Unknown |
2 | 02-joe_satriani-big_distortion.mp3 | Joe Satriani | Big Distortion | 273 | Unknown |
3 | 03-joe_satriani-all_for_love.mp3 | Joe Satriani | All for Love | 272 | Unknown |
4 | 04-joe_satriani-ali_farka_dick_dale_an_alien_and_me.mp3 | Joe Satriani | Ali Farka, Dick Dale, an Alien and Me | 281 | Unknown |
5 | 05-joe_satriani-teardrops.mp3 | Joe Satriani | Teardrops | 267 | Unknown |
6 | 06-joe_satriani-perfect_dust.mp3 | Joe Satriani | Perfect Dust | 263 | Unknown |
7 | 07-joe_satriani-nineteen_eighty.mp3 | Joe Satriani | Nineteen Eighty | 276 | Unknown |
8 | 08-joe_satriani-all_my_friends_are_here.mp3 | Joe Satriani | All My Friends are Here | 285 | Unknown |
9 | 09-joe_satriani-spirits_ghosts_and_outlaws.mp3 | Joe Satriani | Spirits, Ghosts and Outlaws | 276 | Unknown |
10 | 10-joe_satriani-falling_stars.mp3 | Joe Satriani | Falling Stars | 262 | Unknown |
11 | 11-joe_satriani-waiting.mp3 | Joe Satriani | Waiting | 252 | Unknown |
12 | 12-joe_satriani-here_the_blue_river.mp3 | Joe Satriani | Here the Blue River | 271 | Unknown |
13 | 13-joe_satriani-yesterdays_yesterday.mp3 | Joe Satriani | Yesterday's Yesterday | 251 | Unknown |
NFO
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██▌ Artist...: Joe Satriani ░▐██▌
░▐██ Album....: Shapeshifting ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel.Date.: 2020-08-15 ░▐██▓
▐██ Genre....: Instrumental Rock ██▌░
░ ██▌ Label....: Legacy ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Shapeshifting 3:54
2. Big Distortion 4:13
3. All for Love 2:31
4. Ali Farka, Dick Dale, an Alien and Me 3:42
5. Teardrops 4:08
6. Perfect Dust 3:30
7. Nineteen Eighty 3:34
8. All My Friends are Here 3:24
9. Spirits, Ghosts and Outlaws 3:22
10. Falling Stars 3:41
11. Waiting 2:36
12. Here the Blue River 5:02
13. Yesterday's Yesterday 2:47
------
46:24
As illogical as it might sound, especially to anyone who flinches at the
notion of noodly six-stringers, the most soulful moments on
Shapeshifting often occur during solos. Joe Satriani û the man who first
made smart, horrifyingly skilled guitar playing cool and fun with 1987Æs
Surfing With The Alien û seems to stretch out in these live-wire fusions
of blues, rock, world and jazzy sensibilities.
So where does that leave the ætunesÆ themselves? In truth, Satriani has
become a better, smarter guitarist since his prodigious breakout days.
HeÆs also a more thoughtful arranger and producer (he co-produced this
album with Foo Fighters/Tom Petty & The Heartbreakers guy Jim Scott),
with a glimmering vault of sounds and intricacies at his fingertips.
On Ali Farka, Dick Dale, An Alien And Me, Satch and band sashay between
African-inspired beats and spacey qualities. Spirits Ghosts And Outlaws
is darkly brooding yet biting. Falling Stars is all far-out contemporary
jazz mystique. Christopher Guest plays mandolin on YesterdayÆs
Yesterday. Somehow it all sounds effortless.
Still, at heart Satriani has always been all about melody. Without his
Albert King blues and a Led Zeppelin ear for grooves, none of that
swashbuckling deep-space shit would work.
ThereÆs one track on Shapeshifting that really nails this. Where others
demand multiple listens for their charms to shine through, first single
Nineteen Eighty is a home run straight away and still sounds killer
umpteen spins later. Billed as an ôattempt to recapture what was on his
mind in 1980ö, it rocks like hell and comes soaked in Eddie Van Halen
panache. ItÆs a joyful riposte to anyone who says ultra-disciplined
virtuosos donÆt have any fun.
Elsewhere, though, itÆs difficult to escape the sense that Satriani has
been on the creative conveyor belt for a long, long time (reliably
putting out a new album every couple of years, touring heavily in
between), and therefore must be finding it increasingly harder to churn
out fresh fiery tuneage.
Big Distortion shuffles innocuously into the light, perked up by a
snappier bridge. All For Love is sleek but beige, and is rescued by
heartfelt soloing. All My Friends Are Here has a benign warmth to it,
and again is spiced up by solos. All fine, if unlikely to reappear much
on future set-lists.
As a whole, Shapeshifting might not lure in a ton of new Satriani
converts. But with its thoughtful display of textures and tones (plus a
couple of killer moments) it offers plenty for fans to enjoy.
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