Genre | Black Metal |
---|---|
Date (CEST) | 2020-10-04 20:13:59 |
Group | GRAVEWISH |
Size | 105 MB |
Files | 6 |
M3U / SFV / NFO |
Krigsgrav-Leave_No_Path_to_Follow-2018-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-krigsgrav-leave_no_path_to_follow_-_the_withering.mp3 | Krigsgrav | Leave No Path to Follow / The Withering | 265 | Unknown |
2 | 02-krigsgrav-strength_through_wounding.mp3 | Krigsgrav | Strength Through Wounding | 277 | Unknown |
3 | 03-krigsgrav-forging_with_broken_hands.mp3 | Krigsgrav | Forging with Broken Hands | 277 | Unknown |
4 | 04-krigsgrav-dark_pools.mp3 | Krigsgrav | Dark Pools | 292 | Unknown |
5 | 05-krigsgrav-the_end.mp3 | Krigsgrav | The End | 274 | Unknown |
6 | 06-krigsgrav-brave_(katatonia_cover).mp3 | Krigsgrav | Brave (Katatonia cover) | 268 | Unknown |
NFO
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██▌ Artist...: Krigsgrav ░▐██▌
░▐██ Album....: Leave No Path to Follow ░██▌░
▓▐██ Year.....: 2018 ▓▐██▓
▓▐██ Rel.Date.: 2020-10-04 ░▐██▓
▐██ Genre....: Black Metal ██▌░
░ ██▌ Label....: Narcoleptica Productions ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Leave No Path to Follow / The Withering 11:24
2. Strength Through Wounding 7:48
3. Forging with Broken Hands 8:28
4. Dark Pools 6:26
5. The End 8:27
6. Brave (Katatonia cover) 10:48
------
53:21
Krigsgrav is quite an interesting band, but a hard one to define as far
as genres go. With elements of death, doom, black, progressive and goth,
the band takes extreme metal to a level attempted by many but achieved
by few. ôLeave No Path to Followö is a soulless and agonizing trip to
where life is depleted and the aftermath of such has free reign over the
last shreds of sanity. There is an element to the way the music is
played which leaves an undisputed feeling of misery and desolation. The
tone and delivery of the material is reminiscent of bands like early
Katatonia, Novembers Doom (only slower), Loss, Agathodaimon, Shining,
and My Dying Bride presented with a blackened death metal edge. The
solitude that this type of music invokes is the perfect example of
audible art that reflects the deepest recesses of the human mind and
soul. An escape, if you will, from the oppressive nature of humanity.
Relatable in its fluency and its very foundation. These guys have found
a way to make an even closer connection between music and emotion, the
link of which is passion.
The cherry on top for this release is the cover of KatatoniaÆs ôBraveö.
Including this solidifies the mastery and legitimacy of this band and
their talent. Sadly, this release is limited to 100 copies. But, as
disappointing as that is, this CD is so good you can bet that somewhere
down the road another label will pick this up for a larger release. This
CD needs to be available to as many people as possible. For it to be
limited to 100 copies is a disservice to the band and does not come
close to showing the respect that this release deserves.
---
Krigsgrav is an incredible black-doom band from Texas. Although their
earlier work was true black metal, this release culminated in the vein
of classic death-doom acts like Katatonia or Paradise Lost, interspersed
with a bunch of post-metal melodies, in their most successful release
ever, surpassing everything they had done before that release.
The artwork Luciana Nedelea did for this album is just beautiful and
immediately threw me into the setting and atmosphere before I even had a
chance to hear the first track. If the manifestation of doom metal had a
material form, this album cover would certainly not be far from its
look.
Although I'm not a big fan of intro tracks, the short instrumental track
"Leave No Path To Follow" is quite tolerable and seems like a prophecy
of the coming slow tempo melodies and the gloomy, melancholic
atmosphere. After the pains of tolerating the into are over, we are
exposed to the sheer power of the guitar sound. Each song is perfectly
structured, whereby the sequence of melodies and their intended
emotional value resembles more a fable than a collection of decent
riffs. The melodic basic parts are mainly characterized by their
simplicity, it's just incredible how much two simple notes can
contribute to the atmosphere, and the second track "Strength Through
Wounding" is a perfect example of how this structure is applied. You
can't say that the main riffs don't have a doomy vibe, but one should
still classify them as post-black metal. Some of the melodies and the
"heavy" parts are just too memorable and with their unique structure, I
could compare them to waves that hit the listener again and again. All
in all, the band's guitarist, Justin Coleman, has proven that he has an
incredible riff-writing ability, and the absurd amount of incredible
material he has written cannot be described in its entirety.
Since this is an openly guitar-based band, I didn't necessarily expect
an absolute mastery of drums, which is true for most parts of this
release. Nevertheless, David Sikora, the drummer of the band, did a
pretty decent job, taking advantage of the slow tempo with some very
interesting ideas in the middle tempo sections. Overall the drums are
strongly influenced by black metal and are played in a slower tempo,
which makes them perfectly fitting to the atmosphere and sound dictated
by the guitars.
The bass, on the other hand, is something I really enjoyed throughout
the whole album. The basslines may be in the background, but they are
still good enough to give the slow riffs the quality, sound incredibly
heavy and occasionally lead to some headbanger tracks like "The End".
Justin may not be the best vocalist in extreme metal, but the repertoire
of his raw, high-pitched screams, very much in the old, classic Black
Metal style of the early nineties, and some deeper growls from the
death-doom side of this release simply fit too well into the atmosphere
of this album. There are even some clean vocals that are absorbed by the
atmosphere, which is surprisingly pleasant and definitely suitable for
fans of the newer stuff from Paradise Lost, although Krigsgrav doesn't
use it as extensively.
The cover of Katatonia's "Brave" is the ending that this album needed.
Mikael Akerfeldt's vocals are something that can't simply be recreated
perfectly, but Justin's vocals gave this extremely well-done cover a
certain Krigsgrav quality that fits the sound that makes this album so
special.
I have been lucky enough to discover a number of incredible new bands
lately, and with Krigsgrav the list is getting a bit longer. This album
is a very sophisticated bundle of beautiful, melancholic melodies,
followed by some post-metal highlights that reverse the darker parts in
certain places. The atmosphere is not a constant, but evolves from riff
to riff and takes you on a journey of auditory sensations, which are
carried to extremes by the high art of metal music.
Lastly, there is nothing else to say except that this is a nearly
perfect release from an extremely underrated band. Therefore I ask you
to do a good thing for yourself and the society around you and start
listening to this album.
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