■▄▄▄▄▄▄▄██▄ ▀███████▀▀ Quality Since 1997 ■ ▀ ▀▀ ▀▀▀▀▀▀▌█████▓█▌▀█ ▄▄▄▄▄ ▄▄█▄▄ ■ █████▓█ ▌█ ▄▄▄█▀▀▀▀█▄█▀ ▄ ▀▀▀█▄█▀ ▄ ▀▀▀▀█▄▄▄█▀▀▀▀▀█▄▄▄ ▄ █▀▀▀▀▀▀▀▌███████ ▐█ █▌ ▄▄██▄▄▄▄▄█████▄▄▄ ▄██████▄▄▄ ▀ ▄███▄ ▄ █▄▀▀▀▀▀▀▀█▄▀ ▄██████▄█████▓█ ▐█ █▐ ▌█▓█████▌ █████▓██▄▀█████▓███▄▐███▄█ █▄▄▄▄█████▄▄▄▐███▓███▌▌█████▓█ ▐█ █▀█ ███████ ▓▌████▓███ ▌█████▓███ ▀███▀▐████▌ ███▓▓██▄▌█▓▓██▌▓ █████▓█ █▀ ■ █ █▓█████ ▓ ████▓▓██▓ █████▓▓██▐▄▄▄▄▄■▓███ ▓▌███▓███▐█████ ▓ █████▓█ █ ▄█ █▓█████ ▓▐█████▓██ ▐██████▓██ ███▀ ▄████ ▓ ███▓▓██ █████ ▓ ███████ █ ■ █▌ ███████ ▐█████████ ██████████ ███▌██▓███ ▓▐████▓██ █████▐▓ █████▓█ █ ▄▀ █▄▄▄▄▄▄▄▄▄▌▀▀▀▀▀▀██▀▐▀▀▀▀▀▀▀██▀▐▄███ ██████ ████████▐██████▄▐███████▐▀▀█ ▄▄▄▄▄▄▄▄▀▀▀▀▀▀▀█▄▄▄█▀▀▀▀▀▀ ▌▄███▓█ ▌ ▐ ▌▀▀▀▀▀███▐▄▄▄▐▀▀▀ ■▀▌▀▀▀▀▀▀▀ █▄▄▄ █▀▀ ▄▄▄▄▄▄▄█████▄▄▄▌▄▄▄▄▄▄████ ██▓▓██ ▀████▄▄ ▀▀ ■▄▄▄▄▄▄▄▄████▄▄▄ ▐▄████▄▄▄ ▀█ ▀▐██████▀ ▀▀█████▓▓▄ █████▌▀██▐▀██████▄ █▀▌▀████▄▄▌█████▀▌▀███▓▓▓█ ▌▀███▓███▄ ███▓███▐ ▓ ▌███████ ████▌ ███▄▄▄ ▌▄▄▄▄█▐▓ ██████ ▀██▓█ ▓ ▌████▓██ ▐███▓▓██ ▄▐███████▐ ■▀▀▀▀▀▀▌▄██▓██ ▓ ████▓██ ████▀▀ ▐████▓██▌██▓█ ▓ ███████ ▄██████▀ ▄ █▄ ▀▀▀████▄▄▄▄▄▄▄▄ ▀█████ ▓ ▀█████▀▐ ▄▄▄▄▄█▀████▓██ ██▓█ ■▄███▀▀▀▀ ▌▐ ▌▀█ ▄█▀▀▀▌ ▀███████▄ █▓██ ▓▌▄▄▄▄▄▄▌█████▀ ▌ ████▓██ ██▓█▄ ▓ ▄▄▄████ ▓▄██████▄ ▀▌▄█████▀■▓ ▌███▓▓██ █▓██▐ ██████▄ ▓███ ▓ ███████ █████▐ █▓█████▐ ▌████▓██ ██▓████▐ ▓▐███▓███▐▄█████▐▄████▓██ ████▐▓▓▐████▓██▐███████▄ ▀▀████▄▄██████▀ ▄▐▀▀█████▄▄████▀▀▀ ▄▄▄ ▀▀▀▀▀▀▀▀▀▀▀▌▄█████▄▄█████▀▀▀ ▄ ▀ ▄▄▄▄▄█▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄█ ▀▀█▄▄▄▄▄▄▄▄▄▄▄▄▄█▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀▀ ▀█▀▀ nmls^BAFH ▀ ■ ■ D-I-G-I-T-A-L-L-Y U-N-I-T-E-D ┌──────────────────────────────────────────────────────┐ ┌┐ │ William Hooker-Hard Time │┐ ││ └──────────────────────────────────────────────────────┘└───────│───┐ ┌───────────────────────────────────────────────────────────────│──┘ │ ││ │ Artist... William Hooker ││ │ Title.... Hard Time ││ │ Label.... Squealer ││ │ Cat. Nr.. none ││ │ Year..... 1998 ││ │ Genre.... Jazz ││ │ Rip Date. 000-00-0000 ││ │ Rls Date. Oct-18-2002 ││ │ Size..... 63,5 MB ││ │ Tracks... 07 ││ │ Length... 46:13 min ││ │ Ripper... ms_jazz ││ │ Source... CDDA ││ │ Grabber.. ││ │ Encoder.. FHG/Radium 1.263 ││ │ Quality.. 192KBps / 44.1Khz / Joint-Stereo ││ │ ││ └──────────────────────────────────────────────────────────────│──────-· ││ ┌─────────────────────────────────┐ ││ │ R E L E A S E C O M M E N T S │┐ ││ └─────────────────────────────────┘└─────────────────────────────│──┐ ┌──────────────────────────────────────────────────────────────│───┘ │ ││ │ Artist ││ │ ││ │ Working on the periphery of the jazz world since he moved ││ │ to New York in 1974, William Hooker's kinetically ││ │ charged, free-time drumming style and spoken word poetry ││ │ have been matched with some of the finest improvising ││ │ talent across generations and stylistic boundaries. From ││ │ solo explorations to collaborations with Billy Bang, Lee ││ │ Ranaldo, and DJ Olive, Hooker's music has surfaced on a ││ │ smattering of independently minded record labels aiming ││ │ to document some of the most distinctive musicians ││ │ working this indefinable terrain. ││ │ ││ │ Born in New Britain, CT, on June 18, 1946, William Hooker ││ │ initially approached the drum kit with reluctance. ││ │ Hesitancy was soon replaced by commitment, however, and ││ │ at age 12, he was getting his first taste of performing, ││ │ supporting the Isley Brothers, Dionne Warwick, and Gary ││ │ "U.S." Bonds as a member of the Flames. In college, he ││ │ enrolled in a course on 20th Century Composers, writing a ││ │ paper on the atonal music of Alban Berg. Combined with an ││ │ independent study of the jazz albums on Blue Note ││ │ Records, the drummer was ensured a unique music ││ │ education. Local musicians like the tenor saxophonist Al ││ │ Pitts and bassist Bob Snell provided more practical ││ │ tutelage. Hooker eventually made a trek out to the West ││ │ Coast with his good friend Tyrone Lampkin (future drummer ││ │ for Parliament/Funkadelic), an eye-opening experience for ││ │ the young musician. While he was disappointed by the lack ││ │ of ability on the jazz scene as a whole, the radical ││ │ consciousness of the period led to his initial attempts ││ │ at "free" playing. Hooker moved back to Hartford, CT, ││ │ where he lived briefly before heading to New York in ││ │ 1974. ││ │ ││ │ In his new home, the drummer quickly established himself ││ │ amongst the city's jazz, loft scene. The new jazz of ││ │ Delmark and Actuel BYG began replacing the Blue Note ││ │ Records in his collection. Unable to find a label for ││ │ himself, Hooker established the non-profit Reality Unit ││ │ Concepts to fund his debut, 1978's Is Eternal Life, a ││ │ collection of solo, duo, and trio performances with ││ │ prominent tenor saxophonists David Murray and David S. ││ │ Ware and altoist Jemeel Moondoc. Hooker spent much of the ││ │ 1980s hard at work, performing with a number of his own ││ │ ensembles. Rather than establishing a regular unit, the ││ │ drummer drew from a community of musicians that included ││ │ trumpeter Lewis Barnes, saxophonists Blaise Siwula and ││ │ Charles Compo, pianist Mark Hennen, and guitarist Jesse ││ │ Henry. Sadly, little of the music he made during the ││ │ decade found its way onto records. It wasn't until the ││ │ early '90s that more outlets became available. Hooker's ││ │ work emerged on independent labels like Knitting Factory, ││ │ Silkheart, and Homestead. The drummer began receiving ││ │ increasing attention from the underground rock sector. ││ │ Fans and artists of post-punk and indie rock were turning ││ │ their ear toward experimental and improvised music, ││ │ including the sort of free jazz Hooker performed. Sonic ││ │ Youth's Thurston Moore, a longtime admirer of the genre, ││ │ released the drummer's Subconscious album (1994) on his ││ │ Ecstatic Peace label. Hooker soon began performing with ││ │ younger musicians beyond the immediate scope of jazz ││ │ (oftentimes at Knitting Factory jams). Shamballa (1993) ││ │ pits Hooker's fiery drumming against the unkempt feedback ││ │ bursts of Moore and the calculated guitar electronics of ││ │ Elliot Sharp. Envisioning (1994) captures an improv date ││ │ with Sonic Youth's Lee Ranaldo that includes spoken word ││ │ segments. The duo was joined by the ecstatic electric ││ │ harp work of Zeena Parkins for the date that produced ││ │ 1995's the Gift of Tongues. Hooker also brought ││ │ electronics into his music, collaborating with Brian ││ │ Doherty, Doug Walker, and Gert-Jan Prins, and ││ │ turntablists DJ Olive (on 1995's Armageddon and 1997's ││ │ Mindfulness) and Christian Marclay (2000's Bouquet). ││ │ ││ │ Album ││ │ ││ │ This excellent, risk-taking CD is taken from two of ││ │ William Hooker's gigs at New York's CBGB ù one on August ││ │ 16, 1994 and the other on December 1, 1995. On both ││ │ nights, the drummer provides an explosive yet atmospheric ││ │ mixture of free jazz and rock that only the most ││ │ adventurous listeners will appreciate. Free-form ││ │ instrumentals such as "Lincoln's Microchip," "The TV ││ │ Wall" and "Slaughtered Lambs" don't follow a conventional ││ │ melody/solos/melody structure, but rather find Hooker and ││ │ his sidemen (who include Doug Walker on keyboards, Donald ││ │ Miller or Jesse Henry on electric guitar and Richard ││ │ Keene on sax) simply taking a theme or a mood and ││ │ improvising on it in a very stream-of-consciousness, ││ │ outside fashion. With his outrageous, space-is-the-place ││ │ electronics, Walker proves to be a major asset for the ││ │ daring Hooker. To be sure, music this "out there" isn't ││ │ for everyone, but those with a taste for the avant-garde ││ │ will find Hard Time to be a most thrilling excursion ││ │ ││ │ William Hooker - Drums, Mastering ││ │ Jesse Henry - Guitar ││ │ Doug Walker - Synthesizer ││ │ Richard Keene - Saxophone ││ │ Donald Miller - Guitar ││ │ ││ │ ││ └──────────────────────────────────────────────────────────────│──────-· ││ ┌─────────────────────┐ ││ │ T R A C K L i S T │┐ ││ └─────────────────────┘└─────────────────────────────────────────│──┐ ┌──────────────────────────────────────────────────────────────│───┘ │ ││ │ [01] computer glasses [07:57] ││ │ [02] lincoln's microchip [05:59] ││ │ [03] abandoned [10:17] ││ │ [04] cloning (the self) [08:10] ││ │ [05] the t.v. wall [04:52] ││ │ [06] robot driver [03:27] ││ │ [07] slaughtered lambs [05:31] ││ │ ││ │ Total Playtime : [46:13] ││ │ ││ └───────────────────────────────────────────────────────────────│─────-· ││ ┌─────────────────────┐ ││ │ G R O U P N E W S │┐ ││ └─────────────────────┘└────────────────────────────────────────│───┐ ┌───────────────────────────────────────────────────────────────│──┘ │ ││ │ MiNDSCAPE is one of the oldest MP3 groups in the scene. ││ │ Started in 1997, MS soon become one of the best and most ││ │ loved Electronic groups. ││ │ ││ │ MiNDSCAPE is your source for everything MP3. ││ │ We aim to bring nothing but quality releases. ││ │ So therefore, we need rippers who also know the meaning of ││ │ the quality over quantity. ││ │ ││ │ Think you can benifit a great MP3 group?. Do you wanna be ││ │ part of the best?. See the contact details below. ││ │ ││ ──────────────────────────────────────────────────────────────│── │ ││ │ LATE NEWS: ││ │ ││ │ LsD Merged with MS. bring it on! ││ └──────────────────────────────────────────────────────────────│──────-· ││ ┌───────────────┐ ││ │ C O N T A C T │┐ ││ └───────────────┘└───────────────────────────────────────────────│──┐ ┌──────────────────────────────────────────────────────────────│───┘ │ ││ │ Join #MiNDSCAPE on efnet and scream ││ │ ││ └───────────────────────────────────────────────────────────────│─────-· [NFO & LAYOUT by nmls^BAFH] [UPDATED]: 23/07/2002 by Cyclo ││ NFO created with the use of: MP3 Releaser (c) MorGoTH └┘