▄█████▄ ░█████▄ ▄████▄░█▄ ░█▄ ▄█████▄ ███▄██ ▄██ ▄█▄ ▄██████ ▄█▄ ▄███ ░████░██▀████▓ ▀██ ▄██░▀█████ ████ ███▓ ██████▓██ ▓███████ ███▓░▀█▀████ ███▓ ███▓ ▓███░ ██ ██▄ ▄██▓██ ▓███▓██░ ▓███░███░███████████▄ ███░███░ ███░ ▄███ ███ ▄█▀░ ████████░██ █████████▄ ▓██░███ ███▓█████████ ███████ ███ ███░ ███████ ███▓ ░██ ██ ██████▓ ░██ ▀██ ███░███▓██████ ███▓███ ███ ███ ████████░███░ ███ ██▄ ██▓███░ ██▄ ██░██▓ ███ ▀▀████ ███░███ ███ ███ ███▓░███████░ ███ ███▓██ ███ ███▓██▓██░ ███ ▓████ ███ ███ ▓██▓ ███ ███░ ▓██████ ███ ▓████ ▓██▄ ▓████████ ███ ▓███ ███ ███ ███░███ ███ ░██████ ███ ░████ ░███ ███▓███▓ ███ ░███ ███ ███ ██▓███ ███ ███▓██ ███ ███ ▓██▄ ███░███░ ███ ███ ███ ███ ░█████ ███ ██▓░██▄ ███ ▓█▀ ▓██▄ ███ ██░ ███ ██▓ ███ ███ ░███▀ ░█▀ ██░ ██ ░█▀ ░███▄ ▀ ▀ ▓█▀ ███░ ░█▀ ██▀ ██░ ▄██▀ ░█▄ ▄███▀ ░██ ░ ██ ▓░ ▓░ ██░ ▓█░ ░█▀ ▀█░ ░█▓ ░ ██ ██ Artist: La Dⁿsseldorf ██ ██ ▓ █░░ ■█ Album: La Dⁿsseldorf █■ ░░█ ■ █▓▀ █ Year: 2005 █ ▀▓█ ░ █ ▓ Rel. Date: 2020-01-11 ▓ █ ▒ ▒ Genre: Psychedelic Rock ▒ ▒ █▄ ░ Label: TELDEC ╗Telefunken-Decca½ Schallplatten ░ ▄█ ░ █▄ ░ Source: CD ░ ▄█ ░ █▓ Type: Remastered ▓█ ░ ▓ █ Quality: VBR, 44.1kHz, Joint Stereo █ ░ ▓ ▓ █ █ ░ ▓ ▄ ■ ■ ▓ ■ ░█ █░ ▀ █ La Dⁿsseldorf is Klaus Dinger's side project after █ █ the scission of Neu! in 1975. In this musical █ █ adventure, Dinger is accompanied by Thomas Dinger █ █ and Hans Lampe who also participated to the █ █ recording of the third and last Neu! The self █ █ titled album "La Dusseldorf" was released in 1976, █ █ venturing from avant-garde for concrete noises, █ █ manipulated sounds, pre-punk atmospheres. This █ █ album has a total disregard for musical █ █ convention, the musicians don't hesitate to mix █ █ without restriction a bunch of sounds taken from a █ █ great variety of musical styles (with pop accents, █ █ motoric "electronic" pulses, krautrock weird █ █ instrumentals and punk's eccentricity). After this █ █ original and diverse collection of experiments, █ █ the band recorded their second "Viva" in 1978. A █ █ political musical act against capitalism which █ █ comes directly during the classic years of punk █ █ music. However this album remains progressive with █ █ achieved synth instrumentations and insitent █ █ electronic beat in the genre of Kraftwerk. Only █ █ the voice and the distorted "dirty" guitars remind █ █ us the anger and "primitive" sound of Punk music. █ █ In their last "Individuellos" (1980) the █ █ atmosphere is more relaxing than in the two first █ █ and delivers a few "sensitive" ambient soundscapes █ █ next to abstract & rhythmical "electronic" rock. █ █ After this creative musical experience, Thomas █ █ Dinger has made an excursion in solo with Fⁿr █ █ mich.. Klaus Dinger and his Dingerland (the name █ █ given to his personal label) carry on the way █ █ written by La Dⁿsseldorf for the publication of █ █ several projects, among others the album █ █ "Neondian" or the recent La! Neu? recordings (a █ █ musical hybrid between Neu! and La Dⁿsseldorf for █ █ long synth / post rock sessions). █ █ █ █ --- █ █ █ █ It was voluntarily made. It is related to saying █ █ that the audience will react to the sound of the █ █ band very. ?In the remark of this Klaus Dinger, █ █ perhaps, he is Neu. It will have been a part █ █ necessary to pursue the music character of man who █ █ drank and had been doing music further. And, █ █ whether the flow that Klaus Dinger needed █ █ concerning music very was understood might be █ █ understood. █ █ The above-mentioned remark remarkably showed the █ █ intention of the music at which Klaus Dinger had █ █ to aim indeed. A remark similar as for Jaki █ █ Liebezeit of "Can" was done. That is, it is █ █ partial of music that excludes the element of the █ █ extra and is done. And, it means the repeated █ █ rhythm. It will have been appearance of music that █ █ pursued the part of complete essence for Can and █ █ La Dusseldorf at this time. It is surely Neu █ █ though it developed into the opinion with Michael █ █ Rother and the difference of directionality. █ █ Details until twining La Dusseldorf will have been █ █ the proofs of the pursuit of the music that had to █ █ be aimed exactly. █ █ It was an event that Neu recorded "Neu75" █ █ multiplied in January from December to 1975 1974. █ █ Klaus Dinger is Neu. It is said that it drinks, █ █ the part of "Pop Art" is calculated at time, and █ █ it acted. █ █ It is guessed that the result advanced by having █ █ already thought a part of idea that should do the █ █ element that Klaus Dinger exactly thought about █ █ for the music character of the band that derives █ █ from Neu by catching. █ █ La Dusseldorf that caught from still another angle █ █ while succeeding to the music character of Neu and █ █ challenged might have been pursued as a part of █ █ the idea refined further and the music character. █ █ It was said that Klaus Dinger had not adopted the █ █ character to be called "Motorik Sound" generically █ █ of their music characters as a result. Meaning █ █ that approaches essence of music as well as Jaki █ █ Liebezeit. Or, it is pleased repeated. They might █ █ be parts of the essence of the music of this band. █ █ The listener occasionally called it █ █ "CosmicSurfPunkBand". Or, it might have been Post █ █ Punk. These music characters also certainly had █ █ the opinion thought about as one of the elements █ █ that gave directionality to "Low" and John Lydon █ █ of David Bowie. However, Klaus Dinger might █ █ understand a complete necessity enough and █ █ challenge music. It will have been inevitable █ █ appointment because it made this music character █ █ an embodiment by as many as two people (Thomas █ █ Dinger and Hans Lampe). █ █ "Dusseldorf" progresses to an electronic sound █ █ that flows completely in the space attended with █ █ the repeated rhythm. Music combines repeating the █ █ blissout, invariability, and the top. The melody █ █ and the chorus of peace are inevitable as the █ █ music character. However, power and the idea of █ █ the involved music have succeeded. The part of the █ █ directionality at which the band should aim is █ █ exactly included enough. An electronic sound, and █ █ repeated melody and rhythmMusic that excludes the █ █ extra and is done might be completely refined. █ █ "La Dusseldorf" advances from shout of joy SE as █ █ complete Rock. Whether it influenced various very █ █ musicians might be understood. Cutting of refined █ █ guitar. And, the song and the chorus who includes █ █ the element of Punk. A straight rhythm and the █ █ idea might be the music for this band. █ █ As for "Silver Cloud", the feature an electronic █ █ melody and the guitar that flows in the space. █ █ Making the sound completely refined will not be █ █ simple Rock. It might be understood to have █ █ developed the music character done with Neu █ █ further. The band has consistently established the █ █ music character. Peace and space are involved to █ █ an electronic sound with the anacatesthesia. Their █ █ music can feel the blissout in the listener. Klaus █ █ Dinger is made remarks, "How it keeps moving is █ █ important". It will accompany a mental part as █ █ essence of music. There might be a nucleus of the █ █ band in the part where essence is understood and █ █ music is caught in the sense. The tune heads from █ █ the part that flows in space for the top further █ █ attended with the transposition. The never-ending █ █ space might be splendidly created by music. █ █ When "Time" also talks about the essence of this █ █ album, it might be an important tune. An █ █ electronic sound that slowly flows to the song █ █ with the anacatesthesia twines with the piano. The █ █ blissout and space might be completely expressed. █ █ The performance that completely understands the █ █ meaning and the directionality of the repeated █ █ rhythm and is done can be caught enough as a music █ █ character at which this band aimed. █ █ La Dusseldorf might have influenced various █ █ musicians. And, the thought that Klaus Dinger █ █ thinks about appears in the music character of █ █ this band. █ ▓ ▓ ▒ ▒ ░ 1. Dⁿsseldorf 13:18 ░ ░ 2. La Dⁿsseldorf 4:29 ░ ░ 3. Silver Cloud 8:02 ░ ░ 4. Time 9:25 ░ ░ 35:14 ░ ░ ▒ ▒ ▓ █ ░ ▓ ░ ■ █▄ ░ ██ ▀█▄░ ▄▄▄▄▄ ▓ ░ ▄▄▄▄▄ ░▄██░ ░ ▀████▓█▄▄█████████▓░ ███ ███▓░ █████████▄▄██████▀ ▓ ▓▀▓ ▒███████▀▀ ▀████████▒ ░████████▀ ▀▀███████░▓▀▓ ■ ░ ▄█░█▀▀▄████▄▓ ▀█▀ █▓░ ▒▓█ ▀█▀ ▄████▄ ▀███▄░ ▄█▀░ ░███▀▀▀███▄ ▀█▒ ██▓ ██ ▓█▀ ▄███▀▀▀███░ ▀█░ █▀ ▓██▓ ▄███ ▀█▓ ████ ▒█▀ ▓███▄ ▓██▓ ▀█▓ █▀ ▓██░ ▒██████▓ ▀█ █▓ █▀ ▓██████▒ ░██▓ ▀█ ▒ ▄██ ░███ ▓███▓ ▀░██░▀ ▓███░ ███ ██▄ ▒ ░█▀ ███ ▄▀ ███▄ ▓████▒ ▄███▀▄ ███ ▀█░ ▓█▀ ▄██▄█▀ ░ ██████████████ ▀█▄ ██▄ ▀█▓ █▀ ████▀█▄▓░▄█ ▀██████▀ █▄▓░▄█▀█▄██ ▀█▓ ░ ▄ ██▀ ▀████▀ ▀█▓▀██ ▀████▀ ▀███ ▄ ▒ █░█▓ ██░ █░ █ ░██ ▀██▒█ ███░ ▒█░ ▄ ▓ ▒ ░█▒ ▓███ ░ ▓██ ░ ██▓ ██░ ░██ █▒ ░ ░█ ▀█ █▀ ▓ ░ ░