Genre | Unknown |
---|---|
Date (CEST) | 2021-03-27 16:18:43 |
Group | GRAVEWISH |
Size | 80 MB |
Files | 11 |
M3U / SFV / NFO |
Nekrogoblikon-Welcome_to_Bonkers-CD-2018-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-nekrogoblikon-mold.mp3 | Nekrogoblikon | Mold | Unknown | Unknown |
2 | 02-nekrogoblikon-the_many_faces_of_dr_hubert_malbec.mp3 | Nekrogoblikon | The Many Faces of Dr. Hubert Malbec | Unknown | Unknown |
3 | 03-nekrogoblikon-row.mp3 | Nekrogoblikon | Row | Unknown | Unknown |
4 | 04-nekrogoblikon-dressed_as_goblins.mp3 | Nekrogoblikon | Dressed as Goblins | Unknown | Unknown |
5 | 05-nekrogoblikon-dragons.mp3 | Nekrogoblikon | Dragons | Unknown | Unknown |
6 | 06-nekrogoblikon-thanks_for_nothing_moon.mp3 | Nekrogoblikon | Thanks for Nothing, Moon | Unknown | Unknown |
7 | 07-nekrogoblikon-the_skin_thief.mp3 | Nekrogoblikon | The Skin Thief | Unknown | Unknown |
8 | 08-nekrogoblikon-darkness.mp3 | Nekrogoblikon | Darkness | Unknown | Unknown |
9 | 09-nekrogoblikon-the_magic_spider.mp3 | Nekrogoblikon | The Magic Spider | Unknown | Unknown |
10 | 10-nekrogoblikon-killing_time_(and_space).mp3 | Nekrogoblikon | Killing Time (and Space) | Unknown | Unknown |
11 | 11-nekrogoblikon-goblins.mp3 | Nekrogoblikon | Goblins | Unknown | Unknown |
NFO
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██▌ Artist...: Nekrogoblikon ░▐██▌
░▐██ Album....: Welcome to Bonkers ░██▌░
▓▐██ Year.....: 2018 ▓▐██▓
▓▐██ Rel.Date.: 2021-03-27 ░▐██▓
▐██ Genre....: Heavy Metal ██▌░
░ ██▌ Label....: self-released ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Mold 3:53
2. The Many Faces of Dr. Hubert Malbec 3:06
3. Row 3:20
4. Dressed as Goblins 3:22
5. Dragons 4:20
6. Thanks for Nothing, Moon 3:36
7. The Skin Thief 3:08
8. Darkness 4:07
9. The Magic Spider 4:08
10. Killing Time (and Space) 3:21
11. Goblins 4:42
------
41:03
Nekrogoblikon are obviously about having fun with music and they still
have done alright with reviews in the past, mostly getting through with
high scores. I dig their approach, itÆs a classic heavy metal sound with
a lot of modern techniques and ideas thrown in. It borders on
avant-garde in the vein of UneXpect but is just tight enough to be taken
more seriously for their talent. They have some good song writing that
takes them above the meme they embody in their public personas and music
videos. ThereÆs some real poppy hooks like youÆd expect from British
rockers The Darkness, but itÆs done with their tongue poking out at the
expectations of metal, so it doesnÆt completely lose its edge.
I walked into this expecting to be amused and nothing much else, but I
can actually see myself listening to this a fair bit. After listening to
Lordi earlier this feels like a heavier rendition of that, more along
the lines of what I was hoping to get out of Lordi anyway. Nekrogoblikon
always carries its humor around on its sleeve but this album has some
seriously talented moments. Some bright sounding metal that uses finesse
and complexity to create a ôjokeö. I feel like they choose to make this
sort of music, but could very well make anything.
The choruses are where this album excels. It gets big and chanty in its
delivery of the catchy lyrics during the chorus where you want to both
jump around and sing along. It does well to call-back to earlier riffs
and inflections. Every time you start a new track, you can never be
completely sure what you will be hearing. They keep it exciting and
varied. The track ôDragonsö has one of the grooviest keyboard
introductions IÆve ever heard and continues with the keys as a central
theme to the track, screaming over the top with elongated notes that
sound almost like warped audio. The whole track could be a Sonic the
Hedgehog level on meth.
Vocally they show a bit of range with Children Of Bodom like growls and
shrieks being the norm but there is also a lot of cleaner vocals on
display as well, even going as far as sounding like stuff out of decent
prog metal albums. The keys almost seem to egg the guitar on in a
musical game of HORSE. ItÆs like the keys are playing and then saying,
ôsee if you can do thatö and then the guitars do it and they play over
and over again.
WeÆve all heard a lot of meme bands and parody bands, but this is the
best balance between parody and actual metal IÆve heard in a long time.
Overall, itÆs a polished record with little flaws. Something about it
being heavy AND goofy gives me a reverence for this sound.
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